Don’t Look Away

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Sinn Féın leaders Mary Lou McDonald and Michelle O’Neill intend to travel to the USA for St Patrick’s Day, despite US support for Israel in its sustained attack on Gaza (Indo). The SDLP has said that it will not travel to the White House (Bel Tel). Sinn Féın say they will use the trip to promote business opportunities in Northern Ireland. The Taoıseach will also be in DC, while the Tánaıste will be in Vancouver (Breaking News).

These posters are in west and south Belfast, from https://socialistdemocracy.org/ and the Socialist Party (NI) (web).

“Tell your politicians… boycott the White House. We’re all running out of time to be on the right side of history. Don’t let genocide-mongerers be pandered to in your name.”

“Don’t look away. 30,000 people have been killed in Gaza. End the genocide.”

“Boycott genocide Joe. No greenwash at the White House. Leo/Mıcheál/Mary Lou stay away from St Patrick’s Day celebrations! Solidarity with Palestine.”

“Tell local politicians… Boycott the White House or… we will never forgive you. We will never vote without recalling which politicians partied with the gleeful killers of thousands of Palestinians. We will never forget. We will never let you forget.”

An additional poster can be seen in the Paddy Duffy Collection.

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Black Shamrock

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The black shamrock is a symbol of Irish neutrality dating back to 2006 (Irish Times | Pensive Quill). In the light of the attack on Gaza it is being used by the IPSC and other pro-Palestinian causes as a symbol of solidarity. This shamrock, on Free Derry Corner, has been augmented with two small Palestinian flags, one with a dove and the word “peace” (shown below).

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Copyright © 2024 Andy McDonagh/Eclipso Pictures (ig | Fb)
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My Kite You Made

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“Cosaın Ár Neodracht – Ní dhéanann muıd freastal ar Westminster nó ar Washington ach ar Éıreann amháın./Protect our neutrality – We serve neither Westminster nor Washington but Ireland only.” The question of Ireland’s neutrality is a frequent one in light of US aeroplanes using Shannon as a stop-over point en route to the Middle East and more recently because of the Russian invasion of Ukraine that has pushed Finland and Sweden to join NATO (CNN).

The other issue on these posters (on the right of the electrical box) is political prisoners in Palestine. The Al Naqab prison is in the Negev, Israel, and “a center of brutality and brutal behavior” according to the head of a Palestinian prisoners’ welfare organisation (Al Mayadeen) with at least six prisoners killed in October-November (People’s Dispatch). (For the POW solidarity poster in the bottom right, see Victory To The PFLP.)

For the use of an upturned red triangle, see Resist! from the Lecky Road underpass. For a kite flying in support of peace in Gaza, and the source of this entry’s title, see Tell My Story.

Central Drive (above) and Southway, Derry.

The Resist triangle in Central Drive replaces some simple graffiti in memory of Bloody Sunday:

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Victory To The PFLP

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“Victory to the PFLP.” “PFLP” is the Popular Front For The Liberation Of Palestine, a revolutionary (where Fatah is democratic) left-wing militant group within the PLO. It dates back to 1967 and known for skyjackings in 1969 and 1970 led by Leila Khaled (see the entry on the mural featuring Khaled in Hugo St) and for suicide bombings during the Second Intifada (BBC | WP).

The PFLP emblem also appears in murals from Éırígí (Resistance Is Not Terrorism | Solidarity With Palestine) and RNU (Peoples United).

The posters read: “Republican solidarity with Palestine! التضامن الجمهوري مع فلسطين www.irpwa.irish” and “Stand with Palestine. End Israeli apartheid. End the siege of Gaza.” Both posters have also been murals: for the prisoners joining hands (which is a Carlos Latuff (ig) design) see Hands Across The Yard; for the protester tying her keffiyeh, see #Gaza.

Central Drive, Creggan, Derry.

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The Hardships Our Children Must Endure Tomorrow

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Sandy Row says “no” to an Irish Sea border, but “yes” to Israel’s invasion of Gaza. The verbiage along the bottom of the tarp reads, “The battles we refuse to fight today become the hardships our children must endure tomorrow.”

The tarp is on the Rangers “55” hoarding on Sandy Row, and was recorded previously in Let Us Shout Joyfully.

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Out Of The Ashes Of 1948

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The Palestinian West Bank is surrounded by, and in some places penetrated by, a system of barriers 440 miles long. In some places it takes the form of multiple fences, in others, of a concrete wall reaching to a height of 30 feet/9 metres. (Here is WP’s map of the wall in the vicinity of Bethlehem and Jerusalem, also showing the Israeli settlements in this part of the West Bank).

