Howth Gun-Running

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Nora Connolly in her Cumann Na mBan uniform is the centre point of the ‘Howth Gun-Running’ panel in the new mural on the International Wall. Her sister, Ina, is shown to the right, unloading a rifle from a car outside their home in Glenalina Terrace. About 1,500 rifles were smuggled into Ireland on two boats, 900 of them on the yacht, Asgard, shown left-of-centre with Molly Childers and Mary Spring Rice aboard (the latter kept a diary of the trip; extracts are included in this RTÉ History Show video). Asgard docked at Howth on July 26th, 1914. (Here is a tcd.ie collection of images of Asgard’s journey; image #53 is the one reproduced in the mural). The other rifles eventually came ashore two weeks later at Kilcoole. (See this RTÉ article for an account of their tortured journey.)

The vintage Mauser rifles were received by members of Óglaıgh Na hÉıreann and Na Fıanna Éıreann (top left of the image above; here is the original photograph). The off-loading took place during the day but when the police and army met the marching volunteers at Clontarf they were able to capture only 19 rifles. As the army regiment involved returned to barracks it was pelted with stones or fruit by a crowd and killed three (with a fourth dying a week later), as recorded on the front page of the Irish Independent in the bottom left.

Below are two in-progress shots, and below those, two shots including the artist, Marty Lyons.

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Shan Van Vocht

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Ethna Carbery (the left-most of the four female figures, who wrote the song Roddy McCorley) and Alice Milligan (with her hand to her face) together founded both The Northern Patriot and The Shan Van Vocht (“the poor, old, woman,” i.e. Ireland), the latter being a monthly socialist newspaper that ran from 1896 until 1899 and included some early writings by James Connolly (pictured on the right of the mural), such as the piece “Socialism And Nationalism” which appeared in The Shan Van Vocht in January, 1897 and from which the quotation on the wall is taken: “If you remove the English army to-morrow and hoist the green flag over Dublin Castle, unless you set about the organisation of the Socialist Republic, your efforts would be in vain.” (For the passage in broader context, see (previously) If You Remove The English Army Tomorrow.)

The other two women shown are Elizabeth (seated second) and Nell Corr (standing), Cumann Na mBan members from the Ormeau Road in Belfast, who were in Dublin on the morning of the Rising but headed north. (For more information and a mural depicting the political complexity of their family, see previously The Corrs.)

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Spreading The Word

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Seán Mac Dıarmada was born in Leitrim but worked on the trams in Belfast in 1905. He also, as member and organiser for many nationalist groups, including Sınn Féın (formed in 1905) and the Irish Republican Brotherhood. He is shown here speaking on Clonard Street in the lower Falls, in 1906, flanked by fellow Brothers Denis McCullough (l) and Bulmer Hobson (r), both from Belfast. (For a brief account of MacDıarmada’s life, see this previous mural on Extramural Activity The Mainspring, which shows MacDıarmada delivering his speech from the back of a coal cart, and also this Saoirse32 post. See also Mac Dıarmada for a board near where he lived in Ardoyne.

The other part of the picture illustrates the use of magic lanterns to display images on gable walls to spread nationalist history and ideology. On one wall is Eoın MacNeill’s article ‘The North Began’ (which also features earlier on the new wall; see Shared Space and We Won’t Have Carson. On the other wall is an image of An Gorta Mór/The Great Hunger. (Magic lanterns were used by Alice Milligan (NWCI | Field Day | also a kids version from Creative Centenaries) when she gave talks; for her newspaper work, see Shan Van Vocht.)

The image below shows that there were originally (or at least, in April) plans for a two larger faces to be featured.

