painted wall

For Bravery In The Field

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Robert King, of the 12th Royal Irish Rifles, who joined the army from the Ulster Volunteers, was “awarded the Military Medal for gallantry in action on 1st July 1916” at the Somme. The two sides of the medal are shown in the top right, with George V on one side and “for bravery in the field”. The 12th Rifles were drawn from the Central Antrim regiment of the Ulster Volunteers including the Newington area of Larne; King, however, was from Ship Street.

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Copyright © 2016 Seosamh Mac Coılle
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Carrickfergus Castle

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The initial Carrickfergus Castle was built in 1177 and today functions as a major tourist attraction. The foot soldier in chainmail and kettle hat in the image above can be seen (in statue form) at the castle, along with a variety of other soldiers from the Norman and English forces that held the castle throughout the centuries.

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Glenfield Community Noticeboard

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February 2015 saw the controversial painting of two UDA murals in the Glenfield estate, Carrickfergus. They are now graffitied over with “child beaters”, “fuck ur UDA” (above) and “child molester”, “fuck yerz” and the red hand x’ed out (below). It’s not clear what (or who) the allegations concern.

For the originals, see Glenfield Community Association.

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Administrative Detention

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Palestinian prisoner and hunger striker Bilal Kayed last week called off his hunger strike after 71 days of fasting, after reaching an agreement with his Israeli captors for his release in December, after a six-month “administrative’ extension to his original 14.5 year sentence (Alternative News). Hence the slogan “End internment, end administrative detention” (alongside “Free all political prisoners” and the IRPWA emblem). Update: Kayed released 2016-12-12.

The mural is at the right-hand end of the so-called International Wall in west Belfast. For the controversy over the painting of the mural adjacent to the historical panels on the rest of the wall, see The World Did Gaze In Deep Amaze.

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Howth Gun-Running

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Nora Connolly in her Cumann Na mBan uniform is the centre point of the ‘Howth Gun-Running’ panel in the new mural on the International Wall. Her sister, Ina, is shown to the right, unloading a rifle from a car outside their home in Glenalina Terrace. About 1,500 rifles were smuggled into Ireland on two boats, 900 of them on the yacht, Asgard, shown left-of-centre with Molly Childers and Mary Spring Rice aboard (the latter kept a diary of the trip; extracts are included in this RTÉ History Show video). Asgard docked at Howth on July 26th, 1914. (Here is a tcd.ie collection of images of Asgard’s journey; image #53 is the one reproduced in the mural). The other rifles eventually came ashore two weeks later at Kilcoole. (See this RTÉ article for an account of their tortured journey.)

The vintage Mauser rifles were received by members of Óglaıgh Na hÉıreann and Na Fıanna Éıreann (top left of the image above; here is the original photograph). The off-loading took place during the day but when the police and army met the marching volunteers at Clontarf they were able to capture only 19 rifles. As the army regiment involved returned to barracks it was pelted with stones or fruit by a crowd and killed three (with a fourth dying a week later), as recorded on the front page of the Irish Independent in the bottom left.

Below are two in-progress shots, and below those, two shots including the artist, Marty Lyons.

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Spreading The Word

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Seán Mac Dıarmada was born in Leitrim but worked on the trams in Belfast in 1905. He also, as member and organiser for many nationalist groups, including Sınn Féın (formed in 1905) and the Irish Republican Brotherhood. He is shown here speaking on Clonard Street in the lower Falls, in 1906, flanked by fellow Brothers Denis McCullough (l) and Bulmer Hobson (r), both from Belfast. (For a brief account of MacDıarmada’s life, see this previous mural on Extramural Activity The Mainspring, which shows MacDıarmada delivering his speech from the back of a coal cart, and also this Saoirse32 post. See also Mac Dıarmada for a board near where he lived in Ardoyne.

The other part of the picture illustrates the use of magic lanterns to display images on gable walls to spread nationalist history and ideology. On one wall is Eoın MacNeill’s article ‘The North Began’ (which also features earlier on the new wall; see Shared Space and We Won’t Have Carson. On the other wall is an image of An Gorta Mór/The Great Hunger. (Magic lanterns were used by Alice Milligan (NWCI | Field Day | also a kids version from Creative Centenaries) when she gave talks; for her newspaper work, see Shan Van Vocht.)

The image below shows that there were originally (or at least, in April) plans for a two larger faces to be featured.

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