A tale of two east Belfasts: above is the playground at Pitt Park (next to the Ballymac Youth Centre’s SafeZone); below is Dee Street at its junction with Medway and Severn Streets and next to the Connswater Women’s Group (see The Verticality Of The Divine): “Quis Separabit • Simply the best • UFF • UDA”.
“This poppy cross is in memory of the two men murdered at this spot by a no warning sectarian IRA bomb attack on the Four Step Inn public house on 29th September 1971.” The two men were Alexander Andrews (60) and Ernest Bates (38) (CAIN). A similar cross was also erected further down the Shankill, at the former site of Frizzell’s Fishmongers, bombed in 1993. Both attacks are among the five Shankill bombings commemorated in Where Is Our Truth?
The previous board in this location said “‘yes’ to a better future” beneath a tiger, a rainbow, and a DJ at his turntables (see an image at CCDL). That future, it seems, is to go back to a mural similar to the one prior to 2009 – You’re entering Loyalist Tiger’s Bay – though the explicit UDA/UFF insignia are gone, leaving only the clenched fist.
Above, “End forced strip search, controlled movement” RNU/Cogús (web) stencil (“End forced strip search, controlled movement”) in front of a gallery of RNU/Cogús boards (see Until All Are Free We Are All Imprisoned).
Below, stencil of the iconic Che over his father’s words: “[In my son’s veins flowed the] Blood of an Irish rebel”. (See previously: Che Guevara Lynch.)
Above is an RNU board from Lenadoon, protesting against the police system and an alleged identity of the PSNI, the Orange Order and loyal paramilitaries. (See previously: Trinity)
“No political policing. No special powers. No daily armed raids. No daily harassment. No PSNI in our schools. No MI5. No £10 tours. No interment [sic].”
The board dates from 2012 (eleven years after the PSNI’s creation and five years after Sınn Féın’s acceptance of the PSNI) but is no longer present.
Last Saturday (2014-11-08) saw the launch of a new mural in Ballymurphy Crescent, celebrating local IRA volunteers and community workers.
The doves at the top of the mural are in the style of Robert Ballagh’s “Legacy Of The Hunger Strikes” though there are 12 doves here rather than 10. Marty Lyons holds a copy of Ballagh’s piece in an image below, along with an image on which the halberd and pistol around the beret and gloves in the bottom of the mural are based – the rifles of the original are absent. (Possibly by Patrick Magee, the Brighton bomber (WP) – please confirm by e-mail or comment.)
Left-hand portraits (counter-clockwise from top): Eileen Gray, Margaret Campbell, Annie Adams, Kathleen Moore, Lizzie McGivern, Joe Reid, Rosaleen Russell, Mary Armstrong, Agnes Robinson, Eileen Reid.
Standing (l-r): Fra Toner, Gerry Campbell, Liam Mulholland, Paddy Tier, Sean Connolly, Michael Kane, Liam McParland, Sean Doyle, Cllr. Sean Keenan, Pat McGeown.
Squatting/Kneeling (l-r): Jim McGrillen, Francis Toner, Jr., Jimmy Duffy, Tony McAlister, Billy Carson, Cormac McArt.
The main figure is (and remains from the previous mural) Tommy “Toddler” Tolan, who escaped from the Maidstone in 1972 and served time in the cages at Long Kesh. (See Lost Lives entry #1956 and An Phoblacht.) In the original (2001) version of the ‘Safe House’ mural, he was dressed in fatigues (image at CAIN), but this was changed within 18 months to a brown suit (Safe House | CAIN), similar to the way he is portrayed here.
The mural took some time to complete — the fifth image, below, shows one of the artists on a scaffold with #stoptorycuts on Slıabh Dubh in mid-October — partly because more and more figures were added.
Update 2014-11-26: In an unusual move, the launch of the mural was advertised by a board (rather than flyers), in this case at Dorothy Maguire Corner on the Whiterock Road – see the final image, below.
This republican mural in Glenwood shows a funeral party firing a volley of shots over a tricolour-draped coffin containing one of the ten hunger-strikers of 1981: Bobby Sands, Francis Hughes, Raymond McCreesh, Patsy O’Hara, Joe McDonnell, Martin Hurson, Kevin Lynch, Kieran Doherty, Tom McElwee, Mickey Devine. The H-blocks of Long Kesh are in the background.
26 volunteers and 14 others from the Ardoyne, Bone, and Ligoniel areas are commemorated in a new (2014-10-05) mural. The images below show artist Mickey Doherty, himself an ex-prisoner, at the start of the process – with the grid-work visible – and shooting an “action” shot for VICE TV.
The previous mural also commemorated local volunteers (34 painted portraits rather than a printed board), but this mural adds a Celtic cross, funeral volley, and images of Armagh women’s prison, the cages at Long Kesh, and the H-blocks, as well as (an inverted image of) blanketman Hugh Rooney – detailed images can be seen in Prison Walls.
Ligoniel (above) and New Lodge (below) copies of a JFTC2 (Justice for the Craigavon Two) stencil by Damian Walker of GaelForce. The Ligoniel location is proving controversial: Walker’s previous attempts have been painted over three times, according to an image in this 32 County Sovereignty post, which also alleges that Sınn Féın has been behind the removals. According to the Tele, a housing executive van was burnt out in response to one of the white-washings. There has been no such controversy in the New Lodge.
Previously: JFTC2 on the mountain | Justice in Hugo Street