printed board/placard

Resistance

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“Since 1948”. This is an interesting board in a comic-book/graphic-novel or movie-poster style with a montage of striking imagery and patterning crammed together, revealed by pseudo-tears, and overlaid lettering in multiple fonts and colours.

The imagery and references are threatening: included are air-jacker Leila Khaled and a rioter with a catapult (who completes the slogan “from the river to the sea … Palestine will be free!”; the lower part of the face of the main figure (and of the face in the bottom-right corner) is covered; we also see “Rebel With[out] A Cause” the 1955 film. in the top left “Struggle Continues – Since 1948” in the style of a fashion emblem, and in the bottom right, “1948” in the style of a mid-century house-number font or perhaps the 1984 film version (with John Hurt and Richard Burton) of Orwell’s 1984.

The other piece – a large bird in the colours of Palestine – is a poster by Videndomen (PPA).

Glen Road, Derry.

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Copyright © 2024 Andy McDonagh/Eclipso Pictures (ig | Fb)
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Fight The Rich, Feed The Poor

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“Fight the rich, feed the poor – Éıstıgí” (also “Free Gaza”) along Lecky Road in Derry’s Bogside.

Éıstıgí, or “listen, yous-uns” in Derry/Doıre, is the youth organisation associated with Soaradh (web); it promotes a socialist (and republican) ideology.

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Copyright © 2024 Andy McDonagh/Eclipso Pictures (ig | Fb)
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DUP Sellout

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TUV (Traditional Unionist Voice) has put up placards attacking the DUP (Democratic Unionist Party) – including outside the office of DUP leader Jeffrey Donaldson – in response to the possibility that the DUP might re-enter Stormont – which has been defunct now for two years – and implement the NI Protocol (BBC | BelTel).

It hasn’t happened yet, but a combination of public dissatisfaction concerning inaction over strikes by transport workers on December 22 and a general strike planned for January 18 (ITv)) and a financial package for pay awards are keeping the pressure on (Shropshire Star).

For the Orange symbols above, see Your Kingdom Will Endure Forever; for Psalm 95 see We Are The People; for the Lamentations, see אי כניעה (“No surrender” in Hebrew).

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This Is Not My Beautiful Art

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The Clements coffee shops in Belfast city centre closed in October, leaving only the two at Queen’s and UUJ (BelTel).

The abandonment of the Rosemary Street shop provides a space for art (see Visual History 11 on the rise of street art); replacing the Clements signage there is a “temp sign”: “And you may ask yourself, “Where is my beautiful signage[?]””.

Is this a plea for the return of Clements – a local chain – or investment in the city centre and a new business? Or perhaps it is meant ironically, as a protest against capitalism – the line is a modification of a lyric from the Talking Heads song ‘Once In A Lifetime’ (Stop Making Sense | Remain In Light), which describes a moment of awakening for the middle-aged and middle-classed: “How did I get here?”

On the permanently-closed shutters is a different kind of beautiful signage, a MOSCO throw-up.

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Copyright © 2023 Seosamh Mac Coılle
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The Scots In Ulster

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The name “Ulster-Scots” refers to the emigrants to North America from Ulster that had previously come from Scotland and the English borders, and most of the Ulster-Scots murals in the 2000s focused on emigration to America and on US Presidents with Scotch-Irish heritage (see the Visual History page of Ulster-Scots murals).

In 2017, a series of boards along York Street focused on industrialists in Northern Ireland with Scottish backgrounds: 13 panels in five posts: one | two | three | four | five. And this new collection of “Ulster-Scots” luminaries (which is 100 paces away) likewise presents figures who are associated with Northern Ireland rather than America. Modern folk such as those portrayed in these new boards presumably have Scottish heritage rather than Scotch-Irish. (The title of this entry – The Scots In Ulster – comes from a Discover Ulster Scots poster about the Scots who came to Ulster in the 1600s, regardless of whether or not they or their descendants later moved to America.)

From left to right, the people shown are as follows. (Links are to previous entries in the Extramural collection.)

