Derry is well-known as “doire”, an oak grove, and the oak leaf and acorn are used as symbols by many civic and county organisations. Friz’s (ig) piece for Derry Féile combines Derry’s oaky background with the dryads (tree spirits) of Greek mythology.
Ireland’s most famous export is not its music – including Fontaines D.C. (web) – or its stout – including Guinness – but its people, about 10 million of them since 1800 (WP). The youngster in this new mural by Dublin artist ACHES (ig) is torn in different directions.
What is now Coláıste Feırste began life as Meánscoıl Feırste in 1991, teaching a group of nine students a curriculum inspired by Patrick Pearse (discussed previously in An Tusa An Chéad Laoch Eıle?) and based in Cultúrlann MacAdam-Ó Fıaıch (Cultúrlann). It moved to Beechmount in 1998 and in 2018 expanded into new buildings that were meant to accommodate 600 pupils (Doherty Architects), which it has now exceeded (BBC) as it enters its thirty-third year in existence.
The theme of preserving and promoting the Irish language occurs in several places in the mural: next to Pearse we see his saying, “Máırtín Ó Chadháın ” [a land without a language [is] a land without a soul], in the classroom scene we have “Labhaır í agus maırfıdh sí” [speak it and it will endure], and finally we see the Dream Dearg protesting for an Irish-Language Act (see previously #AchtAnoıs).
The in-progress images included below among completed detailed shots date from May 6th and 20th.
Giant’s Foot/Beechview Park. Replaces the short-lived mural of Olympians, seen in Sporting Giants.
“Wherever life plants you, bloom with grace.” When the Shankill Women’s Centre was first formed, in 1987, it was located in The Hummingbird on the lower Shankill (SWC). (When the Wellbeing Centre was built on that site, the Women’s Centre moved further up the Shankill to its current location in the Hammer.) A hummingbird features in one of the paintings on the hoarding around the construction site of a new “Shankill Shared Women’s Centre” on Lanark Way, a 6.5 million euro project funded by PEACE IV (Belfast CC).
This is a new mural on the Ballysillan Road by MWAK/Pigment Space (ig) close to the Boys’ Model and featuring a student at the centre of symbols of learning – a film camera in the top left; Hokusai’s Great Wave in the top right, for art; Titanic (for engineering?) and a thermometer (for chemistry? or global warming?) on the right; musical notes in the bottom right; sports in the bottom left. The dates on the left are obscure. “1971” is perahps for the year the school won the Schools’ Cup in rugby (News Letter); there is a soccer ball next to “1996” but no similar victory can be found – get in touch if you can supply a meaning.
A new mural was unveiled yesterday in memory of Jim McCabe, the husband of Norah McCabe who was hit by a plastic bullet in 1981 and died a day later. Jim went on to become a “lifetime campaigner for truth + justice” and a “founder member of Relatives For Justice [web] and United Campaign Against Plastic Bullets [web]” – the sketch shown in the third image suggests this line was part of the plan for the mural. (For a profile of Jim’s campaigning work, see Belfast Media.) Jim died in January of this (2023) year.
The image above shows one of the children of Norah and Jim – James – standing in front of the new mural wearing a ‘Ban plastic bullets’ t-shirt and carrying an image of his mother.
The Shankill Area Social History (SASH) (Fb) celebrates the people and events of the Shankill Road with a new mural in Downing Street.
From left to right: girls wrapped in Union Flags watching the parade; boys on pallets; the Shankill Mission; Orange Order parade; the Summer festival in Woodvale Park (The Cabin); the former Belfast Savings Bank, now an undertaker’s; the Winter festival and switching-on of the Christmas tree lights, with Mrs. Claus, the Grinch in Santa jacket and hat, and last year’s (2022) celebrity guest Charlie Lawson (youtube); local band Casual Riots (ig). (SASH Fb Gallery)
For a mural of famous Shankill faces and places, see Save The Shankill.
Tomorrow (August 30th, at 12:30) there will be a family fun-day and the launch of a new mural of a colourful drummer boy. The mural is on Peter’s Hill; it takes the place of the “Original Belfast” murals (2009 and 2020) and before that a UDA emblem (M02480).
Painted by Glen Molloy (ig) with support from SAFE Shankill (see Woodvale OK), Alternatives (web), Executive Office, Communities In Transition.
Kelly’s Bar at the top of the Rock was packed with punters watching a World Cup match between England and West Germany when a car bomb went off outside shortly after 5 p.m.. The bombing was followed by two nights of gun-battles, with loyalists firing from Springmartin, republicans (both PIRA and OIRA) from Ballymurphy, and British Army soldiers (the King’s Own and 1 Para) from Henry Taggart and other mobile locations. Within three hours following the explosion, barman Tommy McIlroy was killed in the gunfire from Springmartin as he helped with clean-up from the bomb, Alan Buckley of the King’s Own was killed by IRA fire, Michael Magee of Na Fıanna was killed by friendly fire, and Robert McMullan was killed by British Army fire. The next night (May 14th), John Pedlow was killed by British Army fire and Martha Campbell was shot by UVF fire from Springmartin (see her memorial plaque). (Lost Lives 352, 353, 354, 355, 358, 359 | Battle At Springmartin (WP))
As with the bombing of McGurk’s bar in north Belfast (see most recently Justice Delayed Is Justice Denied), the bombing was initially spun by the UK forces and government as an IRA attempt to stir up loyalists (An Phoblacht | Lost Lives 352). An inquest into Moran’s death (and thus into how the bombing was carried out) has been opened (BeTel | Independent).
The plaque dates back to 2004 (see M02243); the tarp was added for the 50th anniversary in 2022; the small mural is more recent.