Victory To The PFLP

“Victory to the PFLP.” “PFLP” is the Popular Front For The Liberation Of Palestine, a revolutionary (where Fatah is democratic) left-wing militant group within the PLO. It dates back to 1967 and known for skyjackings in 1969 and 1970 led by Leila Khaled (see the entry on the mural featuring Khaled in Hugo St) and for suicide bombings during the Second Intifada (BBC | WP).

The PFLP emblem also appears in murals from Éırígí (Resistance Is Not Terrorism | Solidarity With Palestine) and RNU (Peoples United).

The posters read: “Republican solidarity with Palestine! التضامن الجمهوري مع فلسطين www.irpwa.irish” and “Stand with Palestine. End Israeli apartheid. End the siege of Gaza.” Both posters have also been murals: for the prisoners joining hands (which is a Carlos Latuff (ig) design) see Hands Across The Yard; for the protester tying her keffiyeh, see #Gaza.

Central Drive, Creggan, Derry.

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Black Shamrock

The black shamrock is a symbol of Irish neutrality dating back to 2006 (Irish Times | Pensive Quill). In the light of the attack on Gaza it is being used by the IPSC and other pro-Palestinian causes as a symbol of solidarity. This shamrock, on Free Derry Corner, has been augmented with two small Palestinian flags, one with a dove and the word “peace” (shown below).

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The Hardships Our Children Must Endure Tomorrow

Sandy Row says “no” to an Irish Sea border, but “yes” to Israel’s invasion of Gaza. The verbiage along the bottom of the tarp reads, “The battles we refuse to fight today become the hardships our children must endure tomorrow.”

The tarp is on the Rangers “55” hoarding on Sandy Row, and was recorded previously in Let Us Shout Joyfully.

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Copyright © 2024 Seosamh Mac Coılle
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A Window To A Free Country

A Palestinian boy sitting among rubble looks out through a window of bars to see doves flaying in front of a Palestinian flag.

Based on a original by artist Azhar Al Majed (ig).

On the International Wall, west Belfast, part of the Painting For Palestine project (Fb).

The image above is from February 25th. Other images are as dated below:

February 22nd:

February 14th:

February 7th:

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Out Of The Ashes Of 1948

The Palestinian West Bank is surrounded by, and in some places penetrated by, a system of barriers 440 miles long. In some places it takes the form of multiple fences, in others, of a concrete wall reaching to a height of 30 feet/9 metres. (Here is WP’s map of the wall in the vicinity of Bethlehem and Jerusalem, also showing the Israeli settlements in this part of the West Bank).

In this mural, a Palestinian stands on top of the wall and looks towards (Christian) Church Of The Holy Sepulchre and the (Islamic) Dome Of The Rock in old Jerusalem and imagines themselves a phoenix, a symbol representing rebirth and persistence, well known from (Irish) republican muraling (Peter Moloney Collection | Extramural collection).

The mural is on the International Wall, west Belfast, part of the Painting For Palestine project (Fb). The original artist is unknown.

The West Bank barrier is locally known as the “separation” or “apartheid” wall. For west Belfast’s own euphemistically-called “peace” wall, see State Art Vs Graffiti On The West Belfast “Peace” Line.

The next mural (to the right) can be seen in Worsening Crisis In Gaza.

The image above was taken on February 25th. Other “in-progress” images are as dated below.

February 22nd:

January 28th:

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The International Court Of Justice

In December, South Africa lodged an emergency application (pdf) at the International Court Of Justice in The Hague, Netherlands, alleging that Israel had violated the 1948 convention on genocide (see also the WP page of human rights violations against Palestinians).

Two days of public hearings were held on January 11th and 12th and the ruling on the 26th directed Israel to take “all measures” to prevent any acts that could be considered genocidal, though it did not order a halt to Israel’s attack on Gaza (Al Jazeera | WP).

Sınn Féın moved in the Dáıl that Ireland join South Africa as a plaintiff in the full case, but the motion was defeated (Irish Times).

The image above shows, on the left, three children from Ireland, Palestine, and South Africa holding hands, and, on the right, dead Palestinian children flying to heaven over stripped and kneeling Palestinian prisoners. The flying children are based on an image by Taqdees Fatima (ig) and the kneeling prisoners on an image by Saïd Hassan (ig). The source for the three children is unknown.

The murals are on the International Wall, west Belfast, and part of the Painting For Palestine project (Fb). The next mural (to the right) can be seen in Let Your Hopes Bloom As the Cactus Blooms.

February 22nd:

[For in-progress images from February 18th, see the Paddy Duffy Collection.]

February 14th:

February 7th:

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Worsening Crisis In Gaza

This is one of five pieces by digital artist Saïd Hassan (ig) that is being painted on the International Wall as part of the Painting For Palestine (Fb) project. It shows a family of refugees living in a tent; the female adult is cooking over an open flame while three children look on.

This is the last (right-most) of the 12 murals.

The images above and immediately below are from February 14th. The ‘in-progress’ images below are in reverse-chronological order.

[For a mostly-complete in-progress image from January 24th, see the Paddy Duffy Collection.]

January 20th:

January 17th:

The original art is by Saïd Hassan.

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Soso And Omar Ashour

Siblings Soso and Omar Ashour were brought to a Gaza hospital in the first week of the Israeli attack. Artist Raed Yousef Qatanani (ig) took them as subjects (ig photo | ig video of the pair) for a painting which has in turn been reproduced on the International Wall in west Belfast as part of the Painting For Palestine project (Fb).

The next mural (to the right) can be seen in Out Of The Ashes Of 1948.

January 26th:

January 20th:

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The Land Is Ours

The first (left-most) mural of the Painting For Palestine project (Fb) reproduces a piece that once stood in a Gaza school, called The Land Is Ours, by Mohammed Alhaj, Abdullah Al Najar, Rami Al Safadi, and Abdel Hamid Fares. It shows a human figure holding a Palestinian flag that wraps around an olive tree and the Dome Of The Rock temple in Jerusalem.

The next mural in the PforP project can be seen in Another Martyr In The Earth.

January 20th:

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Resistance

“Since 1948”. This is an interesting board in a comic-book/graphic-novel or movie-poster style with a montage of striking imagery and patterning crammed together, revealed by pseudo-tears, and overlaid lettering in multiple fonts and colours.

The imagery and references are threatening: included are air-jacker Leila Khaled and a rioter with a catapult (who completes the slogan “from the river to the sea … Palestine will be free!”; the lower part of the face of the main figure (and of the face in the bottom-right corner) is covered; we also see “Rebel With[out] A Cause” the 1955 film. in the top left “Struggle Continues – Since 1948” in the style of a fashion emblem, and in the bottom right, “1948” in the style of a mid-century house-number font or perhaps the 1984 film version (with John Hurt and Richard Burton) of Orwell’s 1984.

The other piece – a large bird in the colours of Palestine – is a poster by Videndomen (PPA).

Glen Road, Derry.

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