Pastor James McConnell, who denounced Muslims as “satanists” back in May at the Whitewell Metropolitan Tabernacle, is finally seeking help, attending “Despots Anonymous” in the company of a Muslim, a Jew, and a Sikh. The group meets next door to 1690, home to a football-loving boy from a family of immigrants who are under attack because the housing is for “locals only” – see the final image for just such a graffito in Pine Way. The bottle of Buckfast preaches “Love thy neighbour as thyself”.
This is another part of Ciaran Gallagher’s (web) “Belfast Stripped Bare” piece in the Duke of York/Dark Horse courtyard. The wide shot, below, shows Carl “The Jackal” Frampton in an upstairs window. There’s also, above the piece, an accompanying poem by Alice McCullough, “Belfast You’re Melting My Head”, which you can watch her recite in front of the piece.
Previously: Belfast Stripped Bare | Teenage Dreams
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Copyright © 2014 Seosamh Mac Coılle
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A new piece for CNB14 in Lower Garfield Street, immediately recognizable from Scottish artist Elph’s inimitable style, here using a palette of pinks and blues. On his Fb page you can see a sketch done in preparation for the work.
Previously by Elph: The Piano Has Been Smoking | Eyes Wide Shut. Replaces The Most Nasty
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Copyright © 2014 Seosamh Mac Coılle
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If it’s good enough to paint with, it’s good enough to drink. Two characters colour themselves by drinking paint through straws (the male is “Taps Aff“?, with little Terror Cheb in the corner) – work by Glasgow artist Conzo Throb (web | Fb) on the shutters of the old Tivoli barbers in Lower Garfield Street for Culture Night Belfast 2014.
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Here are two images of the new Visual Waste piece in North Street, completed as part of Culture Night Belfast, 2014. Bob Odenkirk plays the lead character, Saul Goodman, in the upcoming series Better Call Saul, a spin-off of Breaking Bad, whose lead character (Bryan Cranston as Walter White) was the subject of last year’s Visual Waste CNB piece (see Broken Bad).
Also by Visual Waste: The Mark Of Zorro from CNB 2012 | Carried Away. Replaces Faigy’s Purple Girl
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Copyright © 2014 Seosamh Mac Coılle
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Flyer in Hill Street: A water-colour fish and a modified version of “I will be still and know you are god” – the designer of the flyer omitted the “I will” and someone has inserted an extra “o” by hand, changing “god” to “good”.
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Copyright © 2014 Seosamh Mac Coılle
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This Belfast Popeye has four arms and massive thumbs, enough to hold up Titanic. As well as an anchor and life buoy, the figure sports an Irish harp, mushrooms, a lion rampant, a pike(?), a shamrock, a Celtic cross, tiger stripes, a snake, and various other symbols.
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Copyright © 2014 Seosamh Mac Coılle
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Sunflower faces – opposite the Sunflower pub in Union Street – along with a gardener and a (human) passerby keep an eye on the bicycle locked to the pole on the footpath. Painted by KVLR in June.
Previously at the Sunflower: No Topless Bathing – Ulster Has Suffered Enough
Previously by KVLR: Locked In The Attic | Skull
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Copyright © 2014 Seosamh Mac Coılle
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“Every turn of the wheel is a revolution”. This streetart by KVLR is outside The John Hewitt (pub) in the city centre. The John Hewitt was set up in 1999 by Belfast Unemployed Resource Centre (BURC | Belfast Media) and the mural was painted in 2000 (Turkington). This makes it one of the earliest pieces of street art in Belfast, if not the earliest. See Visual History 11 – The Rise Of Street Art.
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Copyright © 2014 Seosamh Mac Coılle
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Here are two panels of Matt Sewell’s large-scale mural at the Donegall Street end of the North Street Arcade: above is an owl (held by a girl) and below is a jay (?). (For another owl, see Only When The Dusk Starts To Fall and for all the birds you’ll need, see his three volumes of bird illustrations.)
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Copyright © 2014 Seosamh Mac Coılle
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Seosamh Mac Coille Collection 