I Am Not Resilient

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The lower Shankill estate has been re-imaged (again). The history of re-imaging in the lower Shankill is told by the new piece at Boundary Way: the wall first sported a mural critiquing Sinn Féin’s role in the peace process (see this 2004 image) before being replaced around 2007 by a mural celebrating Andrew Jackson’s Ulster-Scots heritage (see X00285). The new work sends a mixed message: the word “resilient” is in large letters and is the title of the piece, but the quote reads “Stop calling me “resilient”. Because every time you say “Oh, they’re resilient,” that means you can do something else to me. I am not resilient.” The quote would seem to be by Tracie Washington (not: Tracie Jackson) of the Louisiana Justice Institute. The left-hand side wall, which read “UDA Est. 1971” was painted over. For a description of the launch, see this Housing Executive report. Five printed pieces (four of them new this year) have replaced various murals in the area.

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Copyright © 2015 Seosamh Mac Coılle
X03074 X03075 The title of this artwork reflects a slogan used internationally, where social and political change has been paramount. It is understood that such change emerges only through true and thorough consultation with the community and that is the wish of residents of the Lower Shankill – to affect social change and move forward through collaboration with decision makers and government, at every level. Artist Lesley Cherry worked with members of the Lower Shankill Community Association who felt that this slogan best described how they are feeling as a community in relation to social change, redevelopment, education, housing and employment. They also felt that this slogan, best described their struggle in attaining what is best for their community, at present and also, how it can shape their future. This artwork was funded by the Housing Executive, working in partnership with the Lower Shankill Community Association. The artwork replaces a mural of Andrew Jackson, 7th President of the United States of America, whose family originated from Carrickfergus and a mural commenting on the Northern Irish Peace Process. effect

Women’s Voices Matter

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Today’s image is of the final new mural in the recent re-imaging of the Lower Shankill estate. It shows a patchwork quilt of word related to women and the roles they play in families and communities, such as “aunt”, “mother”, “sister”, “granny”, and “caring”, “diverse”, “strong”, and “unheard voices”.

Other murals in the project: I Am Not ResilientOnly In The Movies | Coming Of Age In The Lower Shankill

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Copyright © 2015 Seosamh Mac Coılle
X03070 X03071 The Lower Shankill Women’s Group created this artwork using the theme of a traditional family quilt as their inspiration. The quilt idea was chosen as an item, which is often made together by family members and is ultimately handed down through generations. The women decided to decorate their quilt with words that described themselves their family members. Each member of the group contributed to the project, which were brought together digitally to form the overall artwork. They also wanted to highlight that woman have a pivotal role to play within the Shankill area and that their voices area as important as any one else’s. Artist Lesley Cherry worked with the women during this project, drawing out family stories of care, loss, remembrance and ultimately love, not only for their immediate families, but for their friends and the wider community. This artwork was funded by the Housing Executive, working in partnership with the Lower Shankill Community Association. The artwork replaces a contentious paramilitary mural and an artwork depicting the burning of Protestant homes at the beginning of the Troubles. hope friend loud kind broken honest care pride family stubborn inspiration diverse niece pride care caring acceptance welcome love powerful equalilty equality for all

Only In The Movies

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Young people from the Lower Shankill pose in the style of a movie poster: “You must have dreams and goals if you are ever going to achieve anything in this world.” The info panel (shown below) incorrectly states that the board replaces a loyalist H-Block mural (of which there were two versions: yellow (M02473) | orange) and, before that, a UDU-UFF-UDA mural; these were on different walls and this board replaces only the Maze mural.

This is the second of five recently-launched boards in the lower Shankill. The first to be featured was I Am Not Resilient.

