Genesis 35:11 reads (NIV) “And God said to him, “I am God Almighty; be fruitful and increase in number. A nation and a community of nations will come from you, and kings will be among your descendants.” The flags of Northern Ireland, Scotland, Wales, and England are joined in the mural above by those of Australia and (a simplified version of) the Falkland Islands (on the left) and New Zealand and Canada (on the right). The flag flying in the centre is the Royal Standard, flown on the building or vehicle where the monarch – currently EIIR, Elizabeth II Regina, Queen Elizabeth the second – is.
Charles, Prince Of Wales, Duke Of Rothesay, Duke Of Cornwall, and heir to the British throne, concludes a four-day visit to Ireland north and south today with a tour of Corrymeela peace and reconciliation centre. He is also colonel-in-chief of the Parachute Regiment (the Paras) which served in Northern Ireland from 1969 to 2007. Flyers have appeared protesting the visit (see the two images below), and The Rebels Rest on the Falls road is flying the banner shown above: “Fund communities, not royal visits – éırígí.org”. Éırígí also produced a video in memory of some of those killed by the Regiment during its time in Northern Ireland.
The Sınn Féın board to the left is from their campaign to extend voting in the Irish Presidential election to the north: “Vótaí do gach saoránach Éireannach”, “Paul Maskey supports #pres4all – Uachtarán do chách/President for all”
Who could resist this beaming smile and lilac knitwear? Communion portrait as street art, taking the place of Ian Jong-Un in Hill Street and (below) beneath the Potthouse plaque in Commercial Court.
Lewis Carroll’s Tweedledee and Tweedledum (as imagined by Tim Burton for Disney) have been turned into Twaddelldee and Twaddelldum, Twaddelldee using an Orange collarette as braces and Twaddelldum with face-mask, concealed brick, and “KAT” tattoo. The protest at Twaddell Avenue continues, after more than 600 days. For background, see previously: Protest Camp | Civil Rights Camp | Supporters Club | No Surrender
The Bobby Sands mural in Sevastopol Street has been given a facelift, including the blocking-up of a vent on Sands’s left cheek. Kieran Doherty and Joe McDonnell have been added in place of the 1798 medallions on each side. On the side-wall are Sean McCaughey, ten doves representing the 1981 hunger-strikers, and Long Kesh. Aerosol‘s accordion-player stencil has been also been retained.
Ag sráıd Sevastopol cuımhnıtear ar Bobby Sands ı múrmhaısıú a aithnıtear ar fud an domhaın. Ba scrıbhneoır, file, réabhlóıdí agus díograıseoır Gaeılge é Sands. Fuaır sé bas 5 Bealtaıne 1981 tar éıs 66 lá ar stailc ocraıs. As ucht na dıograıse a thaıspeáın Sands agus a chomhchımí ı leıth fhoglaım na teanga faoı choınníollacha uafásacha Bhlocanna H na Ceıse Fada, spreagadh glúın úr chun dul ı mbun athghabháıl na Gaeılge.
Here at Sevastopol Street Bobby Sands is remembered in a mural which has become world-renowned. Sands, a writer, poet, revolutionary and Gaelic enthusiast, died on May 5th 1981 after 66 days on hunger strike. Sands and his fellow prisoners inspired a new generation to reclaim the Irish language enthusing them by the huge efforts they put into learning Irish in the horrendous conditions on the H Blocks of Long Kesh.
