A (Hit The North) Paint Jam was held on Saturday (the 25th) in Lower Garfield Street, organised by Seedhead Arts (ig) and the Belfast Improvement District (BID web). Shown below are Laura Nelson (ig), NRMN (ig), and Ollie Amscai (ig).
For images of all the completed works, see the entry at the Paddy Duffy Collection.
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The WHO and UNRWA now estimates that of the 34,000 Palestinians killed in Gaza, about 14,000 were children (Egypt Today). 18 were killed in a single explosion in Rafah yesterday (AP). This new board in west Belfast illustrates the disparity between Israeli forces and ordinary Palestinians by showing children in ragged clothing armed only with a single, odd-looking (AI hallucinated?), slingshot facing off against other children armed with assault rifles and wearing riot gear.
Of the RNU social-media handles along the bottom, only the Facebook and TikTok ones actually work.
Previously, from 2018: RNU Stands With Palestine.
Northumberland Street, west Belfast; later with a knotwork surround – see T08102.
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This is a west Belfast instance of INLA graffiti – seen previously in Derry (Saoırse Go Deo) – celebrating the fiftieth anniversary of the group’s founding, in December, 1974.
The Lasaır Dhearg (web) stencils go back to 2020; see Britain’s Occupation Of Ireland.
Waterford St, west Belfast, replacing Israel Get Out Of Palestine.
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This new three-storey mural by Dee Craig (Fb) is at the city end of Newtownards Road and so serves as a highly-visible introduction to east Belfast. People arriving in the area are now greeted with a vintage image of a smiling bearded man in a cloth cap, surrounded by occupations from the industrial era: “Cobbler, rag’n’bone man, fish monger, welder, builder, sweep, carpenter, window cleaner, butcher”, capped off by an inspirational “Be your best”, with yellow highlights that match the colour of the shipyard cranes Samson and Goliath (see the third image).
In being overshadowed by the mural, the “Let’s Twist Again” sculpture on the plaza in front of the business centre now becomes a symbol of east Belfast rather than the symbol. It too features east Belfast’s “industrial past” (BelTel), using rope as a metaphor for community: “By being bound together in a common cause, the natural tendency for each twist, fibre, yarn, and strand to separate, only serves to make the rope stronger.”
On the wall behind the sculpture and below the mural is one of the Eastside Lives Heritage Trail (pdf) figures, Jane Scott, whose fifteen-year-old son Samuel fell to his death from a ladder while working on the ship in 1910. She supposedly cursed the ship and it sank two years later. (See also Godfather Of Legal Betting and various others.)
For a straight-on shot, see the post at the Paddy Duffy collection.
Images of the completed piece are from March 27th and 29th. The in-progress image below is from March 18th.
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Irish politicians are making their annual pilgrimage to the United States for St Patrick’s Day. Taoıseach Leo Varadkar was first in Boston and is now in Washington, DC (gov.ie). Sınn Féın leaders Mary Lou McDonald and Michelle O’Neill say (Sky News) that during their visit they will raise the issues of Israel’s military attack and the humanitarian crisis in Gaza with US President Joe Biden, changing “Say “No” to Genocide Joe” to “Say “No” to genocide, Joe”. Michelle O’Neill (SF) and Emma Little-Pengelly (DUP) together promoted Northern Irish business opportunities (journal.ie).
SDLP leaders are not in attendance and People Before Profit called for a boycott (see previously: Don’t Look Away).
Meanwhile in Qatar, it is hoped that negotiations between Hamas and Israel will be rejoined (AP).
Slıabh Dubh has its own Visual History page.
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The “Put it back, thief” imagery is applied here to Palestine and Israel, except that there is no piece of territory in the Israeli arm, only a grasping hand, and the slogan is “Saoırse don Phalaıstín”.
In case you need any reminding of the trope, a close-up from the Kneecap mural in Hawthorn Street is included directly below; in CNR muraling, the imagery dates back to Stad Maggie Anoıs (1986) and England Get Out Of Ireland (1989). Similar imagery, based on a Soviet poster, was seen recently in Give It Back, Thief, concerning Lough Neagh.
Finally below is “An Phalaıstín” with the flag as a shield, as though the country were a sporting club.
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Here is an assortment of images concerning boycotts of Israeli goods in response to the invasion of Gaza. Above, “Ban Israeli goods” on the wall of the Alexandra Park Tesco, north Belfast; below, V-for-victory fingers as scissors snipping barbed wire (bdsmovement.net) in a shop window in Andersonstown, west Belfast; “BDS” [Boycott, divestment, sanctions] and “IPSC” [Ireland Palestine Solidarity Campaign, which maintains a list of Israeli goods] next to a painted Palestinian flag in the middle Falls, west Belfast; plus an Artists Against Genocide (ig) sticker.
