A “Faugh-a-ballagh” flag (the motto of the Royal Irish Regiment) and two South-East Antrim Defenders (a defunct flute band (Fb)) boards – the one above showing a bulldog marching with a rifle, with “UDA” across his knuckles and the UDA insignia on his lapel – adorn this house in the Castlemara estate in Carrickfergus.
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Here are two details from the new Kieran Nugent board along with the “Slí Na Gaeltachta‘ (The Gaeltacht Trail) plaque at its side. The image above shows prisoners “on the blanket” (that is, refusing to wear prison uniforms) in front of a giant brick “H” (for the H-Blocks) which perspective also shapes into an “A” (for Armagh Women’s Prison). They hold placards from the time: Wanted for murder [Margaret Thatcher] and torture of Irish prisoners”; “The spirit of freedom; support the POWs”; “Support the hunger-strikers”. The image below reads “Support the five demands”. These were (1) the right not to wear a prison uniform; (2) the right not to do prison work; (3) the right of free association with other prisoners, and to organise educational and recreational pursuits; (4) the right to one visit, one letter and one parcel per week; (5) restoration of remission lost through the protest.
The text of the Slí Na Gaeltachta plaque can be found at the bottom of this page.
The full board was featured in Reinstated.
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“Slí na Gaeltachta – Abhaınn na Feırste.
Cé go bhfuıl sí cludaıthe faoı choıncréıt anoıs agus gan a bheıth le feıceáıl, ıs ag an láthaır seo ar Shráıd Northumberland a chéadtrasnaıonn Abhaınn na Feırste Bóthar na bhFál. Aınmníodh an abhaınn as an fhearsaıd a bhí ag béal na habhann san áıt a dtéann sí ısteach sa Lagán. Baısteadh Béal Feırste ar an lonnaíocht a d’fhás thart ar áth cosanta ag cumar an dá abhaınn. Ba as an lonnaíocht ársa sın a d’eascaır cathaır an lae ınnıu.
Here at Northumberland Street the now culverted Farset River first crosses the Falls Road. The river is named from the sandbank (fearsaıd) which was at the mouth (béal) of the river where it joins the Lagan. The settlement that grew up around a defended river ford at this confluence of the two rivers was named Béal Feırste, ‘mouth of the sandbank ford’. It was from this ancient settlement that the present-day city grew.”
Keiran Nugent (and Brendan Hughes) has been returned to the left-most spot on the International Wall.
This new board is closely based on the mural (shown in Belfast’s Infamous Prison) which was painted over in October in advance of the November 9th non-binding referendum in Catalonia (see Votes About Votes; the yellow background and some of the lettering from the Catalonia mural can still be seen in the image above). Nugent and Maıréad Farrell were then included in the hunger-strikers mural further down the wall: see I’ll Wear No Convict’s Uniform and Peace With Justice.
New in this version is the inclusion of a reference to the women’s protest in Armagh prison; one of the figures standing in front of the H/A holds the ‘Thatcher – Wanted for murder and torture of Irish prisoners’ poster that previously filled the top-left corner.
For close-ups, see H & A.
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“She Sat Down So We Could Stand Up”. Rosa Parks was born 101 years ago today, on February 4th, 1913. This board in the New Lodge hails her as as the “mother of the civil rights movement”. It includes images of Parks in old age, a reproduction of a photo of Parks sitting on a bus in Montgomery in 1956, after the Supreme Court ruling which declared segregation on the buses illegal, eleven months after the boycott began, and a Montgomery civil rights march on December 5th, 1955 led by Martin Luther King and Coretta Scott King. The title of today’s post is a Parks quote. Someone suggested to her, in an attempt to minimize her actions, that perhaps she had refused to move simply because she was tired, to which she replied, “The only tired I was, was tired of giving in”.
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Copyright © 2013 Seosamh Mac Coılle
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The three-storey mural above is in Ballysillan and replaced a UVF mural when it was added in 2011. The mural is the work of Jim Russell, shown below at Arts For All where he is artist-in-residence. The information below was provided by Arts For All.
The Great War: The first panel commemorates the Great War that ravaged Europe from 1914 to 1918 and shows troops advancing into battle, the Ulster Tower at Thiepval commemorating the sacrifice at the Somme and an image showing one of the war cemeteries and highlighting the true cost of war.
Second World War: The second panel features some of the devastation visited upon Belfast during a series of Luftwaffe raids during the early years of the Second World War. Belfast suffered greatly with over 1,000 people dying in four nights of bombing in April and May of 1941.
The Troubles: In the third panel highlight the dark history known as the Troubles. It features two events from the years of that time – the murder of the three young off-duty Scottish soldiers in 1971 [the monument depicted was featured in The Highland] and the Bloody Friday bombings of July 1972. In the midst of the horror that accompanied the early years of the Troubles these events still caused many to struggle to understand how people could carry out such atrocities.
Present Day Conflict: Panel four brings us up to the present day. Military service is a tradition for many in Northern Ireland and for many their first overseas trip came on the back of an overseas posting whilst serving in one of the Armed Forces. From times past, through the World Wars, the Korean War, to more recent conflicts in Iraq and Afghanistan soldiers and regiments drawn from Norther Ireland continue to play a role.
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Here are two boards from outside the Spectrum Centre on the Shankill Road. “The baby survived, his mummy and daddy didn’t. Joyriding: Where’s the joy?”. (A similar board is at the junction of Whiterock and Springfield Roads and another in Duncairn Avenue). The board below features youth activities such as painting, martial arts, and DJing.
Previously: Death Driving
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Here are three “nail-ups” from west Belfast, all showing their age.
The first is “IRA – Brits out, not sell out. Join RSF” in Fallswater Street.
The second is a “Lower Shankill UFF C Coy” board high above the “Shankill Protestant Boys UVF” mural at the junction of Northemberland Street and the Shankill.
The third is the phoenix in the apex above the mural in AMCOMRI Street.
The images were taken in late 2014; the phoenix goes back at least to 2003 and the others are at least six years old.
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Pastor James McConnell, who denounced Muslims as “satanists” back in May at the Whitewell Metropolitan Tabernacle, is finally seeking help, attending “Despots Anonymous” in the company of a Muslim, a Jew, and a Sikh. The group meets next door to 1690, home to a football-loving boy from a family of immigrants who are under attack because the housing is for “locals only” – see the final image for just such a graffito in Pine Way. The bottle of Buckfast preaches “Love thy neighbour as thyself”.
This is another part of Ciaran Gallagher’s (web) “Belfast Stripped Bare” piece in the Duke of York/Dark Horse courtyard. The wide shot, below, shows Carl “The Jackal” Frampton in an upstairs window. There’s also, above the piece, an accompanying poem by Alice McCullough, “Belfast You’re Melting My Head”, which you can watch her recite in front of the piece.
Previously: Belfast Stripped Bare | Teenage Dreams
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“In loving memory: Andrew “BA” Haddock. You still live on in the hearts and minds of the family and friends you left behind. Missed by all your family and friends in Ballysillan.” The board above to a local lad who died young sits next to rock-wall seating and a sculpture on Tyndale Drive in Ballysillan.
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Shown above is a large (approx. 12′ x 10′) board on a gable wall in Ballyduff featuring the emblem of the UDA, including the crown and the red hand of Ulster, except that “Ballyduff” takes the place of the motto “quis separabit”.
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Seosamh Mac Coille Collection 