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Copyright © 2015 Seosamh Mac Coılle
X03072 X03073 the lower shankill angels youth group came together to create their very own movie style poster celebrating the strength of their group their aspirations and their love and respect for the community the also wanted to highly how they as young people are often misunderstood artist lesley cherry led the photographic workshops drawing out stories about the groups hopes and fears for the future and how some wanted to stay in the area while others wanted to travel and see the world all agreed that the lower shankill would always have a special place in their hearts this artwork celebrates their ambition and optimism at this stage in their lives this artwork was funded by the housing executive working in partnership with the lower shankill community association the artwork replace the a UDA/UDA and the Freedom 2000 mural which featured HM Maze Prison

mark adair megan aiken nathan arbuthnor craig ballentine ryan baxter justin baxter darnel bell latisha brant CJ burke rabileigh crooks morgan dillon alanna flynn nathan hill brandon irvine curtis irvine marcus kane dylan kane megan mccaw simone mccormick jordan mckeag brittney mckeag kerri-lee mclaughlin jenni mclaughlin glenn mcquillan thomas mitchell jordan mullan morgan patterson lauren stewart chloe stewart becky turner craig wilson

Love Demands Sacrifice

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The board featured here (above and three shots below) has a dual purpose. On the one hand, it is part of celebrations marking the 75th anniversary of the Battle Of Britain, which was waged from July to October in 1940. On the other, it is part of an anti-racism project, celebrating in particular the contributions to the Battle made by roughly 145 Polish aviators (WP) and especially the 303 squadron: “The Polish nation – part of us then, part of us now”. The 303 was later stationed in Northern Ireland for a time. (BBC-NI)

The artist is Ross Wilson. The colour version of the central photograph is available at the Housing Executive’s write-up of the project. Other reports: Belfast Live | NewsLetter

Video of speeches from the launch:

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Copyright © 2015 Seosamh Mac Coılle
X02994 X02995 X02996 X02997 churchill never in the field of human conflict was so much owed by so many to so few 21st august 1940 after the invasion of poland by germany on september 1st 1939 many young polish airmen made their way to britain the luftwaffe had full control of the skies over poland and any attempt to fight there would have been futile a rapidly modernising royal air force was an attractive alternative especially as they had been equipped with the ultra-modern spitfire and hurricane fighter planes with a shortage of experienced pilots polish airman became the largest group of non british personnel in the RAF during the battle of britain they joined already established squadrons in fighter command however on july 13th they were given their own squadrons one of these was the highly successful 303 polish squadron during the battle destroyed more aircraft than any other fourth highest tally of all 2nd world war shot down 20% of all experience of seeing their homeland at the mercy of the german forces hardened their resolve regarded by fellow pilots as highly focused and courageous josef frantisek highest scoring fighter ace had it not been for the magnificent material contributed and their unsurpassed gallantry i hesitate to say that the outcome of the battle would have been the same air chief marshall sir hugh downing per ardua ad astra we do not forget that you were the first to resist the aggressor neither do we forget that you came after manifold trials to our aid when we most needed your help your valiant fighting alongside in the forefront helped to restore the fortunes of the allies throughout the years of struggle in good times and bad you have stood by us and shared their losses and their victories sir archibald sinclair british air minister letter to polish airmen 1945 general sikorski honours rations outside their mess hut john alexander kent feric grzeszcczak zumbach lokuciewski hennerberg daszewski szaposznikow from this day to the ending of the world we in it shall be remembered we few we happy few we band of brothers for he today that sheds his blood with me shall be my brother henry V william shakespeare the legend of 303 polish squadron they gave their lives high up there somewhere where earthly matters are so distant the rays of the sun so pure and god so close we must wonder if mankind is yet aware of the credit that is their due pete bleakley ross wilson housing executive lower shankill community association

Alternative Transport

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Black taxis were first brought from England to Belfast in 1970 by locals who wanted to provide an alternative, and locally-based, transport system to augment the Citybuses which were sometimes cancelled and sometimes burned out. “West Belfast Taxi Association. Providing Belfast with a public transport system for over 40 years/ A Dhıa deán trocaıre ar a nanamacha.”

