A new painting of Amelia Earhart has been created by JEKS (ig), on the side of the Foyle building, North West Regional College, on Queen’s Quay. A number of sources claim without citation or measurement that it is the tallest piece of street art in the north – both the BBC and the Chamber Of Commerce use the passive “thought to be”. Its closest competitor would be the recent piece by Zabou on the Telegraph Building in Belfast – see Broken Promises.
The Foyle Building has six “levels” (NWRC) while the original Telegraph Building had four storeys (Archiseek). In addition to comparing images of the two paintings, you can also judge by comparing Street View images of the buildings: Derry vs Belfast.
Information about Earhart’s connection to the Maiden City can be found in the entries on the printed board (But What Do Dreams Know Of Boundaries?) and the mosaic (Flying Solo) to Earhart in Derry.
JEKS did eventually fill in the hair (and so cover over his instagram handle) on the lower portrait.
Palestinian artist Taqi Spateen’s (web | ig) second piece in Belfast is in Palestine Street in the Holylands of south Belfast, where he worked with Artists Against Genocide (ig) to produce a piece showing the strength of Palestinian women, carrying the land from which Palestinians have been evicted in the Nakba of 1948.
For the first piece, in Kent Street in the city centre, see Anatomy Of Oppression. A third piece was painted in Crocus Street, in west Belfast: see Life Finds A Way in the Paddy Duffy collection.
The two passages cited here have been cited before on the side wall at the junction of the Limestone Road and N Queen St, with images of Orange symbols and Union Flags, in order to promise that Your Kingdom Will Endure Forever. That theme has now been invoked in upper Tiger’s Bay, to celebrate the latest king (Charles III) of the everlasting kingdom demarcated by the shields of the “four nations” in the corners of the main gable, Northern Ireland included.
The people in question in the second book of Samuel are the people of Israel but as with previous scriptural references on the lower wall (Lamentations | Chronicles | Revelations | Psalms | Genesis), the Protestant people in Ireland and Britain are under discussion (though they might also refer to contemporary Israel).
In the King James version, 2 Samuel 7:10-16 the prophet Nathan is speaking to David: “Moreover I will appoint a place for my people Israel, and will plant them, that they may dwell in a place of their own, and move no more; neither shall the children of wickedness afflict them any more, as beforetime, and as since the time that I commanded judges to be over my people Israel, and have caused thee to rest from all thine enemies. Also the Lord telleth thee that he will make thee an house. And when thy days be fulfilled, and thou shalt sleep with thy fathers, I will set up thy seed after thee, which shall proceed out of thy bowels, and I will establish his kingdom. He shall build an house for my name, and I will stablish the throne of his kingdom for ever. I will be his father, and he shall be my son. If he commit iniquity, I will chasten him with the rod of men, and with the stripes of the children of men: But my mercy shall not depart away from him, as I took it from Saul, whom I put away before thee. And thine house and thy kingdom shall be established for ever before thee: thy throne shall be established for ever.”
In Luke 1:31-33, an angel is speaking to Mary: “And, behold, thou shalt conceive in thy womb, and bring forth a son, and shalt call his name Jesus. He shall be great, and shall be called the Son of the Highest: and the Lord God shall give unto him the throne of his father David and he shall reign over the house of Jacob for ever; and of his kingdom there shall be no end.”
In May and June, Palestinian artist Taqi Spateen (web | ig) toured various cities in England and Scotland (Leeds, Glasgow, Bristol, Stroud, London) as part of the Bethlehem Cultural Festival, producing a wall-painting at each stop. Thereafter, he came to Belfast, where he painted three pieces, beginning with this small piece on the side of the Sunflower bar in Kent Street, showing a person with a head encased in concrete trying to hammer themselves free.
Sydney-based artist Sophi Odling (web | ig) was in town for HTN24, painting this large piece in York Lane (behind the D block of the new UU building), showing a youngster dreaming of what they will get up to ‘tomorrow’.
A (Hit The North) Paint Jam was held on Saturday (the 25th) in Lower Garfield Street, organised by Seedhead Arts (ig) and the Belfast Improvement District (BID web). Shown below are Laura Nelson (ig), NRMN (ig), and Ollie Amscai (ig).
“DUP backs united Ireland in coming border poll, Mon, 5th May”. This image updates one of the images from two weeks ago of the re-painted mural at Madden’s bar in the city centre – see Sásta A Bheıth Anseo. Initially the newspaper showed a headline relating to the prosecution of DUP (now-former) leader Jeffrey Donaldson on charges of rape and sexual assault.
The DUP in January flirted (strategically) with the idea of supporting a border poll (BBC) but their more typical stance is that the conditions for a poll are not close to being met (News Letter).
While elections sometimes fall on the 5th as the first Thursday in May – most recently the 2022 Assembly elections (CAIN) – the date here is probably a nod to the anniversary of Bobby Sands’s death (in 1981).
Beat Carnival Belfast (ig | web) puts on celebrations all over town and teaches skills from its base in Millfield/Brown’s Square. Artists Danni Simpson (ig), Codo (ig), Ana Fish (ig), and FGB (ig) worked together to spray this piece on the Gardiner Street door.
Francis “Frank” McKelvey grew up at 56 Woodvale Road (based on Lennon Wylie and the blue plaque on the wall at this address – Street View). That would put him a stone’s throw from Woodvale Park, which provides the backdrop for this new mural at the end of Woodvale Street. The photograph reproduced, of “Woodvale park pond”, can be seen on the Old Shankill Fb page. The pond was filled in after the second World War (City Council). McKelvey’s ‘A Summer’s Day‘ is perhaps of Woodvale Park pond. He died in 1974 (Ulster History Circle).
By Holly Hooks (ig) in Woodvale Street, west Belfast.
Seosamh Mac Coille Collection 