In this mural, a Palestinian stands on top of the wall and looks towards (Christian) Church Of The Holy Sepulchre and the (Islamic) Dome Of The Rock in old Jerusalem and imagines themselves a phoenix, a symbol representing rebirth and persistence, well known from (Irish) republican muraling (Peter Moloney Collection | Extramural collection).

The mural is on the International Wall, west Belfast, part of the Painting For Palestine project (Fb). The original artist is unknown.

The West Bank barrier is locally known as the “separation” or “apartheid” wall. For west Belfast’s own euphemistically-called “peace” wall, see State Art Vs Graffiti On The West Belfast “Peace” Line.

The next mural (to the right) can be seen in Worsening Crisis In Gaza.

The image above was taken on February 25th. Other “in-progress” images are as dated below.

February 22nd:

January 28th:

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Broken Family

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This mural is based on an original by Ahmad Shaweesh (ig) which shows a group of people, perhaps a family, in distress. The piece, both original and reproduction, is deliberately left unfinished, presumably to represent the unfinished lives of the Gaza dead.

The mural is on the International Wall, west Belfast, part of the Painting For Palestine project (Fb). The next mural, to the right, is of Soso And Omar Ashour.

The image above is from February 25th. Other in-progress images are as dated below.

February 22nd:

February 7th:

January 26th:

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The International Court Of Justice

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In December, South Africa lodged an emergency application (pdf) at the International Court Of Justice in The Hague, Netherlands, alleging that Israel had violated the 1948 convention on genocide (see also the WP page of human rights violations against Palestinians).

Two days of public hearings were held on January 11th and 12th and the ruling on the 26th directed Israel to take “all measures” to prevent any acts that could be considered genocidal, though it did not order a halt to Israel’s attack on Gaza (Al Jazeera | WP).

Sınn Féın moved in the Dáıl that Ireland join South Africa as a plaintiff in the full case, but the motion was defeated (Irish Times).

The image above shows, on the left, three children from Ireland, Palestine, and South Africa holding hands, and, on the right, dead Palestinian children flying to heaven over stripped and kneeling Palestinian prisoners. The flying children are based on an image by Taqdees Fatima (ig) and the kneeling prisoners on an image by Saïd Hassan (ig). The source for the three children is unknown.

The murals are on the International Wall, west Belfast, and part of the Painting For Palestine project (Fb). The next mural (to the right) can be seen in Let Your Hopes Bloom As the Cactus Blooms.

February 22nd:

[For in-progress images from February 18th, see the Paddy Duffy Collection.]

February 14th:

February 7th:

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A Window To A Free Country

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A Palestinian boy sitting among rubble looks out through a window of bars to see doves flaying in front of a Palestinian flag.

Based on a original by artist Azhar Al Majed (ig).

On the International Wall, west Belfast, part of the Painting For Palestine project (Fb).

The image above is from February 25th. Other images are as dated below:

February 22nd:

February 14th:

February 7th:

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Belfast Has The Reason

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“When it comes to punk, New York has the haircuts, London has the trousers, but Belfast has the reason.” – Terri Hooley in 2012’s Good Vibrations (IMDb).

The final incarnation of Hooley’s Good Vibrations record shop (Fb) closed in North Street in 2015 (BelTel). It began in October 1976 at 102 Great Victoria Street (Spit Records | Louder Than War | Spit Records) — the shop and Hooley are included, along with footage of the Undertones, Outcasts, Stiff Little Fingers, and many others — in the 1979 documentary Shellshock Rock (UK viewers can watch at BFI | Spit Records has a great write-up of events surrounding the film’s launch).

The new mural is close to the shop’s second location (from roughly 1984-1993), on the other side of the road, at 121 Great Victoria Street, which itself has had “Good Vibrations” signage reinstated by Zippy (ig) – one of the new pieces around the corner on 127 Great Victoria Street that can be seen in the entry in the Paddy Duffy collection.

Big Time Punk is in Stroud Street, painted by Peaball, specifically RAZER (ig) and NOYS (ig).

The plaque (final image) outside the Harp Bar (in Hill Street) reads, “For the contribution made by Terri Hooley and the role of Good Vibrations to Belfast’s music heritage and putting Belfast on the international music map. The Harp Bar and its shared history of the people and bands who played here. The Outcasts, Rudi, SLF, The Defects, The Undertones and many more 1978-1982.”

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