The board above commemorates eight drivers who were killed during the troubles: “Dedicated to the memory of Michael Duggan 12/11/75, Jim Green 5/5/77, Harry Muldoon 31/10/84, Paddy McAllister 26/8/86, Caoımhín Mac Brádaıgh 16/3/88, Thomas Hughes 19/7/91, Hugh Magee 10/10/91, Paddy Clarke 2/2/92. Murdered in the service of their community.”

French documentary about black taxi drivers.

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Copyright © 2015 Seosamh Mac Coılle
X02905 community interest company WBTA divis flats st peters

The Truth Will Out

Calls for “truth” and “justice” concerning the killing in August, 1971, of 11 people from Ballymurphy, by the 1st Parachute Regiment during Operation Demetrius, the beginning of internment.

The final three panels (panels 16-18) of the ‘murdered’ follows to the right of the Ballymurphy board. (These are new additions, as compared with 2011.) They are then followed by the final board, to the WBTA.

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Copyright © 2015 Seosamh Mac Coılle
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“11 people in west Belfast from the Greater Ballymurphy neighbourhood were murdered by the British Army as internment without trial was violently carried out on August 9th, 1971. Proper police investigations were never undertaken and one has served a day in prison for causing these deaths. The familys of those murdered deserve and demand the truth be told by the state about its policies and actions of those who carried them out.”

Collusion Untried

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Two boards about collusion in Beechmount Avenue. The first chronicles (both in words and images) alleged instances of collusion between the RUC and loyalist paramilitaries, citing John Stevens, Peter Cory, and Nuala O’Loan – pages from the 2007 O’Loan report are shown in the second, below.

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Copyright © 2016 Seosamh Mac Coılle
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Campaign For Truth

The McGurk’s Bar bombing of December, 1971 killed fifteen people – the most in a single incident during the troubles – capping what had already been a bloody year, including the “Ballymurphy Massacre” of July, in which 11 died, and starting another round of killings that would spread into the new year. Campaigners for an inquiry were busy this week in both Dublin and Belfast (Irish News).

The first nine panels of the ‘murdered’ follow to the right of the McGurk’s Bar board, presented here three-at-a-time. Note that the ninth panel (with Terry Enright in the top left) was previously the 11th panel; it is not clear why it has been moved left.

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Copyright © 2015 Seosamh Mac Coılle
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“At 8:47 pm on Saturday 4th December 1971, a no-warning bomb, planted by British terrorists, exploded on the doorstep of family-run McGurk’s Bar. Fifteen innocent men, women and children perished. Those who were not crushed or slowly asphyxiated by masonry where horrifically burned to death when shattered gas mains burst into flames beneath the rubble. Nearly the same again were dragged from the debris alive. In the aftermath of the atrocity, the British and Unionist Governments, RUC police force and British military disseminated disinformation that the bomb was in-transit and that the civilians guilty by association, if not complicit in this act of terrorism. This is despite a mountain of forensic evidence including a witness statement that saw the bomb being planted and lit before the British terrorists escaped into the night. From the moment the bomb exploded and for 40 years since, the families and friends of those murdered have campaigned constitutionally and with great dignity to clear the names of their lived ones. It is a Campaign for Truth that continues to this day. Join us at themcgurksbarmassacre.com” “

Civil Order, Plastic Death

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“Since 1970 seventeen people killed – including eight children”. A vintage poster against plastic bullets (see also Plastic Death in the Peter Moloney Collection for a mural) is part of this Beechmount Avenue mural showing a candle for each of the victims. The first listed (Rowntree, Molloy, Friel) were killed by rubber bullets, the rest by plastic; plastic bullets took over from rubber bullets in 1975 (WP).

Panels 10-15 of the ‘murdered’ follow to the right of the Plastic Bullets board, here presented two-at-a-time. The 11th panel (the second one shown here, with Francis Bradley in top left) was previously the ninth panel; it is not clear why its position was swapped.

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X02897 X02898 X02899 X02900 geddis stewart donnelly whitters carol anne carol ann kelly julie livingstone duffy norah mccabe doherty mcguiness mcconomy white downes duffy