“But in their eyes shall shine the holy glimmers of goodbyes … Their flower the tenderness of patient minds, and each slow dusk a drawing down of blinds.” Lines from Wilfred Owens’ (1893-1918) ‘Anthem For Doomed Youth‘ on a new board in Lindsay Street.
The text at the bottom reads: “The last three month of WWI became known as the hundred days. Realising they were defeated an armistice was signed by the Germans. Germany finally surrendered and WWI ended on November 11th 1918. The terms of the agreement called for the end of fighting along the entire Western Front to begin a precisely 11 am that morning. Records show that the last British soldier killed in WWI was Private George Edwin Allison of the 5th Royal Irish Lancers. He was killed at Mons at 09:30 am, just 90 minutes before the ceasefire.”
Below the “peace” line, a confederate flag flies alongside the union jack over a new board in Cluan Place reading “Unbowed, Unbroken” and “east Belfast UVF” graffiti.
The mural above pairs the emblem of Celtic – a Scottish team – with a former emblem of the FAI – the governing body for the Republic’s national team (and, at the time this mural was painted (2002 according to CAIN), league football in the South). Celtic shoulders the footballing dreams of many Northern Ireland nationalists, which is perhaps why, below the flags of Scotland and Ireland, what should be “Albain agus Éıre” is in fact “Albaın agus eıre”: Scotland and a burden.
Above is a new mural on the Divis Street “International Wall” (Visual History) in support of travellers’ right, featuring horseshoes, musical notation, and a child looking out of a vintage caravan. Sponsored by West Against Racism Network (WARN – web | Fb) and Springfield Charitable Association (web).
The image that the artists were working from for central portion of the mural – a 2009 photograph by Mark Stedman – can be seen still taped to the wall.
Bobby Sands’s poem The Rhythm Of Time, published in 1981 as part of Prison Poems, is printed in full along with images of Long Kesh and other prisons in which republican prisoners were held.
The work was launched 2014-08-10, to coincide with the anniversary of the introduction of interment in 1971 (see e.g. this BBC news report).
The Elms/The Globe/The Elms/The Club is making way for a Tesco Express (Tele). Above is the bloodshot eyeball street art (by KVLR? – please confirm) that adorned the tradesman’s entrance of the bar in its most recent incarnation.
Flyer in Hill Street: A water-colour fish and a modified version of “I will be still and know you are god” – the designer of the flyer omitted the “I will” and someone has inserted an extra “o” by hand, changing “god” to “good”.
Loyalist graffiti on the topic of money for regulated bonfires and community celebrations (for more, see Culture Before Cash), atop a piece of spray-paint writing by NOKA, one of the FA Krew.
A selection of shovels and brooms stand to attention in the courtyard of The Hideout bar, in Donegall Pass, beneath boards to the 14th battalion of the Royal Irish Rifles and soldiers in WWI.
Wood (Crimes Of Loyalty p. 202) gives the following quote, reportedly a transcript of remarks made by Adams at a Sınn Féın meeting in Meath, as, “Ask any activist in the North, did Drumcree happen by accident, and he will tell you “No.”. Three years of work on the Ormeau Road, in Portadown, and parts of Fermanagh and Newry, Armagh, and in Bellaghy, and up in Londonderry [other sources, such as the Irish Times, give the much more likely “Derry”]. Three years of work went into creating that situation and fair play to those who put the work in. They are the type of scene chances we need to focus on and develop and exploit.”
Seosamh Mac Coille Collection 