Well-meaning but simplistic (if not patronising) message from a tourist: «Irish, forget the past.» Local response: “Da war is not over yet.” Response-to-the-response: “Bring it on.” On the nationalist side of the “peace” line at Townsend Street.
Emmalene Blake (web | Inst) painted her biggest piece to date for this year’s CNBX/HTN18, in support of same-sex marriage in Northern Ireland – it was approved in November 2015 but was blocked by a DUP petition of concern; the DUP now has only 28 seats but any new legislation is stalled by the current lack of a local parliament. The (Westsminster) Commons is scheduled to take up the matter on Friday (October 26th) for a second time – the bill was blocked in May (BelTel).
Communism and the Connolly Youth Movement (web | Fb) compete with a Menagerie (front | side | car-park) flyer for the for the attention of young people in Divis Street, Belfast.
In her autobiography, Living My Life, Emma Goldman wrote, “At the dances I was one of the most untiring and gayest. One evening a cousin of Sasha, a young boy, took me aside. With a grave face … he whispered to me that it did not behoove an agitator to dance. Certainly not with such reckless abandon, anyway. It was undignified for one who was on the way to become a force in the anarchist movement. My frivolity would only hurt the Cause. I grew furious at the impudent interference of the boy. … I was tired of having the Cause constantly thrown into my face. I did not believe that a Cause which stood for a beautiful ideal, for anarchism, for release and freedom from convention and prejudice, should demand the denial of life and joy. … If it meant that, I did not want it.” (p. 56)
Here are two more, smaller, pieces by Alice Pasquini (web | Fb | ig) from Rome, Italy, done while she was in Belfast for CNBX/HTN18. Her main piece was recorded in Glide.
These shamrocks and slot-machine “lucky number 7” are Rob Hilken’s (web | inst | Visual Arts Ireland) contribution to CNBX/HTN18. Last year he painted Banana Republic.
Keep On Truckin’ is a famous one-page 1968 comic by R. [Robert] Crumb, and the first panel in particular has become iconic. Dublin artist ADW (Fb | ig) has adapted it here to show four spray-can street artists, each a different colour, truckin’ along.
Here is another one of the six pieces by members of the Dublin’s Subset (ig | web) collective, in Donegall Street for CNBX/HTN18. Previously: Valar Marghulis | Faces Of Death.
Dublin art collective subset (ig | web) has been battling Dublin County Council over the permissions process for street art in the city since the council ordered the removal of its 2017 mural of rapper Stormzy in December of that year (RTÉ). The ongoing protests currently take the form of the group’s Grey Area Project (video | Huck).
Here are the first two panels (of six) of their their ‘Valar Morghulis‘ piece in Lower Donegall Street when some members came north for CNBX/HTN18 in September. The first piece replaces Lisa Murphy’s 2017 CNB piece, which we called Ecstasy. The second is by weaks (ig).