The old military huts at Willow Bank (or: Willowbank; the modern-day La Salle/Iveagh area on the Falls) – which were still in use in 1896 – provided a training ground for Cumann Na mBan and the Irish Volunteers in the run-up to the Easter Rising.
The small figures between the huts and the trainees in the foreground are Charlie Monahan (born in Ballymacarrett, raised in the Markets, who died in a car accident on the way to meet Casement’s arms on board the Aud (findagrave | An Phoblacht)), Manus O’Boyle (BMH witness statement), Jack White (who fought for Britain in the second Boer War and was later captain in the Irish Citizen Army (WP)), and Volunteer Sean O’Neill.
In addition to the defacing of Carson (see We Won’t Have Carson), a 32 County Sovereignty Movement mural remains about a quarter of the way along the newly repainted International Wall on Divis Street. (And as is covered in a separate entry, an IRPWA POW mural was in progress at the far right end of the wall.)
We understand that the painters offered to repaint the 32CSM mural after the historical mural had been in place for six months, but that this offer was turned down. For the purposes of the launch, then, a cloth sign, was hung over the 32CSM mural (as seen in the image above). It reproduces a poster (see the original) advertising “a public meeting for the formation of Irish Volunteers”; Eoin MacNeill, author in November 1913 of ‘The North Began’, presided at the meeting – here is the text of The North Began – and the newspaper carried by the hawker on the left reads “MacNeill successful in call for Irish Volunteers” (whereas it originally read “Rotunda rally – Irish volunteers now exceed 180,000” as can be seen in the Carson post). However, this cloth was removed immediately after the launch, meaning that the wall appears as in the image below.
For the centenary of the 1916 Easter Rising, the whole of the International Wall on Divis Street (or, almost the whole wall, as will be explained in a subsequent post) has been repainted to depict a history of Irish republicanism, with special attention given to connections to Belfast.
As might be expected, a panel of the new mural depicts the GPO of 1916. A Tricolour is thought to have been raised over the Henry Street corner of the GPO by Liverpudlian Joe Gleeson – he sports a Liver bird badge on his bandolier – though he does not mention this in his statement to the Bureau of Military History: “We started out from Kimmage about 60 strong at about ten o’clock that Easter Monday morning …”. (A flag of the Irish Republic was raised by Harry Walpole (Irish Times) or Eamon Bulfin (Collins 22 Society, which states that Gearóıd O’Sullivan raised the Tricolour; Bulfin’s statement to the BMH says Gleeson did so).) Gleeson was one of 50 fighters from the Liverpool Irish Volunteers. (Caırde Liverpool has the names of 38 volunteers from Merseyside; this BBC article contains photographic portraits of a number.) The image here is a modified version of the 1941 stamp designed by Victor Brown showing an armed volunteer outside the GPO (stampboards).
The Belfast connection in this panel is supplied by Winifred Carney, member of Cumann Na mBan, assistant to James Connolly from 1912 until the Rising, and part of the occupying forces in the GPO during the rising, “armed with a typewriter and a Webley” (according to her WP page). She is seen here (on the right, beneath the flag) typing up communications by candlelight in the GPO.
Here are three images from Cluan Place, the PUL street at the bottom of the (CNR) Short Strand in east Belfast. The first two show the flags and bunting in the street, flying from railings, light-poles, and chimney pots. In the third image, crosses have been added to the board at the entrance to the street featured previously Hard Hats Must Be Worn.
New South East Antrim UDA/UFF mural in Ballyclare, with the usual emblems and a central board featuring a photograph of a balaclava’ed volunteer: “For as long as 100 loyal men remain Ulster shall be free – Quis Separabit”.
“Free Tony Taylor”, “End internment” – identical to the mural in Ardoyne, though without the “Cogús”. On the RNU “notice-board” on Northumberland Street.
Here are three images of a new mural in the Creggan area of Derry preaching continued “Resistance!” on account of the “unfinished business” of raising the Irish Tricolour and trampling on Britain’s Union Flag and the “unfinished revolution” of 1916’s Easter Rising (reproducing a postcard of the era).
For the modern-day figure on the left, who is wielding a home-made rocket-launcher used in a 2014 attack on police, see 2015’s Resistance board in Ardoyne.
Young people in Derry would spend Saturdays (and many other days) rioting against the British Army presence in the city, which began in August 1969 after the Battle Of The Bogside. Thus, the popular name for this Bogside Artists mural ‘Saturday Matinee’; the official title is “The Rioter”. Part of The People’s Gallery.
The original photograph on which the mural is based is by Clive Limpkin. The rioter himself is perhaps Billy McVeigh.
This memorial, which includes two stones, a glassed-in set of portraits of Derry Brigade members (second image), tricoloured railing and flag, commemorates the death of IRA volunteer Seamus Bradley. The stone on the right says that he was killed on active service, but the central headstone (third image) tells the story of an unarmed Bradley trying to distract the attention of British Army soldiers attacking people at the Creggan shops. To the right of the memorial is an extensive board of photographs and information relating to the treatment Bradley received, similar to the collection in front of the Operation Motorman mural in Rossville Street. (The oval plaque was on the wall of the Creggan Neighbourhood Centre – see M01604 – before it was demolished in 2013. (CAIN))
On the 4th of July 1972 the British government met with army intelligence and army personnel, between them they created a blue print which was first called operation carcan to later be changed to operation motorman. In this secret meeting that place on the 4th of July, the army were to take 20,000 troops from the UN forces, and the government gave orders on a shoot to kill policy and confirmed that no soldier would be held accountable for their actions on that day. Over 1,500 of these soldiers and 300 centurion tanks were sent to free Derry to tear down the barricades and cause havoc, but the provisional IRA intercepted their blue print and decided to step down to protect the innocent people of Northern Ireland. It was 4:10am, there were 25 – 30 people at the Creggan shops when there was gunfire heard, Vol. Seamus Bradley unarmed drew attention to himself to save others. He ran down Bishop field where a soldier was to get out of a saracen, take aim in a kneeling position and fire two shots hitting him in the back, Vol. Seamus Bradley fell. Then the saracen drove down the field to where he lay, they put him in the saracen and took him away to St. Peter’s school, no one knew what happened after that. All they know is that he was interrogated, the pictures tell their own story. He was shot again three more times at close range, he was tortured and beaten and left to bleed to death at the hands of the British army. Afterwards it was confirmed by a doctor that none of Seamus Bradley’s injuries have been life threatening and had he received medical aid he would have lived.
This memorial is to commemorate Vol. Seamus Bradley just yards from where he fell. Vol. Seamus Bradley on the 2nd Battalion of B company Oglaıgh Na H-Éıreann, even though he was shot five times and beaten they could not make him betray his comrades. I lived and loved and laboured with a patriot’s heart and will that the dawning years might make you fearless and unfettered still. When a future age shall find thee free men stand by thy side Mother Ireland o” remember me. They may kill our bodies and take our blood but they will never break our spirits. killed on active service beırıgí bua
Seosamh Mac Coille Collection 