The ‘Peace Wall Stories’ installation along the Cupar Street “peace” line, was launched last Saturday (April 2nd). Photographer Stephen Wilson (web) has produced half-tone portraits in newspaper style, each 2.5 metres tall, of a dozen people from both communities who live near barriers in Belfast.
There is an iPhone/iPad app that goes along with the project, which allows you to point your mobile at a portrait and have the person pictured come alive and speak to you about their experiences; for those without iPhones or the app, the recordings can be heard at the project’s web site.
This is a mural of a painting of a mural of a mural. The original is the piece by Terry Bradley (web) and Friz (web) at the Titanic museum’s pub (see Dockers’ Rest), which was then reproduced in a different colour for the opening montage of the Kenneth Branagh film Belfast. The success of the film prompted the Department Of Justice to commission Bradley for a painting that could be turned into a mural and he reproduced the film version (BelTel). The mural that enlarges that painting was painted by DMC on Lanark Way, just above the security gates (Belfast Live).
“The dockers who feature in the painting are inspired by real characters and men Terry remembers walking home from the shipyard when he was a child. These hardworking men from Sailortown, Belfast, show a glimpse into the past of the shipyard pubs, where the men congregated after a hard day’s work.”
Here are three images from CNR west Belfast commenting on the Russian invasion of Ukraine (plus a bonus one calling for the abolition of capitalism). Above, “End the war” and “Stop war in Ukraine”. The Leeds United flag has presumably been deployed for its blue and yellow colours, rather than for its “Marching on together” slogan. At bottom, “Stop the war! Russian troops out – Disband NATO – Support all refugess – Worker’s [sic] unity across Europe – www.socialistdemocracy.org“. In between, two Lasaır Dhearg (web) stickers on pedestrian crossing boxes: “US military out of Shannon – stop imperialist war planes” and “‘The day has passed for patching up the capitalist system; it must go’ – James Connolly [from Labour, Nationality And Religion]”
“Be smart, don’t start” – taking drugs, that is. This is a recent mural on the Falls Road, Belfast, with nine panels that discourage youth from taking drugs, alternately by reminding them of their dangers (including death – “Drugs can thrill but they also kill.” “I’m dying to meet you.” “If you dance with the devil you remain in hell.” “Don’t let drugs ruin something beautiful.” “Don’t get trapped by drugs.”) and providing support in persevering through dark times (“There is always light beyond the darkness.” “We all have a choice in life.” “Hugs not drugs.” “Always remember you’re never alone.” “Try to be leader not a follower.”)
Henri Cartier-Bresson said of Che Guevara’s eyes that they “glow; they coax, entice and mesmerize.” (WaPo), and (in a special feature ‘This Is Castro’s Cuba Seen Face To Face‘ that he shot for Life magazine) described Che as “an impetuous man with burning eyes and profound intelligence who seems born to make revolution”. The descriptions seem to fit the iconic “Guerrillero Heroico” photo by Alberto Korda, which Jim Fitzpatrick took as the basis for his two-tone poster version, but raised the eyes even more (WP).
This small Che board is in the alley between Ross Road and the Falls Road, near You’re Never Alone, over the back door to someone’s yard. It dates back to at least 2016.
When Cupar Way was constructed (circa 1984) it was a joining stretch of road put in place where the houses along Ashmore Street had been, and joined up (part of) Cupar Street and the old First Street; the new road in toto was called “Cupar Way”. Ashmore had been left undeveloped after the start of the Troubles and despite the presence of the separating barrier from 1969 onward, many of the houses on both sides of the wall were demolished or left vacant for various lengths of time. Carlow Street, for example, was redeveloped in 1981, even before the modern wall was put in place, while Ashmore and the bottom of the old Sugarfield Street was not redeveloped until the mid-1990s. (For more info and maps see the Visual History page of the Cupar Way “peace” line.)
The block between First and Third streets was occupied (from 1956 onward) by a Wellman Smith Owen Engineering factory, which had earlier been the Falls Foundry (History); it’s not clear what the date “1897” refers to (above Jesus’s head – for the mural, see Prince Of Peace Line) as the foundry was established in 1845 (Lindsay 1970, Textile History 1.3). Wellman still exists as a company but the foundry at First Street was closed in 1968 (Grace’s). The site is finally to be redeveloped with 48 semi-detached and one detached house – images of what the houses will look like upon completion can be seen at Rea Estates (web).
The new development is presaged by the (May 2021, but still looking fresh) scaled-down security gate at the junction with North Howard Street – similar to the changes made at Workman Avenue and at Townsend Street – with pedestrian gates on both footpaths and no metal sheeting to obscure the view.
We have featured this ‘bookmark’-dimensioned mural on the so-called “International Wall” before (in 2018) but today include an image (the third one, below) of the replica cell inside the museum itself; a sharper image (and the source for the painting) can be seen on the home page of the Museum’s web site.
“Don’t let me body lie here – get me back to the green hill by Murlough, by the McCarry’s house, looking down on the Moyle. That’s where I’d like to be now, that’s where I’d like to lie. … Death is not dark but only deeper blue.” [Letter to Elizabeth “Eilis” Bannister, July 25th, 1916] Roger Casement was executed in Pentonville prison, in England, in 1916, for his role in gunrunning for the Rising, and his corpse was buried in the prison cemetery. Despite repeated requests for repatriation, it wasn’t until 1965 that the corpse was returned to Ireland – but to his home town of Dublin rather than to his beloved Murlough, where his cousins Eilis and Gertrude lived (in what was by then Northern Ireland): the corpse was released on condition that it not enter Northern Ireland, for fear of stoking political tensions between the sects (WP).
“In loving memory of Seamus, murdered by death drivers 3rd August 2019. Deeply regretted by his wife, children, grandchildren, great grandchildren, brothers and sister.” This memorial plaque is on some railings on the Whiterock Road, close to the spot where Seamus Conlon was hit by a car as he attended a funeral. One Michael Loughran was sentenced to 10 years: after a night of alcohol and cocaine, he had stolen his uncle’s car and had been “joy”-riding for 90 minutes before losing control and crashing (BelTel).
Seosamh Mac Coille Collection 