
With 100% less hate (and no artificial ingredients), there’s nothing to spread but love. Belfast paste-up by FGB (Francois Got Buffed) (web).
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Copyright © 2018 Seosamh Mac Coılle
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With 100% less hate (and no artificial ingredients), there’s nothing to spread but love. Belfast paste-up by FGB (Francois Got Buffed) (web).
Click image to enlarge
Copyright © 2018 Seosamh Mac Coılle
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Since the 1980s (BBC | BelTel), Belfast’s maritime history has been celebrated in the form of three buoys outside the Belfast School of Art (known to all as “the art college) in York Street. They were given a face-lift during CNBX/HTN18 by DMC (ig) (above) and (in the middle, below) KVLR and (on the left) Nol (web | ig | Fb).

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The female characters from the Hulu adaptation of The Handmaid’s Tale is used again (seen previously in She Is My Spy As I Am Hers) by Leo Boyd, this time to support the abortion referendum in the Republic (see Yes And No).
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This is a bonus piece by Dublin artist Shane O’Malley (web | Fb | ig) during the week of Culture Night. His official piece for Hit The North we called The Fractured Self.
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Work by Sofly (Inst | tw) and MrDrawsBristol (ig | web) – who specialises in mountains – for CNBX/HTN18 in Kent Street (with other minor pieces in Library Street). In 2017, Sofly collaborated with FGB to produce Together.


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Here is the final installment in the series done by members of Dublin’s subset collective (ig | web) for CNBX/HTN18 in Donegall Street on the theme of death. Previously: Valar Morghulis | All Men Must Die | Faces Of Death.


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