“Ar aghaıdh linn [Onward]” Silhouetted figures, one carrying a hurley, take inspiration from a dying Cú Chulaınn and gaze across a body of water, perhaps Carlingford Lough towards the mountains of Mourne – Cú Chulaınn’s traditional place of death is in County Louth, outside Dundalk. Tuan the hawk historian, who has seen all of the conquests of Ireland, flies overhead.
The suicide of young people continue to cast a shadow over Belfast and the rest of Northern Ireland. (The suicide rate has almost doubled since the ceasefire; a fifth of those dying are under 25.) Here are three images from west Belfast, two from Black Mountain – “RIP Caomhan” and “RIP Butts” where the lettering from “End Brit/S’Mont Cuts” (see Credit Union Limited) has been repurposed. “RIP Punk” is from the junction of the Whiterock and Springfield Roads.
Seamus Heaney was born on this date in 1939 on a farm in County London-/Derry. His first (full) collection was Death Of A Naturalist in 1966 and it included the poem Twice Shy, the concluding lines of which are painted on Stranmillis embankment: Still waters running deep along the embankment walk.
A new “historical wall feature” was unveiled by the Shared History Interpretive Project (SHIP) on the outside of the Dockers Club in Pilot Street in Sailortown. The new piece is a montage of about 60 images of vintage photographs, a census form, and posters of industrial life. In the top-middle (behind the lamppost) there can be seen an image of the board this one replaces, which featured two carters pulling away a heavy load, similar to the carter in the image above. Another addition in the new work is the inclusion of Billy McMullen (1888-1982) and John Quinn (1876-1935) alongside Winifred Carney (1887-1943), James Connolly (1868-1916), and Jim Larkin (1876-1947). Both McMullen and Quinn are Belfast trades unionists. Quinn’s headstone in Milltown Cemetery was featured previously, in Forgotten In Life, Remembered In Death. More information about all five, as well as photographs of dockers and of the unveiling, can be found at the SHIP web site.
The ‘Teenage Dreams So Hard To Beat’ line from the Undertones’ ‘Teenage Kicks’ is back after a 21-month absence, officially unveiled on Saturday (2015-03-28) during the Urban Village festival (Belfast Live). The new version makes no mention of DJ John Peel, who helped promote the song and after whose 2004 death the original was painted (Tele) by TDS (The Dark Side). The new version was painted by TDS together with youth from Doyle and Ballymac Youth clubs – the sig is below.
The St. John Vianney youth club board in Cooke Street has been replaced with a mural. The elements are the same – the ‘success’ key still unlocks the world in the palm of a hand and the message is “Why are you trying so hard to fit in when you were born to stand out?” – but the colour-scheme is now various pinks.
Children from Botanic Primary school and art students from University of Ulster Student Union painted a series of animal pairs (created by Vikki Lutton) and geometric panels on the wall of the Stranmillis embankment. Above we have wolves, below there are elephants, and in the wide shot, sea lions. ‘In progress’ images from UUSU | P4 schoolchildren.
UUSU was also responsible for the Seamus Heaney mural (The Hunting Heart).
After adding windows to the downstairs, The Strand Bar has reinstated the mural previously at the front in the form of a painted board (above) showing the original bar in Anderson Street (the current Arran Street), which was attacked by the UVF in 1975 with the loss of six lives. The relative size can be gauged from the wide shot, below. The previous mural can be seen in the bottom two images. For photographs of the original bar, see the BelfastForum.
St Malachy’s (tw | Fb) is a junior (i.e. 2nd division/B-tier) GAA club established 1936 in the Markets area of south Belfast. It is not known who the six portraits are of (there were originally only the four at the corners – see M08137) or who the four players are. Get in touch if you have any information.
With sponsorship from Pulse, Belfast City Council, New Belfast Community Arts Initiative, the Housing Executive, and ?Brighten Belfast?
The mural of Padraig Pearse’s famous quote (“The fools, the fools …”) at the east end of Brompton Park has been replaced by the stencils above and below from the Irish Republican Prisoners Welfare Association (irpwa.com): “Oppose the isolation of Republican prisoners!” and “Stop strip searches!”. The final image is an older but similar stencil from the top of the Whiterock Road.
Seosamh Mac Coille Collection 