In 1997, the office of then-Prime Minister Tony Blair issued a statement acknowledging that the administration of the time of the Hunger failed to intervene (Guardian | Independent).
The mural above asserts that government’s inaction was not merely a matter of negligence but of will: “With over 1,500,000 deaths “sorry” is not enough. It is time the British government and its war machine to leave Ireland and her people in peace. During the genocide of 1845 to 1852 the British government seized from Ireland’s producers tens of millions of head of livestock, tens of millions of tons of flour, grain, meat, poultry and dairy products, enough food to sustain 18 million people. 200,000 British troops (100,000 at any given time) and 12,000 RIC removed Ireland’s food at gun point. This mural is dedicated to the men, women and children who died of starvation during the Great Hunger. To call this period in Irish history a famine dishonors the pain and untold suffering our ancestors endured. British warships took the food of our land for profit while our people starved. It was genocide. With this truth told may they rest in peace.”
Each white cross on the map represents a mass grave. The map is originally from irishholocaust.org.
Here are panels 8, 5, 6, and 7 from the Patterson board featured in Operation Lion. The final panel shows the star of David and a quote from Prime Minister Benjamin Netanyahu: “In all of Jewish history we have never had a Christian friend as understanding and devoted.” The interim panels described Patterson’s raising and leading of the Jewish battalions of the Royal Fusiliers in WWI. After dying in obscurity in Los Angeles in 1947, his remains were transported to Israel in December 2014 and re-interred (video). For more, including a recording of Patterson’s voice, see this BBC Magazine article.
Video of the launch:
The plaque to the right asks viewers to “please respect this artwork” but a fire was set below it in 2016; see Where Is The Reconciliation?
Here are the first four of eight images (plus one wide shot) of the new Patterson memorial at the junction of Northumberland and Beverly Streets. As the text on the board describes, Patterson went from Ireland to Kenya, where he killed several lions after months of hunting. He wrote an account of the hunt ‘The Man-Eaters of Tsavo’ which has inspired three movies; the lions, named The Ghost and The Darkness, were both over nine feet in length. Back in Ireland he commanded a battalion of the UVF and was involved in the Larne gun-running of 1914: Operation Lion.
The hunger strikers tarp has been removed from the Ard Eoın memorial garden (see 2013) and the forty portraits have been moved over from the mural on Ardoyne Avenue after the plaster fell off (see one | two).
However, the two long-standing pieces remain the same. As can be seen in the image below, the cross goes back to 1976. “This garden of remembrance was unveiled by Nora Connolly O’Brien, daughter of James Connolly, Easter Tuesday 1976. It is dedicated to the memory of Óglaıgh Na hÉıreann and Fıanna Éıreann volunteers, Sınn Féın, and members of our community who lost lives since 1969. ‘Ireland unfree shall never be at peace.’ In loving memory of all from the Ardoyne, Bone and Ligoniel who died because of Ireland’s troubles.”
Above, the phoenix is used as a symbol of resistance in one of the oldest memorial plaques in Belfast (1993) with the names of deceased IRA volunteers and locals: “Oft from prison bars, oft from battle flashes/Oft from heroes’ lip, oftenest from their ashes.”
Who could resist this beaming smile and lilac knitwear? Communion portrait as street art, taking the place of Ian Jong-Un in Hill Street and (below) beneath the Potthouse plaque in Commercial Court.
Lewis Carroll’s Tweedledee and Tweedledum (as imagined by Tim Burton for Disney) have been turned into Twaddelldee and Twaddelldum, Twaddelldee using an Orange collarette as braces and Twaddelldum with face-mask, concealed brick, and “KAT” tattoo. The protest at Twaddell Avenue continues, after more than 600 days. For background, see previously: Protest Camp | Civil Rights Camp | Supporters Club | No Surrender
On May 8th, 1915, the various brigades of the 36th (Ulster) Division gathered together from all over the province (including some soldiers from Cavan, Monaghan, and Donegal) to be reviewed by Major General McCalmont in south Belfast; they then paraded to City Hall (South Belfast Friends Of The Somme Association). To commemorate the event the words “36th Ulster Div” have appeared on Black Mountain above Highfield and Ballygomartin (taking a leaf from the Gael Force Art book). The wide shot, below, is taken in front of Fernhill House in the Glencairn estate, where the Ulster Volunteers paraded in 1914. In July 1915 the 36th would leave for Sussex to continue their training and eventually find themselves at the battle of the Somme in 1916.
At first glance the piece above looks like a colourful mural but, as the close-up immediately below shows, it is in fact a large painted carving of lions rampant on either side of the emblem of the Shankill Protestant Boys flute band (Fb), named for the Shankill Boys of the original Ulster Volunteers and the Ulster Special Service Force unit within it which was designed to be a unit of “first responders”, ready to react at short notice to action by republicans or British forces anywhere in northern Ireland (historyireland).
The officers and members of the Shankill Protestant Boys flute band strive to achieve the same respect that our 1st battalion West Belfast Ulster Volunteers and Ulster Special Service Force “USSF” forefathers rightfully achieved in 1913, as they marched from Lawnbrook Ave to Fernhill House to enlist in Carson’s Army to defend Ulster from the 3rd Home Rule Bill, then again in May 1915 as they enlisted in Kitcheners Army as the 36th (Ulster) Division marching from Stewards Yard Aberdeen Street as the 9th Battalion Royal Irish Rifles through Belfast and off to fight in the Great War 1914-1918. wear the USSF badge and to this day we are proud to have USSF bloodline in our ranks, grandfathers grandsons and great-grandsons marching extensive repertoire consists of many wartime tunes such as Mountjoy clydevally the UVF gunrunning ship and many relating to the modern day volunteers SPB were formed in 1980 and many founder members are still marching today the reasons for forming the band were much more simply that establishing another flute band wanted to promote and express culture remember servicemen fought and died during the Somme offensive perished in during the conflict against violent republicanism flags 1982 carried with honour and dignity every parade humble homemade uniforms our wives made regimental uniforms over 125 members join more than learning music discipline educating our youth on our culture and history. no better feeling than marching with your own community clapping and cheering you on fellow bandsmen decorum SPB till we die carnan street c coy thiepval messines cambrai st. quentin arras ypres 1917 langemarck passhendaele passchendaele picary courtrai uvf ycv
Shepard Fairey used Mannie Garcia’s AP photo of Barack Obama for his ‘Hope’ poster of the 2008 US Presidential election (WP). The three-quarter profile, faraway look and four-tone shading have been repurposed for the board, shown above, in east Belfast: a boy gazes beyond Samson and Goliath, backgrounded by a sunburst: “Dream, Seek, Achieve, Educate, Achieve!”
