Gal Gréıne

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Here is a Na Fıanna Éıreann (tw) mural in Ardoyne with Easter lilies on each side of the Fıanna’s ‘sunburst’ (gal gréıne) emblem (which also includes a pike or bill).

For a history of sunburst flags, with lots of images, see An Sıonnach Fıonn. A banner sporting an early version of the emblem, owned by Countess Markievicz during the Rising, was recently returned from London to Dublin (Irish Times).

Berwick Road, Ardoyne, north Belfast

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Copyright © 2016 Seosamh Mac Coılle
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Free Tony Taylor

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Derry republican and RNU spokesperson Tony Taylor was released under the conditions of the Good Friday agreement. He was jailed for three years in 2011 for possession of a rifle. His license was revoked in March (2016) and he was returned to prison on the grounds that he poses a danger to the public. Both RNU and Sınn Féın have called for his release. (Irish News)

The wide shot of the north side of the top end of Berwick Road show (from left to right) Unwelcome To ArdoyneGal Gréıne | For Unity.

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The Seven Signatories

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The seven signatories of the 1916 Proclamation of the provisional government of the Irish Republic. From left to right: Joseph Plunkett, Sean MacDiarmada, Thomas Clarke, James Connolly, Padraig Pearse, Éamonn Ceannt, Thomas MacDonagh.

The wide shot below shows all three new Andersonstown murals featured this week. For the main mural, see The Undauntable Thought; for the lily, see Ag Fíorú Na Poblachta.

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The Undauntable Thought

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A succession of Irish rebels is shown in this new mural in Andersonstown, west Belfast. It begins (top left) with the rebellion of 1798 and then to the Easter Rising of 1916 at the GPO in Dublin. In the lower left, a pious Padraıg Pearse awaits his execution with rosary beads in hand. There are then shown female figures from Cumann Na mBán and the IRA (see previously: United Irishwomen, Do You Care? and Mothering Sunday In Beechmount), and then Maıréad Farrell in Armagh Women’s Prison (for the original, see Prison Walls). In the bottom right corner there is a blanketman. The busts of Bobby Sands and Joe McDonnell float above the GPO and the last verse of Sands’s The Rhythm Of Time form the epigraph: “It lights the dark of this prison cell, it thunders forth its might, it is the undauntable thought, my friend, the thought that says, “I’m right”.

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Not For Sale

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This notice is on the outside of the Belvoir Bar in east Belfast: “Property of east Belfast Ulster Volunteer Force – Not for sale” alongside a plaque to “fallen comrades” Robert Bennett, Roy Walker, Joseph Long, James Cordner, and Robert Seymour. It seems that the bar has been shuttered since 2011 (Belfast Telegraph | Irish Times).

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Copyright © 2020 Seosamh Mac Coılle
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For Freedom Alone

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Here’s the left-hand end of the repainted ‘Freedom Corner’ on the Newtownards Road. It celebrates the Ulster Freedom Fighters (UFF), formed in 1973 as a cover-name for the UDA’s paramilitary activities. The mural features the red fist on a six-pointed star, a balaclava’ed volunteer with an assault rifle and (on the right) a pistol above a scroll which reads: “For as long as one hundred of us remain alive we shall never in anyway consent to submit to the Irish for it’s not for glory, honour or riches we fight but for freedom alone which no man loses but with his life – U.D.A./U.F.F”

From left to right: For Freedom Alone | As Long As 100 Of Us Remain Alive | Loyalist East Belfast | The Strangest Victory In All History | Ulster’s Past Defenders | Nationality is included in Loyalist East Belfast | Ulster’s Present Defenders | Freedom Corner

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Copyright © 2018 Seosamh Mac Coılle
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National Liberation And Socialism

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A 1916 centenary mural on Divis Street with the red star of socialism and the Easter lily of Irish nationalism: “Republican Socialist movement — IRSP INLA — remembers and salutes all those who gave their lives and liberty in the struggle for national liberation and socialism in Ireland.”

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We Bleed That The Nation May Live

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Arrayed against the forces of the British Army (which are shown laying siege to the Dublin GPO during the Easter Rising in armoured cars and in sniping positions in the foreground of the mural, along the whole length of the wall) are various symbols of Irish nationalism: 

Oliver Sheppard‘s 1911 statue of Cú Chulaınn dying (see the Visual History page);
the pikemen of the 1798 Rebellion (featured in Éırí Amach 1798);
the four provinces of Ireland;
Érıu the mythological queen of Ireland/Éıre as designed by Richard J King/Rísteard Ó Cíonga; Easter lilies;
the emblems of Na Fıanna Éıreann and Cumann Na mBan on either side of a quote from (The Mainspring) Sean MacDiarmada, “We bleed that the nation may live; I die that the nation may live. Damn your concessions, England: we want our country”; 
a phoenix rising from the flames of the burning Dublin GPO (inspired by Norman Teeling’s 1998 painting The GPO Burns In Dublin);
the GPO flying an ‘Irish Republic’ flag and a Tricolour;
portraits of signatories and other rebels — (left) Padraig H. Pearse, Thomas J Clarke, Eamonn Ceannt, Thomas MacDonagh, (right) Countess Markievicz, James Connolly, Sean MacDiarmada, Thomas Plunkett; 
the declaration of independence, placed over the advertising box of AA Accountants – see the in-progress shot below.

For more work-in-progess images, see Éırí Amach 1798. At the very bottom is a quote from the mother of Gerard ‘Mo Chara’ Kelly, Harriet Kelly: “We want the freedom of our country and your soldiers out.”

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Copyright © 2015 Seosamh Mac Coılle
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