The bonfire in Ballymacash, Lisburn, is big and getting bigger in recent years, and generating some controversy (e.g. 2015 BelTel | 2017 BelTel) which is perhaps the reason for the “No shooting – police notified” sign in the final image. This year is no exception, as today’s images make clear. The third shows that the pyre can be seen over the tops of the houses. Here is drone footage of the 2017 bonfire.
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Copyright © 2018 Seosamh Mac Coılle
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More “patronising slogans” from the Cupar Way “peace” line. The artist was realistic enough to draw a security camera in the top left corner, keeping a eye on the people with peace and love balloons.
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A good deal of attention was recently paid to the removal of a “peace” wall at the top of Springhill Avenue (e.g. Guardian | Irish Times). As can be seen from the image above, however, a high fence has been put in its place and the dense shrubbery left intact, so that it is impossible to enter or exit the area this way. The new “transparency” is similar to the see-through gate in Workman Avenue in 2015 and in Howard Street in 2013. The immediate impact has been to remove a large wall used for muraling: Palestine Abú | Man Against Machine | Apache Hellfire.
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Restoration on the exterior St Joseph’s chapel in Sailortown – a Catholic church decommissioned in 2001 – is set to begin this month (BelTel). The building, originally constructed in 1880, is in such a state that it was declared a dangerous building earlier this year (Irish News). Here are three images from the front: a masonry rose above the door; a plaque to two young girls who were killed by a UDA car bomb in 1972; and a wide shot. BelfastLive has a gallery of the interior, which also needs restoration.
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St Mary’s Chapel Lane is Belfast’s first post-penal law Catholic church, originally constructed in 1784 with funds from local Presbyterian and Anglican congregations (WP). The current building dates to 1868. It was made a “B1” listed building in 1979. The “doorcase” is described as follows in its entry: “Painted sandstone doorcase comprises a pair of round-headed door openings with vertically-sheeted timber doors and bowtel arches rising from squat green marble columns with elaborate stiff-leaf capitals surmounted by an oval niche housing a statue of St. Mary and flanking seraphims to the spandrels. The entire entrance is framed by a further bowtel arch with chevron moulding and outer hood moulding also rising from a pair of green marble columns.”
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You can see (or imagine) all of east Belfast with the help of the guide-post in the middle of Lisvannon Community Garden: Stormont to the east, factories to the south-west, and Harland & Wolff to the north-west.
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Tyres for the Conway Street/Cupar Way bonfire were removed from the site in June (Belfast Live | image at Alternatives) but some might have recently been put in the middle (Belfast Media). In any case, there are still plenty of pallets, not to mention Sinn Féin election posters featuring Alex Maskey, John Finucane, and Michelle O’Neill, as well as the flag of ISIS, and IRA and INLA lettering.
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Yesterday we featured the work of the “Ambassadors For Peace” on the Shankill-side gate on Northumberland Street, and today is the turn of the Falls-side gate. Like the upper gate, this one features figures holding hands, though this time on a bridge over a river.
The mural replaces the CRF graffiti on the gate.
For comparison of the gates before and after the new paintings, the second image is of the interior of the Shankill gate.
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The shutters are down on the Mill Diner on the upper Crumlin Road. Proprietor Tommy McAuley was shot by the UVF in 1987 in retaliation for the Enniskillen bombing. His case was examined by the Historical Enquiries Team (HET) who reported (in 2011) that the police did not question suspects identified by witnesses and the family lobbied the ombudsman to reopen the case (U.tv). In 2014 they did not have any success (North Belfast News) but the case was reopened in 2015 (BMG).
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a.k.a. “Brompton Stores” a.k.a “Sıopa An Ghleanna Aırd”.
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Seosamh Mac Coille Collection 