Pride Of Ardoyne

The Pride Of Ardoyne flute band memorial site was overhauled in November. The silhouetted bandsmen (seen in Pride Of Ardoyne) are gone and the cross and wooden plaque at the top (see Billy Hanna) have been joined by two large boards, naming “J. Bailey, W. Hanna, S. Rockett, B. McClure” and, (on the drum) “Charlie Dunn (1957-2021)”, along with 20 small plaques of these five plus 15 more who are an “absent member”, “absent friend”, and “loyal supporter”.

For Bailey, see On This Day. For Rockett, see Essence And Space. For McClure, see UPI. For Dunn, see the band’s Fb Page.

The image below is of a 50th anniversary Pride Of Ardoyne flag inside the door of Lainey’s craft shop on the Shankill Road.

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Tell My Story

For the launch of the murals painted in the Painting For Palestine project (Fb) a red ribbon with the words from Palestinian writer Refaat Alareer’s poem “If I Must Die” was added to the ten consecutive panels below the ‘republican museum’ panel.

If I must die, 
you must live 
to tell my story 
to sell my things 
to buy a piece of cloth 
and some strings, 
(make it white with a long tail) 
so that a child, somewhere in Gaza 
while looking heaven in the eye 
awaiting his dad who left in a blaze — 

and bade no one farewell 
not even to his flesh 
not even to himself — 
sees the kite, my kite you made, flying up above 
and thinks for a moment an angel is there 
bringing back love 
If I must die 
let it bring hope
let it be a tale

Alareer’s poem was also used on Free Derry Corner; see If I Must Die.

This entry presents images of the ten murals to which the red ribbon was added. For images from the launch, see Looking Heaven In The Eye. For the murals prior to the red ribbon, with in-progress shots, see Man Holding ChildA Window To A Free CountrySoldiers Standing Over ChildrenThree ChildrenFlying Children/PrisonersBethlehem Fireworks – Family GroupSoso And Omar AshourPhoenixCooking In Front Of A Tent

For images from the launch, see Looking Heaven In The Eye.


Painting of the red ribbon began on February 29th:

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Looking Heaven In The Eye

The launch event for the Painting For Palestine project (Fb) took place on March 3rd. A large paper Palestinian flag (with the cartoon character of resistance Handala (WP) on it) was used as a cover over the mural of three children – Irish, Palestinian, and South African – and unveiled by local children who had worked on the piece.

More images of the launch can be found in the Paddy Duffy collection.

For the ten pieces linked by Alareer’s poem on a red ribbon, see Tell My Story.

For the twelve pieces without the red ribbon, see The Land Is OursKhan Younis Mass GraveMan Holding ChildA Window To A Free CountrySoldiers Standing Over ChildrenThree ChildrenFlying Children/PrisonersBethlehem Fireworks – Family GroupSoso And Omar AshourPhoenixCooking In Front Of A Tent.

The ‘Painting For Palestine’ booklet is included last below.

The principal artists: DD, MD, ML

Bill Rolston, one of the organisers:

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Painting For Palestine booklet

Victory To The PFLP

“Victory to the PFLP.” “PFLP” is the Popular Front For The Liberation Of Palestine, a revolutionary (where Fatah is democratic) left-wing militant group within the PLO. It dates back to 1967 and known for skyjackings in 1969 and 1970 led by Leila Khaled (see the entry on the mural featuring Khaled in Hugo St) and for suicide bombings during the Second Intifada (BBC | WP).

The PFLP emblem also appears in murals from Éırígí (Resistance Is Not Terrorism | Solidarity With Palestine) and RNU (Peoples United).

The posters read: “Republican solidarity with Palestine! التضامن الجمهوري مع فلسطين www.irpwa.irish” and “Stand with Palestine. End Israeli apartheid. End the siege of Gaza.” Both posters have also been murals: for the prisoners joining hands (which is a Carlos Latuff (ig) design) see Hands Across The Yard; for the protester tying her keffiyeh, see #Gaza.

Central Drive, Creggan, Derry.

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Black Shamrock

The black shamrock is a symbol of Irish neutrality dating back to 2006 (Irish Times | Pensive Quill). In the light of the attack on Gaza it is being used by the IPSC and other pro-Palestinian causes as a symbol of solidarity. This shamrock, on Free Derry Corner, has been augmented with two small Palestinian flags, one with a dove and the word “peace” (shown below).

