Workman Clark’s

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Workman & Clark’s (in the centre panel above) was a Belfast shipyard existing from 1880 to 1935. During the first world war it took over the construction of two monitor ships (specifically, M29 and M31) for the Royal Navy that H&W did not have space to build. For more, see Grace’s GuideBBC audio on monitor ships and their construction, including a record for number of rivets hammered in by one John Moore at Workman Clark’s.

These are panels 6, 7, and 8 from the new boards along York Street on the outer wall of the NI Railways mechanical engineering workshop.

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Copyright © 2017 Seosamh Mac Coılle
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London, Midland And Scottish

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In addition to the famous trans-Atlantic ships (image above), Belfast was part of the travel network in the UK and Ireland (image below). Before there was British Railways, there were the Big 4: the Southern, Great Western, London and Northeastern, and London, Midland, and Scottish (LMS) railways. The latter included the railways in the Northern Counties. In addition to railways, the company owned canals, ships (including the Princess Victoria which sank on the Larne-Stranraer route), and hotels. “Belfast-built liners bridged the Atlantic and took people all over the world.” “Railway-owned ships ensured a seamless journey throughout the British Isles.”

Previously:The history of Shipbuilding in Belfast.

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Shipbuilding

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A history of shipbuilding and its role in Belfast’s industrial life is told in the first five panels of a 13-panel installation along York Road (“The harbour made York Street Belfast’s global gateway”) and in particular its connection with Scotland. (It is sponsored by Discover Ulster Scots.) Two Scots, William Ritchie (whose 1802 portrait by Thomas Robinson is shown) and Charles Connell (who oversaw the construction of the first wooden steamboat in Belfast – Aurora, pictured below) along with another Scot, Alexander MacLaine, were the leading shipbuilders in Belfast from 1791 until the 1860s, when Englishman Edward Harland (soon joined by German Gustav Wolff, and then in 1874 by William Pirrie and Wilson brothers Walter and Alexander) took over the rival Hickson yard (which included land on Queen’s Island and on the south side of the Lagan) and became dominant. Their connection to York Street is that all of them except Pirrie lived on or near York Street.

For potted histories (and a larger picture of Aurora) see LibraryIreland and Ulster-Scots.com.

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Homeless … No Less

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Artist Glen Molloy (Fb) has painted a series of three faces, inspired by seeing some homeless people being given abuse on the street and “painted to highlight how badly people living on the streets of Belfast can be treated by the general public”. Here is audio of Glen on U105 talking about the project.

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Arts For All

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In addition to many paintings in a distinctive style, Belfast artist John Luke’s (onetwo) work included a few murals, most famously an image of Belfast’s Charter painted in the City Hall. He lends his name to the gallery in north Belfast’s Arts For All centre which is now fronted by a mural in his style.

For the undead in the windows of the taxi office, see Haunted.

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Flaming Hot Tottie

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[Arlene] Foster & [Jonathan] Bell have created a hot drink to keep you warm during the cold winter nights: the Flaming Hot Tottie. To make, combine wood burning pellets, a squeeze of lies, and a twist of aggression, and top it off with collective responsibility. Price: 400 million pounds, though free to MLAs. Commentary on the “cash for ash” (a.k.a. Renewable Heat Incentive) scheme from Comply Or Die.

See also Heating Empty Barns … Killing Kids.

Thanks to the artist for the image.

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Heating Empty Barns … Killing Kids

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More commentary on the Renewable Heat Incentive scheme (see also Flaming Hot Tottie): Arlene Foster is depicted as a dragon, flogging wood pellets on her (burner!) mobile: “U lukin NE pellets – got score bags here”. Her jacket pocket is stuffed with twenties and she wears a “F**k Equality” badge on her lapel (see the wide shot, below). “killing kids” is perhaps a reference to the closure of a children’s ward at the Ulster Hospital because of short-staffing (BBC-NI).

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White Square

A whitewashed panel in the style of a inverse Kazimir Malevich. The panel was painted in preparation for No Justice (Rosaleen & Mervyn Macdonald).

Today’s (two) posts are two in a (very infrequent) series of ‘accidental fine art’. See previously Composition With Orange, Bathroom Tile, And Dolphin Wallpaper | Composition With Electrical Cable And Shadow Of Power Line.

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Free Them All

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The solidarity mural for the outlawed Basque Askatasuna (Freedom) party at the junction of the Falls and Glen Road has been repainted and extended with the Irish and Basque flags on one side and various calls for justice on the other: “Scaoıltear saor uılıg ıad – Free them all”, “Over 350 political prisoners in Spanish and French jails.” “Tugtar abhaıle na cımı Bascacha”, “End dispersal of Basque prisoners now”.

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