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In this new statue in the grounds of Belfast city hall, Mary Ann McCracken is shown handing out abolitionist leaflets with a pleading enslaved woman above the words “Am I not a woman and a sister?” The same supplicant image is on the medallion (perhaps made by Wedgwood for the Society For The Abolition Of The Slave Trade – WP) worn at her throat. See also: The Blots On The Page Are So Black and The World Affords No Enjoyment Equal To That Of Promoting The Happiness Of Others.
“Mary Ann McCracken’s feminist ideals and commitment to the principles of Equality, Liberty, Fraternity applying equally to the Rights of Woman defined her participation in the United Irish Movement.” For McCracken’s connection to the 1798 Rebellion, see These Are Times That Try Men’s Souls.
“Mary Ann McCracken (1770-1866) Abolitionist, educator, social reformer and businesswoman. Sheas Mary Ann an fód ar son na mbocht, na mban, na bpáıstí agus ar son sıúd a bhí faoi dhaoırse. [Mary Ann stood up for the poor, women, children, and for those who were enslaved.]”
The statue was unveiled together with a statue to Winifred Carney on International Women’s Day (March 8th); they were produced by Ralf and Naomi Sander (BCC).
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A statue to Winifred Carney was unveiled, along with another to Mary Ann McCracken, in the grounds of Belfast City Hall on Friday, March 8th (BCC). At her left hand is a typewriter. Carney was a qualified secretary and typist, and became secretary of the Irish Textile Workers’ Union in 1912, in which position she met James Connolly, who was secretary of the Belfast branch of the ITGWU. The 1913 manifesto addressed ‘To The Linen Slaves Of Belfast’ (marxists.org), exhorting “our toiling sisters” in the mills to join the organisation, was signed by Carney, Connolly, and Ellen Gordon.
Her uniform, and the amorphous pistol (or holster?) in her right hand, refer to her membership of Cumann Na mBan and participation in the Easter Rising of 1916. Carney was in the GPO when it was taken over and was among those who surrendered at the end; during the occupation she typed up dispatches from the Moore Street headquarters. A News Letter editorial described the statue as smuggling terrorists onto the grounds of city hall.
(DIB | Ulster Biography). (A Century Of Women | BBC | WP)
In the final image, Carney’s statue is shown with the statue of Unionist MP and lord mayor of Belfast Sir James Haslett in the background.
Carney is at the centre of the Ireland Of Equals mural in north Belfast. Antrim Road was renamed in her honour in 2015.
“Winifred Carney, born in Bangor, was a suffragist and a committed trade unionist. She was an organiser in the Irish Textile Workers’ Union and became James Connolly’s personal secretary, political confidante and friend. In 1913, She and Connolly wrote the Irish Textile Workers’ Union manifesto entitled ‘To the Linen Slaves of Belfast’. It was a time when Belfast workers, mostly women and children, were working long hours in horrific conditions, barefoot and hungry. “D’oıbrıgh Winnie ar son oıbrıthe Bhéal Feırste, go háırıthe ar son na mban agus na bpáıstí a bhíodh ag obaır sna muılte ar fud na cathrach. “Many Belfast mills are slaughterhouses for the women and penitentiaries for the children.” Chomh maıth leıs an obaır a rınne sí ar son na gceardchumann, ba Phoblachtánach í Winnie a bhí ına ball de Chumann na mBan agus d’Arm Cathartha na hÉıreann. As an officer in the Irish Citizen Army, Winnie was present with Connolly in the Dublin General Post Office during the 1916 Easter Rising and has since become known as ‘the typist with the Webley’. Carney stood as a Sınn Féın candidate in the 1918 elections, but in an ‘unwinnable’ seat. She retained her commitment to socialism and in 1924, Winifred joined the Northern Ireland Labour Party. Here she met her future husband, George McBride, like her a committed socialist. George was a Protestant from Shankill Road who fought at The Battle of the Somme with the 36th (Ulster) Division. Tá Winnie curtha ı Reılıg Bhaıle an Mhuılınn ar Bhóthar na bhFál ın ıarthar Bhéal Feırste.”
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This RNU (Fb) board calls for attendees at a gathering in Milltown cemetery to commemorate the Easter Rising of 1916. The signatories to the Proclamation can be seen above and behing the large Óglaıgh Na hÉıreann gravestone on the right.
Glen Road, on the grounds of the old Andersonstown RUC barracks.
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Seosamh Mac Coille Collection 