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My Kite You Made

“Cosaın Ár Neodracht – Ní dhéanann muıd freastal ar Westminster nó ar Washington ach ar Éıreann amháın./Protect our neutrality – We serve neither Westminster nor Washington but Ireland only.” The question of Ireland’s neutrality is a frequent one in light of US aeroplanes using Shannon as a stop-over point en route to the Middle East and more recently because of the Russian invasion of Ukraine that has pushed Finland and Sweden to join NATO (CNN).

The other issue on these posters (on the right of the electrical box) is political prisoners in Palestine. The Al Naqab prison is in the Negev, Israel, and “a center of brutality and brutal behavior” according to the head of a Palestinian prisoners’ welfare organisation (Al Mayadeen) with at least six prisoners killed in October-November (People’s Dispatch). (For the POW solidarity poster in the bottom right, see Victory To The PFLP.)

For the use of an upturned red triangle, see Resist! from the Lecky Road underpass. For a kite flying in support of peace in Gaza, and the source of this entry’s title, see Tell My Story.

Central Drive (above) and Southway, Derry.

The Resist triangle in Central Drive replaces some simple graffiti in memory of Bloody Sunday:

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Broken Family

This mural is based on an original by Ahmad Shaweesh (ig) which shows a group of people, perhaps a family, in distress. The piece, both original and reproduction, is deliberately left unfinished, presumably to represent the unfinished lives of the Gaza dead.

The mural is on the International Wall, west Belfast, part of the Painting For Palestine project (Fb). The next mural, to the right, is of Soso And Omar Ashour.

The image above is from February 25th. Other in-progress images are as dated below.

February 22nd:

February 7th:

January 26th:

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Out Of The Ashes Of 1948

The Palestinian West Bank is surrounded by, and in some places penetrated by, a system of barriers 440 miles long. In some places it takes the form of multiple fences, in others, of a concrete wall reaching to a height of 30 feet/9 metres. (Here is WP’s map of the wall in the vicinity of Bethlehem and Jerusalem, also showing the Israeli settlements in this part of the West Bank).

In this mural, a Palestinian stands on top of the wall and looks towards (Christian) Church Of The Holy Sepulchre and the (Islamic) Dome Of The Rock in old Jerusalem and imagines themselves a phoenix, a symbol representing rebirth and persistence, well known from (Irish) republican muraling (Peter Moloney Collection | Extramural collection).

The mural is on the International Wall, west Belfast, part of the Painting For Palestine project (Fb). The original artist is unknown.

The West Bank barrier is locally known as the “separation” or “apartheid” wall. For west Belfast’s own euphemistically-called “peace” wall, see State Art Vs Graffiti On The West Belfast “Peace” Line.

The next mural (to the right) can be seen in Worsening Crisis In Gaza.

The image above was taken on February 25th. Other “in-progress” images are as dated below.

February 22nd:

January 28th:

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Belfast Has The Reason

“When it comes to punk, New York has the haircuts, London has the trousers, but Belfast has the reason.” – Terri Hooley in 2012’s Good Vibrations (IMDb).

The final incarnation of Hooley’s Good Vibrations record shop (Fb) closed in North Street in 2015 (BelTel). It began in October 1976 at 102 Great Victoria Street (Spit Records | Louder Than War | Spit Records) — the shop and Hooley are included, along with footage of the Undertones, Outcasts, Stiff Little Fingers, and many others — in the 1979 documentary Shellshock Rock (UK viewers can watch at BFI | Spit Records has a great write-up of events surrounding the film’s launch).

The new mural is close to the shop’s second location (from roughly 1984-1993), on the other side of the road, at 121 Great Victoria Street, which itself has had “Good Vibrations” signage reinstated by Zippy (ig) – one of the new pieces around the corner on 127 Great Victoria Street that can be seen in the entry in the Paddy Duffy collection.

Big Time Punk is in Stroud Street, painted by Peaball, specifically RAZER (ig) and NOYS (ig).

The plaque (final image) outside the Harp Bar (in Hill Street) reads, “For the contribution made by Terri Hooley and the role of Good Vibrations to Belfast’s music heritage and putting Belfast on the international music map. The Harp Bar and its shared history of the people and bands who played here. The Outcasts, Rudi, SLF, The Defects, The Undertones and many more 1978-1982.”

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