sculpture/carving

The World Affords No Enjoyment Equal To That Of Promoting The Happiness Of Others

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Mary Ann McCracken lived to the age of 96 (1770-1866) and over the course of that long life used her family prosperity and the success of her own muslin business to support various causes: these included the United Irishmen and her brother Henry Joy McCracken – whose illegitimate daughter Maria was taken in by Mary Ann after he was executed – and a long list of ‘social justice’ causes, including the abolition of slavery, the protection of working children, education for young children both male and female, women’s rights, and care for the destitute in Belfast – her uncles Henry and Robert had founded the Belfast Charitable Society and built a poorhouse on Clifton Street and Mary Ann served on the Ladies Committee (WP | NICVA). This new bust of Mary Ann McCracken looks towards Clifton House from Stanhope Street in Carrick Hill. (The bust was designed by Anto Brennan (Irish News), who also did the No Pasarán bust in Writer’s Square.) In the other direction, as shown below, can be seen the Divis tower block.

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Copyright © 2021 Seosamh Mac Coılle
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Be Not Afraid

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“Greater justice was her ideal and it was her ultimate achievement. Her courage and sacrifice saved many from the scourge of drugs and other crime. Her death has not been in vain.” Veronica Guerin was a Sunday Independent journalist who investigated drug trafficking in Ireland. She was shot and killed in 1996 while sitting at a traffic light on the Naas dual carriage-way by members of John Gilligan’s gang riding a motorcycle (WP).

The bronze bust, by sculptor John Coll, is in the grounds of Dublin Castle (Statues). “Unveiled by the Taoiseach, Mr Bernie Ahern, TD, 22nd June, 2001.”

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Copyright © 2021 Seosamh Mac Coılle
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Homeless Jesus

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‘Homeless Jesus’ shows a person with crucified feet sleeping outdoors on a bench. It was designed by Canadian sculptor Timothy Schmalz (web). The original is at the University Of Toronto and there are now well over 100 of them at churches and other public sites around the world (WP). This one is outside the Centenary House offices of Salvation Army, in Dunbar Link.

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Mother Of The Sick

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On March 24th, the Mater Infirmorum hospital closed its doors to all but Covid patients, partly enabled by a dramatic fall in emergency cases once the coronavirus struck (Irish News). In October, ICU care was moved from the Mater to the City; non-ICU Covid cases are still being treated in the Mater (Belfast Trust). The ICU beds in the City and in Altnagelvin were full last week (BelTel), as cases resurge. The carved statue in the Mater is the creation of Belfast City Sawmill (Fb) in Ballinderry (BelfastLive has in-progress shots).

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Copyright © 2020 Seosamh Mac Coılle
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Depart Quietly

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“Belfast thanks our NHS”. Northern Ireland entered a two-week “circuit breaker” lockdown at midnight last night in response to recent increases in coronavirus hospitalisations that have taxed the health system (see previously Mother Of The Sick). These marionettes in NHS uniforms are on their bike heading for home, or for work, via the Duke Of York. “Come in soberly, drink moderately, depart quietly, and call again.”

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Copyright © 2020 Seosamh Mac Coılle
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Pro Tanto Quid Retribuamus

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“Pro tanto quid retribuamus” [What shall we give in return for so much] is the motto of Belfast, included in the coat of arms shown above and newly appropriate in the coronavirus pandemic. “Thank you to all our NHS staff and essential workers from the local Orange family. Together fighting Covid-19.” The banner is on the Clifton Street hall; King William III bestrides his horse and the horse bestrides the building.

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The Landing Of SARS-CoV-2 At Carrickfergus, March 2020

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As he begins his trek around Ireland to vanquish the forces of James II, King William III wears a mask to protect himself from the novel coronavirus.

The title of this entry is based on the old Bobby Jackson mural The Landing Of William III At Carrickfergus June 1690, itself based on a popular postcard.

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Copyright © 2020 Sabine Troendle
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