James Connolly was concerned not just with the political independence of Ireland but its economic independence: both political and economic liberty were required in order for the human being to live freely. The quote in the image above comes from Connolly’s 1897 essay “Socialism & Nationalism”. The economic context is clear when we read a little more broadly:
“To the tenant farmer, ground between landlordism on the one hand and American competition on the other, as between the upper and the nether millstone; to the wage-workers in the towns, suffering from the exactions of the slave-driving capitalist to the agricultural labourer, toiling away his life for a wage barely sufficient to keep body and soul together; in fact to every one of the toiling millions upon whose misery the outwardly-splendid fabric of our modern civilisation is reared, the Irish Republic might be made a word to conjure with – a rallying point for the disaffected, a haven for the oppressed, a point of departure for the Socialist, enthusiastic in the cause of human freedom.” (marxists.org)
Here are two shots of the mash-up which has appeared in various city-centre locations, of Ian Paisley Jr’s visage superimposed on the bust of Kim Jong-Un. The first (above) is at the junction of Corporation St and Dunbar Link; the second (below) is in Hill Street, and is pasted over the torn remains of the previous generation of Paisley paste-up: Ian senior with a face filled in with the harp-side of pre-Euro Irish coins (see TLO’s “Doctored Paisley” web-site). For other versions of last year’s Paisley posters, see: Three Studies Of Ian Paisley | Demonizing Paisley
Here are two details from the new Kieran Nugent board along with the “Slí Na Gaeltachta‘ (The Gaeltacht Trail) plaque at its side. The image above shows prisoners “on the blanket” (that is, refusing to wear prison uniforms) in front of a giant brick “H” (for the H-Blocks) which perspective also shapes into an “A” (for Armagh Women’s Prison). They hold placards from the time: Wanted for murder [Margaret Thatcher] and torture of Irish prisoners”; “The spirit of freedom; support the POWs”; “Support the hunger-strikers”. The image below reads “Support the five demands”. These were (1) the right not to wear a prison uniform; (2) the right not to do prison work; (3) the right of free association with other prisoners, and to organise educational and recreational pursuits; (4) the right to one visit, one letter and one parcel per week; (5) restoration of remission lost through the protest.
The text of the Slí Na Gaeltachta plaque can be found at the bottom of this page.
“Slí na Gaeltachta – Abhaınn na Feırste. Cé go bhfuıl sí cludaıthe faoı choıncréıt anoıs agus gan a bheıth le feıceáıl, ıs ag an láthaır seo ar Shráıd Northumberland a chéadtrasnaıonn Abhaınn na Feırste Bóthar na bhFál. Aınmníodh an abhaınn as an fhearsaıd a bhí ag béal na habhann san áıt a dtéann sí ısteach sa Lagán. Baısteadh Béal Feırste ar an lonnaíocht a d’fhás thart ar áth cosanta ag cumar an dá abhaınn. Ba as an lonnaíocht ársa sın a d’eascaır cathaır an lae ınnıu. Here at Northumberland Street the now culverted Farset River first crosses the Falls Road. The river is named from the sandbank (fearsaıd) which was at the mouth (béal) of the river where it joins the Lagan. The settlement that grew up around a defended river ford at this confluence of the two rivers was named Béal Feırste, ‘mouth of the sandbank ford’. It was from this ancient settlement that the present-day city grew.”
Keiran Nugent (and Brendan Hughes) has been returned to the left-most spot on the International Wall.
This new board is closely based on the mural (shown in Belfast’s Infamous Prison) which was painted over in October in advance of the November 9th non-binding referendum in Catalonia (see Votes About Votes; the yellow background and some of the lettering from the Catalonia mural can still be seen in the image above). Nugent and Maıréad Farrell were then included in the hunger-strikers mural further down the wall: see I’ll Wear No Convict’s Uniform and Peace With Justice.
New in this version is the inclusion of a reference to the women’s protest in Armagh prison; one of the figures standing in front of the H/A holds the ‘Thatcher – Wanted for murder and torture of Irish prisoners’ poster that previously filled the top-left corner.
The Anti-Racism World Cup is a seven-a-side soccer tournament held annually at the grounds of Donegal Celtic in west Belfast. East Belfast artist John Stewart painted a mural of east Belfast imagery in 2012, complete with Titanic museum, H & W cranes, Titanic, firemen, and shipyard workers. Being on the side of Ryan’s Newsagents, the mural also features confectionery, vintage brands in old money: Cadbury’s peppermint creme for 2d, 1.4 lb of Fry’s milk chocolate for 4d, Terry’s milk chocolate 5d, Rolos “delicious toffee” for 2d and KitKat chocolate crisp.
Seosamh Mac Coille Collection 