A picture from the courtyard of the Times Bar, on York Street, with both Northern Irish and Union flags, and the crest of the IFA, the association overseeing soccer in Northern Ireland. (Previously from the Times Bar.)
Two new murals are going up side-by-side on the International Wall (Divis St.), a bookmark-style one for Marian Price and a large piece commemorating three IRA members killed in Gibraltar on March 6, 1988 (WP), IRA member Kevin McCracken who was killed on March 14th in Belfast, and the three who were killed by Michael Stone at the funerals of the ‘Gibraltar Three’ in Milltown cemetery, Belfast/Béal Feırste, on March 16th (WP).
We’ll have the finished pieces in a few days. Below, a wide shot of the Milltown scene, in progress, and below that, Marty Lyons working from a photograph of the incident, perhaps this second in this set, on which the left side of the mural is based, while the center and right-hand side are based on this one (by Bobby Ingram).
March 2013 is the 25th anniversary of the Michael Stone’s attack on mourners attending the burials of the Gibraltar 3 in Milltown cemetery. Stone killed three people. The mural combines images of mourners taking shelter from Stone’s attack with the civil war memorial in Ballyseedy, Co. Kerry (WP) which was famously connected to the Gibraltar 3 in a mural prepared for the return of the coffins to Belfast – see A Legitimate Right To Take Up Arms. (Here is a copy of Tragedies In Kerry.) Images of the mural in progress were presented in a separate entry. (See that post for the photographs on which the mural is based.) The Gibraltar 3 are portrayed on the left; Stone’s victims are on the right. In the top right is an IRA volunteer who had been shot two days earlier, on the night that the coffins of the Gibraltar 3 arrived in Belfast.
25 years ago – 1988 – puts us firmly in the era of video, and so you can see footage on youtube relating to each of these events:
Death On The Rock, a famous Thames Television production about the SAS killings of IRA members Maıréad Farrell, Danny McCann and Seán Savage on March 6th in Gibraltar.
Michael Stone’s attack on mourners at their funerals in Milltown cemetery, March 16th, which killed Thomas McErlean, John Murray, and Caoımhín Mac Brádaıgh (Kevin Brady).
The memorial depicted in the background of the mural is a civil war memorial in Ballyseedy, Co. Kerry (WP) which was famously connected to the Gibraltar 3 in a mural prepared for the return of the coffins to Belfast – see A Legitimate Right To Take Up Arms. Here is a copy of Tragedies In Kerry.
A small RNU (Republican Network for Unity, a dissident (political) group) mural and ONH (Óglaıgh Na hÉıreann, a faction of the Real IRA) stencil below the advertising hoarding at the corner of Northumberland Street and the International Wall on Divis Street.
A house in Shankill Parade sports an “Ibrox Stadium G51 – Rangers Football Club” plate over the door. (G51 is the postcode for Glasgow and the surrounding area.)
This piece in North Street, in the city centre, combines realistic buildings with honeycomb patterning run together with cloud-like spray-paint, threatening to envelope the impressionistic figure in the foreground. The surface is the shutter of a shop front. By emic/This Means Nothing for CNB 2012. (The hand in the bottom left can also be found around the corner in Garfield Street.)
“Saint Malachy’s G.A.C. is more than a club. It’s our club. To participate is to represent your community and an expression of your cultural identity.”
A mural celebrating Gaelic games in the parish of St. Malachy/Naomh Maolmhaodhóg, in the Markets area of Belfast. The parish church – featured in the top centre – has a celebrated fan-vaulted ceiling (WP). This mural, on the other hand, features a highly unusual bay window.
Time becomes distorted under the influence of Guinness and Salvador Dali and his Persistence of Memory at the Duke of York, or more precisely, in the archway that leads from Donegall Street to the pub. Dali’s original is only 9.5 x 13 inches. This is the centre part of a larger mural; there are also three images of Dali in the windows above the archway (see T00766). The Spaniard bar in Skipper Street (one block south of the Duke Of York) also featured Dali on its sign.
Following on from the crannóg excavations, we might say that we walk around on top of the past, layer upon layer. Here, however, the living people walk around below those that are frozen in time.