No Surrender Club

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Oak Street is a fitting place for a mural about the Siege of Derry, as the oak leaf, shown to the left and right of the board above (and in the wide shot, below) is a symbol of the town, “doire” meaning an oak grove. The gates to the city were locked by thirteen apprentices, against the wishes of Governor Robert Lundy who wised to surrender the city. When the deposed king James II and his army arrived and demanded the surrender of the city of Derry, the cry from within was “No surrender!” The city was then besieged for 105 days until relief arrived in the form of ships of the navy of the newly crowned William & Mary.

The board shown above celebrates 50 years of the No Surrender Club South Belfast (1963-2013) a club affiliated with the Apprentice Boys Of Derry.

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X02674 X02675 X02676  The Siege of Derry, 1688 – 1689, April 18 to July 28 played a key role in the victory of the Williamite forces in Britain and other parts of Europe. The success of William III and the Glorious Revolution effectively stopped the rise of a tyrannical Empire under Louis XIV of France and his ally the deposed king of England, James II. The theory of the divine right of Kings was replaced by reforms created by King William III and Queen Mary, establishing the supremacy of parliamentary democracy and its freedoms which continue to this day. during the war of the three kings showing the jacobite fortifications and position of the boom across the foyle gold mask of the sun king vita veritas victoria protestant nobles stewart dynasty prince of orange convention parliament abdicated battle of the boyne kingdom of england scotland ireland londonderry toleration of roman catholics dissenters cousin dutch citizens walls of derry but the cry was siege of 105 days duly initiated in apprentice boys’ memorial hall shutting of the gates rules and ritual roaring meg siege key

Cemented With Love

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The ‘Cemented With Love’ mural on Oak Street (Donegall Pass) has been repainted for the 2015 marching season. According to the painted note in the bottom left corner, it was originally painted in 1989 on the 25th anniversary of the erection of the arch in nearby Lindsay Street. The mural shows William of Orange rearing back his horse in the Boyne river while a Jacobite soldier in green, white, and gold expires on the shore (shown below along with a close-up of William and horse).

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X02670 X02669 X02668 X02671 Lindsay St arch erected 1964 holy bible william of orange launched 2015-06-19

Harbour Schooling

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Every day, men would line up in schooling pens on the various docks of the port of Belfast to be hired by foremen. As mentioned on the left-hand side of the board above (recently erected on the New Lodge side of the Duncairn “peace” line) the rise of the shipping container in the 1970s spelled the end of the docker: “from 3000 listed dockers in 1970, the number had fallen to 280 by 1985.” Author and poet John Campbell recalls his first day on the docks in 1952, unloading cement, in this NVTv video.

See previously: Unite The Union | OBU | International Workers’ Day

Lepper Street, New Lodge, north Belfast

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“This artwork celebrates the unique contribution that generations of dockers have made to the port and City of Belfast.”

“It was a physically demanding job, the hours were long, the conditions were tough and the availability of work was not constant. Without the Dockers, however, the Port of Belfast would not have been able to grow. / Transportation of goods by containers led to a revolution in working practices at Belfast Docks and the number of dockers decreased dramatically. From 3000 listed dockers in 1970, the number had fallen to 280 by 1985. Behind these figures lay the human story of vast social changes in the harbour area as well as the gradual dissappearance [sic] of an entire community who had earned their living from the sea and also through the loading and unloading of ships. These were the Dockers and their families, many of whom lived in Sailortown. / The workforce of dockers spanned both traditions. Red button and Blue button. Dockers had a common allegiance to the Port of Belfast which provided a living for men and families from both communities. / The work was backbreaking, yet the Docks educated us about life, integrity, discipline, about standing up for our rights, about having pride in our identity as working men, as Dockers. / The Dockers[‘] working environment was repressive and hazardous with large numbers experiencing industrial injuries. Others lost their lives or were badly injured in horrific accidents at work. Many suffered chronic long term illnesses, others died prematurely having contracted asbestosis. Many Dockers became politically aware in the formation of trade unions and social reforms. The Dockers Trade Union, Irish Transport and General Workers[‘] Union (ITGWU) organised by Jim Larkin (1909) and James Connolly (1910-11) celebrated its centenary in 2009.” OBU one big union

We Are Sailing

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The tall ships will be in Belfast July 2nd to 5th for the start of a race that will take them to Norway and then to Denmark. The first of about 80 ships have already arrived. The mural above is on the quay-side of the Rotterdam bar. The design, by 16 year-old Daniel Hamilton, is the winner of a Belfast Telegraph competition.

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X02661 X02662 X02663 sailortown barrow square belfast harbour

Onwards

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Englishman Clive Dutton was an urban planner who was best known for work in Birmingham, London (Newham), and Belfast. He produced “The Dutton Report” in 2004 and “The Big Plan” (pdf) (the cover of which is pictured in the mural) in 2013. In them, he proposed and then updated a plan to tackle economic deprivation in west Belfast by the creation of a ‘Gaeltacht Quarter’ or ‘Ceathrú Gaeltachta’.  He died on June 8th at the age of 62 and the mural above has been painted in remembrance. 

The photograph of Durron reproduced here can be seen at The Guardian. The Big Plan was celebrated with a mural recorded previously.

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X02660 na ceathrún gaeltachta forbaırt feırste ar aghaıdh lınn onwards champion 1953-2015

Circus Fools

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This Saturday and Sunday (June 20th and 21st), Belfast Community Circus celebrates its 30th birthday with two days of events and performances in the Cathedral Quarter, including a world record-breaking (hopefully) pie fight. Kev Largey (KVLR) last month placed two “foolish” figures among the acrobats on the front wall of the organization’s Gordon Street headquarters, a lobster having a drink of weasels wearing hats and a rambler with a patched bed-roll and basket of spray-cans. (Also seen in paste-up form outside the Sunflower – see Costume Party.)

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X02659 X02658 festival of fools #foolsfestival 2015

Gitmo Beach & Spa

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13 years after the military prison opened, Guantanamo Bay Naval Base is home to various detainees from around the Middle East as well as US service-men and women who (unlike the prisoners) can avail themselves of the fine beaches and the McDonalds, Taco Bell, Subway and other fast-food restaurants. Their living conditions are documented by Debi Cornwall in an exhibition at the Belfast Photo Festival; the images are housed in a shipping container in front of St. Anne’s cathedral. A piece from Alma Haser‘s Cosmic Surgery series can be seen in the centre of the wide shot, below.

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X02655 X02656 X02657 alleged enemy combatants war on terror held without charge trial conviction counting every normal american convenience is now available to personnel “best-kept secret in the military” images already emblazoned on our collective consciousness the orange jumpsuits the barbed wire and explores the fun amidst the tedium in the residential and leisure spaces of prisoners and guards

Giving The City A Human Face

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June brings the Belfast Photo Festival (4th-30th), including the work of Mentalgassi, a German trio that wraps street poles and other urban objects with black-and-white images of humans. In Belfast, they have covered the three buoys in the park beside the Art College. For shots of the buoys being covered, see the group’s Fb page.

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