Mountcollyer: motorcyclist Rex McCandless, author CS Lewis, physicist John Stewart Bell, song-writer Jimmy Kennedy, medical inventor Frank Pantridge

York Rd: snooker player Alex Higgins, singer Ruby Murray, soldier Blair Mayne, agricultural inventor Harry Ferguson, missionary Amy Carmichael

For the political tarp on the gable in the background, see Choose One Or The Other!

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Stop The Slaughter In Gaza

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“Stop the slaughter – ceasefire now”. A pro-Palestinian board was added to the “International Wall”, Divis Street, and launched on November 4th. The previous Saber Al-Ashkar mural — His Land, His Legs, His Life — has been mostly painted over, with part of the mural remaining at the top and the image of a man carrying a wounded child perhaps deliberately left to the right of the board.

The image represented would appear to be an from social media (probably AI-generated, as no one can say who is depicted or where) of children sitting among their ruined house, surrounded by broken toys, including SpongeBob and Pudsey Bear, with the boy using an incorrect Palestinian flag to cover the girl.

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Copyright © 2023 Seosamh Mac Coılle
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Ulster & Israel

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“Ulster & Israel – brothers in arms”. The Uzi was developed in Israel in the late 1940s and became a general-issue weapon in 1956 (WP). It was used (and copied) by loyalist paramilitaries in Northern Ireland (Balaclava Street has a comprehensive history of loyalist weaponry) and appeared in a both UDA and UVF murals and graffiti: The Elite | Ulster Says No! To The Politicians | Sandy Row 2nd Batt | UFF Uzi.

Here is an article from TheJ.ca interviewing PUL politicians on their support for Israel and an Irish News article revisiting the issue in light of the current conflict. And loyalists have previously (since 2002? Irish Times | OU) flown the flag of Israel — see Gregg & Carson (2011) | View From The North Bank (2012) | The Young Conquerors (2013) | The United Nations (2014) | The Glorious Memory (2014) | Ulster Supports The People Of Israel (2018) | EU Hands Off Ulster (2021). But this is the first time that a symbol of violence has been used as the symbol of solidarity. (In republican muraling, see PLO-IRA (1982) | Women In Armed Struggle (1983).)

Tate’s Avenue, in the Village area of south #Belfast.

The placard in the middle, between Brothers In Arms and “Sir E. Carson K.C., M.P.” was discussed in Stand Firm. The Winning Hand was seen previously in The Red Hand And The Winning Hand.

See also: Godfather Of The Israeli Army.

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Copyright © 2024 Seosamh Mac Coılle
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Stand Firm

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Two varieties of this “Stand Firm” placard are going up in PUL west Belfast: (above) “Power-sharing or protocol. Stand firm. There is no basis for power-sharing while the protocol remains. Equal citizenship.” and (below) “Power-sharing or protocol. Stand firm. Restore the acts of union. All UK citizens on an equal footing. Equal citizenship.” The context: Jeffrey Donaldson and the DUP have been making noises about a return to Stormont after a year of refusing to participate, which has led to criticism and the threat of “street protests” from hard-line unionists (BelTel).

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Royal Visits To Carrickfergus

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William was granted the peerage “baron Carrickfergus” as a wedding present in 2011, which made Catherine/Kate baroness (WP). They visited the town in 2022 (BBC). The black-and-white photograph on the left is of Queen Elizabeth visiting in 1961 (youtube).

Replaces the kids mural We Are Friends in Hawthorn Avenue, Carrickfergus.

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Copyright © 2023 Seosamh Mac Coılle
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Love, Marriage, And Country

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This Castlemara, Carrickfergus, board is notable for its background, which follows that of old coronation and jubilee portraits. These would show the royal couple (and sometimes immediate family) in plush surroundings and standing in front of chairs. This style of composition has been seen in murals of George V’s jubilee in 1935 and George VI’s coronation in 1937 — see Visual History 01. In this board, however, Philip and Elizabeth are portrayed in old age and are not in coronation gear; the chairs shown are from the Throne Room in Buckingham Palace.

Also notable is that the board replaces a UDA mural – see Joint Manoeuvres. The other UDA mural in the estate — Carrickfergus Eddie — has also been replaced.

For the UVF/YCV gunmen in the background of the wide shot, see Out Of The Trenches.

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Copyright © 2023 Seosamh Mac Coılle
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