As part of the ‘Get Up Derry’ graffiti and street art jam, seven substantial panels were painted at the Tesco superstore in Quayside, including work by NOYS (ig), Zippy (ig), emic (ig), PENS (ig), Kyle McGinley (ig), Friz (ig), and Razer (ig).
Here is a gallery of images from last week’s project to repaint a long wall at the Oval in east Belfast – about 14 young people took part, assisted by sprayers from 5th Element (ig), with sponsorship from the Rio Ferdinand Foundation, Glentoran FC, and Choice Housing (Belfast Live).
On January 30th, 1972, the Parachute Regiment, 1st battalion (“1 Para”), opened fire on a civil rights march in Derry’s Bogside, hitting dozens of people of which fourteen ultimately died.
Seven of the dead were teenagers, including Gerald (“Gerard”) Donaghey/Donaghy, who is featured (in younger days) in the apex of this new mural commemorating the dead, none of whom were judged to be attacking Army soldiers when they were shot.
It was alleged, however, that Donaghey had nail bombs in his pockets. This judgment was upheld in the Saville Report, though most of the people who were with him and who handled his body – including the medical officer who pronounced him dead – did not see any bombs (WP | BelTel). The launch was on June 15th, the same date that the Saville Report was issued in 2010.
Painted by JMK (ig) in Fahan Street, Derry, (on the wall that was briefly home to the Mike Jackson “War Criminal” mural – see From The Top Down). The owner of the gable wall granted permission for the painting of the mural (see the video of the launch on the Museum Of Free Derry’s youtube channel).
As a fıan, there is a plaque to Donaghey at the spot where he was killed in Glenfada Park (M09537) and he was included in the roll of honour in Shantallow (X02870).
Before rock band Thin Lizzy played the King’s Club at the Queen’s Court hotel in Bangor on July 27th, 1974 (Thin Lizzy Guide), they took to the water in order to take in the town. They were photographed in the act by Dublin photographer Liam Quigley (Indo profile), and the picture (see it at Thin Lizzy Guide) was turned into a mural by Friz (ig) in Crosby Street, Bangor, last year.
Original guitarist Eric Bell (who was also a member of Them) is featured in a mural of famous faces in east Belfast – see Inspiring Belfast.
Lí Ban became a mermaid – half-human, half-salmon – after a year spent living in an underwater bower, taking shelter from the family’s uncovered spring that overnight formed Lough Neagh. Three hundred years later (circa 558 A.D.) she told an envoy of Saint Comgall’s who was on his way to Rome, that she would come ashore at Larne a year later. She forwent another 300 years of sea life in favour of being baptised and dying immediately. She was baptised by Comgall, the abbot of Bangor, and christened “Muirgen” (sea-born) and was buried in the Lough Derg (Donegal) abbey (O’Grady | WP). Muirgen’s feast-day is January 27th (Sacred Sisters).
Painted by Friz (ig) for the Bangor Seaside Revival Festival, with support from Seedhead Arts (ig).
For a different style of presentation of Lí Ban, see Shaped By Sea And Stone in Larne. The end of the story is similar to the fate of the children of Lear, who spend 900 years as swans before a monk hears their song, puts them (willingly) in chains, but in protecting them from others touches them, which restores them to human form only for (baptism and) death to follow immediately. (See The Children Of Lear.)
The guillemot is distinctive for its red “gape” (inside of mouth). It spends most of its time on and around water but nests on cliff ledges and other remote spaces in May (BirdWatchIreland). The pointed shape of the egg makes it less likely to fall off cliffs (British Birds). They have been nesting in Bangor since at least 1911 (Geograph). If you can’t spot any at the marina, you can check out this mural by Dan Leo (ig) in nearby Victoria Road.
Here is a gallery of images from the new, multi-panel, floral mural in the middle of the New Lodge.
The mural was painted by emic (ig) with young people from the New Lodge Youth Centre, sponsored by Communities In Transition (a programme of the Executive Office) and organised by Community Restorative Justice Ireland (web).
The Roof is the rooftop bar of the Union Street Bar. “The Roof” is by Visual Waste (ig) on the Little Donegall Street side of the bar. The photo was taken from the junction of Stephen and Library streets.
The Ru Paul mural in the space below — seen in Sashay Away — has been blacked out.