City/Town

Out Of The Ashes Of 1948

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The Palestinian West Bank is surrounded by, and in some places penetrated by, a system of barriers 440 miles long. In some places it takes the form of multiple fences, in others, of a concrete wall reaching to a height of 30 feet/9 metres. (Here is WP’s map of the wall in the vicinity of Bethlehem and Jerusalem, also showing the Israeli settlements in this part of the West Bank).

In this mural, a Palestinian stands on top of the wall and looks towards (Christian) Church Of The Holy Sepulchre and the (Islamic) Dome Of The Rock in old Jerusalem and imagines themselves a phoenix, a symbol representing rebirth and persistence, well known from (Irish) republican muraling (Peter Moloney Collection | Extramural collection).

The mural is on the International Wall, west Belfast, part of the Painting For Palestine project (Fb). The original artist is unknown.

The West Bank barrier is locally known as the “separation” or “apartheid” wall. For west Belfast’s own euphemistically-called “peace” wall, see State Art Vs Graffiti On The West Belfast “Peace” Line.

The next mural (to the right) can be seen in Worsening Crisis In Gaza.

The image above was taken on February 25th. Other “in-progress” images are as dated below.

February 22nd:

January 28th:

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Belfast Has The Reason

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“When it comes to punk, New York has the haircuts, London has the trousers, but Belfast has the reason.” – Terri Hooley in 2012’s Good Vibrations (IMDb).

The final incarnation of Hooley’s Good Vibrations record shop (Fb) closed in North Street in 2015 (BelTel). It began in October 1976 at 102 Great Victoria Street (Spit Records | Louder Than War | Spit Records) — the shop and Hooley are included, along with footage of the Undertones, Outcasts, Stiff Little Fingers, and many others — in the 1979 documentary Shellshock Rock (UK viewers can watch at BFI | Spit Records has a great write-up of events surrounding the film’s launch).

The new mural is close to the shop’s second location (from roughly 1984-1993), on the other side of the road, at 121 Great Victoria Street, which itself has had “Good Vibrations” signage reinstated by Zippy (ig) – one of the new pieces around the corner on 127 Great Victoria Street that can be seen in the entry in the Paddy Duffy collection.

Big Time Punk is in Stroud Street, painted by Peaball, specifically RAZER (ig) and NOYS (ig).

The plaque (final image) outside the Harp Bar (in Hill Street) reads, “For the contribution made by Terri Hooley and the role of Good Vibrations to Belfast’s music heritage and putting Belfast on the international music map. The Harp Bar and its shared history of the people and bands who played here. The Outcasts, Rudi, SLF, The Defects, The Undertones and many more 1978-1982.”

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The Hardships Our Children Must Endure Tomorrow

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Sandy Row says “no” to an Irish Sea border, but “yes” to Israel’s invasion of Gaza. The verbiage along the bottom of the tarp reads, “The battles we refuse to fight today become the hardships our children must endure tomorrow.”

The tarp is on the Rangers “55” hoarding on Sandy Row, and was recorded previously in Let Us Shout Joyfully.

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Worsening Crisis In Gaza

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This is one of five pieces by digital artist Saïd Hassan (ig) that is being painted on the International Wall as part of the Painting For Palestine (Fb) project. It shows a family of refugees living in a tent; the female adult is cooking over an open flame while three children look on.

This is the last (right-most) of the 12 murals.

The images above and immediately below are from February 14th. The ‘in-progress’ images below are in reverse-chronological order.

[For a mostly-complete in-progress image from January 24th, see the Paddy Duffy Collection.]

January 20th:

January 17th:

The original art is by Saïd Hassan.

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Soso And Omar Ashour

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Siblings Soso and Omar Ashour were brought to a Gaza hospital in the first week of the Israeli attack. Artist Raed Yousef Qatanani (ig) took them as subjects (ig photo | ig video of the pair) for a painting which has in turn been reproduced on the International Wall in west Belfast as part of the Painting For Palestine project (Fb).

The next mural (to the right) can be seen in Out Of The Ashes Of 1948.

January 26th:

January 20th:

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The Land Is Ours

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The first (left-most) mural of the Painting For Palestine project (Fb) reproduces a piece that once stood in a Gaza school, called The Land Is Ours, by Mohammed Alhaj, Abdullah Al Najar, Rami Al Safadi, and Abdel Hamid Fares. It shows a human figure holding a Palestinian flag that wraps around an olive tree and the Dome Of The Rock temple in Jerusalem.

The next mural in the PforP project can be seen in Another Martyr In The Earth.

January 20th:

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Loyal People’s Protest

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“Since 2012” and lasting until the undetermined year “XXXX”. Protests against the restricted flying of the Union Flag at City Hall were held on a daily basis in the winter of 2012-2013 after the Council’s vote on December 3rd. It became a weekly protest perhaps in the spring and a group of die-hards continues to meet each Saturday. There does not seem to be a functioning public social media channel for “Loyal People’s Protest”; the numbers might be small enough that a private group chat is sufficient. The male in the top right of the placard is unknown; there have previously been media profiles of Billy and Ann Dickson (Belfast Live).

For background links, see Union Jack – Donegall Pass.

Previously from the railings: Eddie Supports The Flag. A tarp from earlier protests: British And Proud.

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Resistance

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“Since 1948”. This is an interesting board in a comic-book/graphic-novel or movie-poster style with a montage of striking imagery and patterning crammed together, revealed by pseudo-tears, and overlaid lettering in multiple fonts and colours.

The imagery and references are threatening: included are air-jacker Leila Khaled and a rioter with a catapult (who completes the slogan “from the river to the sea … Palestine will be free!”; the lower part of the face of the main figure (and of the face in the bottom-right corner) is covered; we also see “Rebel With[out] A Cause” the 1955 film. in the top left “Struggle Continues – Since 1948” in the style of a fashion emblem, and in the bottom right, “1948” in the style of a mid-century house-number font or perhaps the 1984 film version (with John Hurt and Richard Burton) of Orwell’s 1984.

The other piece – a large bird in the colours of Palestine – is a poster by Videndomen (PPA).

Glen Road, Derry.

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Copyright © 2024 Andy McDonagh/Eclipso Pictures (ig | Fb)
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Peace Is The Greatest Victory

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Normally the tourists’ graffiti on the Cupar Way “peace” wall amounts to “Patronising Slogans” but the Hamas-Israel conflict has brought international politics to the wall, with the Star Of David being replaced by a swastika and “Stop genocide in Gaza” in the same hand. There is a march at 1 p.m. today from Writers’ Square to the city hall, organised by the IPSC (Fb), .

The sticker on top of the swastika can be seen in Saoırse Don Phalaıstín.

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