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Young Ireland

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The new mural on the International Wall is book-ended on the left-hand side by a host of Irish nationalists from the centuries before the 1916 Rising, who continue to watch over the unfolding drama of the nationalist cause. In chronological order, the figures depicted are …

  • Theobold Wolfe Tone (1768-1798), the main figure shown above, leader of the United Irishmen and the 1798 rebellion
  • Betsy Gray, female in green, who died in the 1798 rebellion
  • Henry Joy McCraken (1767-1798) second from the left at bottom, leader of the 1798 rebellion in County Antrim, rising on June 6
  • Mary Anne McCracken (1770-1876) on Tone’s cheekbone, political activist and anti-slavery and poverty reformer
  • Robert Emmett (1778-1803) obscured by pole, leader of a revolt in 1803
  • Anna Wheeler (1780-1848), female in purple, feminist author
  • James Fintan Lalor (1807-1849), bottom left, writer and political activist
  • Thomas Davis (1814-1845) small portrait below Gray, organiser of Young Ireland
  • John Mitchel (1815-1875) top row left of the pole, Young Ireland and the Irish Confederation
  • Michael Davitt (1846-1906) third from left at bottom, founder of the Land League and who took part in the Fenian Rising of 1867
  • John Devoy (1842-1928) fourth from left at bottom, one of the Cuba Five, exiled to the U.S. in 1871, and active in all of the Fenian Rising, the 1916 Rising, and the War of Independence

(There is a twelfth figure, in a bowler hat, top left. If you know who this is, please get in touch.)

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Vote For Nobody!

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US Americans go to the polls today to choose between Donald Trump and Hillary Clinton for President (as well as many House and Senate elections). The poster above (in a shop window in Royal Avenue) offers some radical advice: “Nobody will keep election promises. Nobody will represent you. Nobody will help you. Nobody cares! If Nobody is elected things will be better for everyone!”

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Where Did The Seeds Fall?

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This part of the new mural on the International Wall uses the area of Kilmainham jail where most of the leaders of the Easter Rising were executed in order to tie together the blanket protest – Kieran Nugent and Maıréad Farrell are shown with raised fists –  the hunger strikers – including Frank Stagg and Michael Gaughan on the ground – and Roger Casement, walking towards the gallows. Casement was executed not in Kilmainham but in Pentonville Prison, England, convicted of treason for his attempts to secure German rifles and machine-guns for the Rising.

Between Bobby Sands and Mickey Devine in the lower centre of the image is a 200th-anniversary stone in Maynooth/Maıgh Nuad(h) of the 1798 rising. A photograph of the stone is available here. “The Tree Of Liberty: What is that in your hand? It is a branch. Of what? Of the tree of liberty. Where did it first grow? In America. Where does it bloom? In France. Where did the seeds fall? In Ireland.”

At the launch (on August 3rd) actor James Doran (see the final image, below) read from Casement’s speech from the dock after his conviction for treason.

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Tony “TC” Catney

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IRA volunteer Tony “TC” Catney died in August 2014 and a volley of shots was fired over his coffin (Tele), but a memorial event was held in August 2016. To advertise the event, the IRPWA has commandeered the hoarding at corner of Divis and Northumberland streets. Catney was imprisoned at the age of 16 for the 1974 killing of Maurice Knowles. In recent times he was an RNU and JFTC2 supporter.

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I Am Proud To Be A Rebel

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The third panel of three new paintings outside Casement Park continues the quote in the second, both coming from the end of Casement’s speech during his trial on charges of treason against the UK. “It is only from the convict these things [i.e. human rights] are withheld, for crime committed and proven and Ireland, that has wronged no man, has injured no land, that has sought no dominion over others — Ireland is being treated today among the nations of the world as if she were a convicted criminal. If it be treason to fight against such an unnatural fate as this, then I am proud to be a rebel, and shall cling to my “rebellion” with the last drop of my blood.”

The speech was unsuccessful; Casement was hanged in Pentonville prison, England on Augst 3rd, 1916.

The same image of Casement being led away was also painted on the recently repainted International Wall.

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Self-Government Is Our Right

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Here is the second (of three) new paintings on the exterior wall of Casement Park in Andersonstown, west Belfast celebrating the life and death of Roger Casement. The words come from Casement’s speech from the dock at his trial on charges of treason. The quote in fact reads “Self-government is our right, a thing born in us at birth; a thing no more to be doled out to us or withheld from us by another people than the right to life itself — than the right to feel the sun or smell the flowers or to love our kind.” As the post on the first painting (see It Is Better For Men To Fight And Die) noted, Casement made his name (and was knighted) for his reports into abuses of “human rights” in Congo and Peru.

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