
Planet Earths form the corner-pieces for the Celtic knot-work on this multi-cultural mural in Ascaıll Ard Na bhFeá, Béal Feırste.
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Copyright © 2013 Seosamh Mac Coılle
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Today we feature the main panel of the South wall of the Diego Rivera Detroit Industry frescoes in the Detroit Institute of Arts, which shows the construction of an automobile (probably the Model B – we will see the V-8 engine being produced on the north wall) at Ford’s River Rouge plant in Dearborn. The wide shot is above and more detailed shots of the lower left, the right third, and the lower central portion follow.
Here is a video of the Rouge plant in 1938 and 1939 …
See also: Infant In The Bulb Of A Plant (East) | Life & Death (West) | The Assembly Line (North)
Here is the right third – in the bottom right corner (above the strip with panels charting a day in the life of workers) can be seen Edsel Ford, of Ford Motors, and William Valentiner, director of the Detroit Institute of Arts at the time Rivera painted the frescoes (1932-1933).

The lower left portion …

Below are three shots of the lower central section, of increasing proximity to the work; the third demonstrates the amazing level of detail of the frescoes.



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Copyright © 2013 Cathal Woods
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The two murals featured here, depicting Smithfield in the ‘good old days’ — before it was fire-bombed in 1974 (gallery of 10 images at the Tele) – are inside the modern Smithfield, rebuilt in 1986, depicted in the third and fourth images. Update 2013-11: The two ‘Memories of Smithfield’ paintings are by Angela Ginn and Lorraine Burrell, 1999; funded by Belfast City Council.
The external shot is taken from the rear of Castlecourt. The foreign multinationals in it appear to be flourishing, while many units are vacant inside Smithfield.
For background: A 40-page booklet on the history of Smithfield | BBC footage from 1959. Click here for a video about bookseller John Clancy.



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Copyright © 2013 Seosamh Mac Coılle
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The Angry Birds puzzle game (on mobile devices and on Facebook) is a smash hit for Finnish game developers Rovio (WP) and is now a part of popular culture, including this take-off on the Comber Walkway – angry burners.
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Copyright © 2013 Seosamh Mac Coılle
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Pallets lined up in preparation for bonfires on the Twelfth (of July) in front of the human rights mural on the green behind Hopewell Crescent. A mural of the event being celebrated – King Billy (William Of Orange) crossing the Boyne river in 1690 – can be seen in the distance on the right. The words on the wall to the right read: “Where after all do universal human rights begin? … In small places close to home, so close & so small that they cannot be seen on any map of the world … such are the places that every man, woman & child seek equal justice, equal opportunity, equal dignity.”
In the image below, more pallets and a couch.

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Copyright © 2013 Seosamh Mac Coılle
X01116 X01115 [X01568] [X05277] mental health it affects us all sustainable employment required for all regeneration not gentrification to be treated with the utmost dignity and respect at all times right to a proper education

The three central panels of the World Wars memorial in Tullycarnet (featured separately), along with two smaller stones, stand in front of a mural reading “Time for peace. Invest in kids … not war!”. The image of a boy playing with a ball against a wall is based on a 1994 photograph by Crispin Rodwell. The slogan in the photograph, originally, was “Time for peace; time to go” but for publication, as here, the second part was cropped out.

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Copyright © 2013 Seosamh Mac Coılle
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A three-stone memorial to army soldiers from both World Wards in Tullycarnet, featuring a line from the gospel of John (“Greater love has no-one than this, that a man lay down his life for his friends” 15:13) and a song by Randall Wallace for the 2002 movie We Were Soldiers called ‘The Mansions of the Lord’: To fallen soldiers let us sing, where no rockets fly nor bullets wing, our broken brothers let us bring, to the mansions of the Lord. No more weeping, no more fight, no prayers pleading through the night, just divine embrace, eternal light, in the mansions of the Lord. Where no mothers cry and no children weep, we will stand and guard though the angels sleep, Oh through the ages safely keep, the mansions of the Lord.”
By Ross Wilson with support from the International Fund For Ireland (IFI)
For a wide shot, see War And Peace.


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Copyright © 2013 Seosamh Mac Coılle
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Anti-drugs board in the Tullycarnet estate. In both its title and various elements, the board references the television show Shameless, which was set on a Manchester housing estate and ended on May 28, 2013, after eleven seasons (WP). Black-and-white images from the estate, and other Belfast landmarks, are featured at the top.
The plaque below reads: Shameful mural. This mural was officially unveiled on 15th June 2009 by First Minister Peter Robinson. This mural was created by young people from Tullycarnet to highlight that drug and alcohol use should not be normalized by communities.
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Copyright © 2013 Seosamh Mac Coılle
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Victoria Cross recipient James Magennis was the only person from Northern Ireland awarded the VC for action during WWII (WP). Although the mural is in loyalist Tullycarnet, Magennis was a Catholic, born in west Belfast, though he later lived in Castlereagh.
A memorial to Magennis can be found in the grounds of City Hall (National Maritime Museum).
The mural replaces the Tullycarnet version of Eddie The Trooper (see Eddie’s Visual History page).
Previously: Edward Bingham, WWI VC recipient
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Copyright © 2013 Seosamh Mac Coılle
X01106 Kings Road born 1919 died 1986 mcginnes