Only In The Movies

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Young people from the Lower Shankill pose in the style of a movie poster: “You must have dreams and goals if you are ever going to achieve anything in this world.” The info panel (shown below) incorrectly states that the board replaces a loyalist H-Block mural (of which there were two versions: yellow (M02473) | orange) and, before that, a UDU-UFF-UDA mural; these were on different walls and this board replaces only the Maze mural.

This is the second of five recently-launched boards in the lower Shankill. The first to be featured was I Am Not Resilient.

03073 2015-10-01 Lower Shankill Angels info+

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Copyright © 2015 Seosamh Mac Coılle
X03072 X03073 the lower shankill angels youth group came together to create their very own movie style poster celebrating the strength of their group their aspirations and their love and respect for the community the also wanted to highly how they as young people are often misunderstood artist lesley cherry led the photographic workshops drawing out stories about the groups hopes and fears for the future and how some wanted to stay in the area while others wanted to travel and see the world all agreed that the lower shankill would always have a special place in their hearts this artwork celebrates their ambition and optimism at this stage in their lives this artwork was funded by the housing executive working in partnership with the lower shankill community association the artwork replace the a UDA/UDA and the Freedom 2000 mural which featured HM Maze Prison

mark adair megan aiken nathan arbuthnor craig ballentine ryan baxter justin baxter darnel bell latisha brant CJ burke rabileigh crooks morgan dillon alanna flynn nathan hill brandon irvine curtis irvine marcus kane dylan kane megan mccaw simone mccormick jordan mckeag brittney mckeag kerri-lee mclaughlin jenni mclaughlin glenn mcquillan thomas mitchell jordan mullan morgan patterson lauren stewart chloe stewart becky turner craig wilson

Women’s Voices Matter

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Today’s image is of the final new mural in the recent re-imaging of the Lower Shankill estate. It shows a patchwork quilt of word related to women and the roles they play in families and communities, such as “aunt”, “mother”, “sister”, “granny”, and “caring”, “diverse”, “strong”, and “unheard voices”.

Other murals in the project: I Am Not ResilientOnly In The Movies | Coming Of Age In The Lower Shankill

03071 2015-10-01 Women's Quilt info+

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Copyright © 2015 Seosamh Mac Coılle
X03070 X03071 The Lower Shankill Women’s Group created this artwork using the theme of a traditional family quilt as their inspiration. The quilt idea was chosen as an item, which is often made together by family members and is ultimately handed down through generations. The women decided to decorate their quilt with words that described themselves their family members. Each member of the group contributed to the project, which were brought together digitally to form the overall artwork. They also wanted to highlight that woman have a pivotal role to play within the Shankill area and that their voices area as important as any one else’s. Artist Lesley Cherry worked with the women during this project, drawing out family stories of care, loss, remembrance and ultimately love, not only for their immediate families, but for their friends and the wider community. This artwork was funded by the Housing Executive, working in partnership with the Lower Shankill Community Association. The artwork replaces a contentious paramilitary mural and an artwork depicting the burning of Protestant homes at the beginning of the Troubles. hope friend loud kind broken honest care pride family stubborn inspiration diverse niece pride care caring acceptance welcome love powerful equalilty equality for all

UFF South East Antrim Brigade

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 16 towns and town-lands of south-east County Antrim are named in this recent UFF mural: Rathcoole, Rathfern, Monkstown, Shore Road, Whitewell, Glengormley, Greenisland, Carrickfergus, Whitehead, Ballycarry, Ballyclare, Larne, Newtownards, Antrim, Antrim, Ballymena, Braidside.

This mural was painted in late summer, 2015, on a wall that had been blank since at least 2008. In 2006, it bore a UDA mural, for which see M03060 (in Peter Moloney’s collection).

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Copyright © 2015 Seosamh Mac Coılle
X03038 knocknenagh dr red fist star garland cloughfern

Love Demands Sacrifice

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The board featured here (above and three shots below) has a dual purpose. On the one hand, it is part of celebrations marking the 75th anniversary of the Battle Of Britain, which was waged from July to October in 1940. On the other, it is part of an anti-racism project, celebrating in particular the contributions to the Battle made by roughly 145 Polish aviators (WP) and especially the 303 squadron: “The Polish nation – part of us then, part of us now”. The 303 was later stationed in Northern Ireland for a time. (BBC-NI)

The artist is Ross Wilson. The colour version of the central photograph is available at the Housing Executive’s write-up of the project. Other reports: Belfast Live | NewsLetter

Video of speeches from the launch:

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X02994 X02995 X02996 X02997 churchill never in the field of human conflict was so much owed by so many to so few 21st august 1940 after the invasion of poland by germany on september 1st 1939 many young polish airmen made their way to britain the luftwaffe had full control of the skies over poland and any attempt to fight there would have been futile a rapidly modernising royal air force was an attractive alternative especially as they had been equipped with the ultra-modern spitfire and hurricane fighter planes with a shortage of experienced pilots polish airman became the largest group of non british personnel in the RAF during the battle of britain they joined already established squadrons in fighter command however on july 13th they were given their own squadrons one of these was the highly successful 303 polish squadron during the battle destroyed more aircraft than any other fourth highest tally of all 2nd world war shot down 20% of all experience of seeing their homeland at the mercy of the german forces hardened their resolve regarded by fellow pilots as highly focused and courageous josef frantisek highest scoring fighter ace had it not been for the magnificent material contributed and their unsurpassed gallantry i hesitate to say that the outcome of the battle would have been the same air chief marshall sir hugh downing per ardua ad astra we do not forget that you were the first to resist the aggressor neither do we forget that you came after manifold trials to our aid when we most needed your help your valiant fighting alongside in the forefront helped to restore the fortunes of the allies throughout the years of struggle in good times and bad you have stood by us and shared their losses and their victories sir archibald sinclair british air minister letter to polish airmen 1945 general sikorski honours rations outside their mess hut john alexander kent feric grzeszcczak zumbach lokuciewski hennerberg daszewski szaposznikow from this day to the ending of the world we in it shall be remembered we few we happy few we band of brothers for he today that sheds his blood with me shall be my brother henry V william shakespeare the legend of 303 polish squadron they gave their lives high up there somewhere where earthly matters are so distant the rays of the sun so pure and god so close we must wonder if mankind is yet aware of the credit that is their due pete bleakley ross wilson housing executive lower shankill community association

Conor’s Corner

03026 2015-09-06 Conor Head Painting+

William Connor (later William Conor) was born in the Old Lodge area of Belfast (in 1881) close to the location of the new bronze statue shown in today’s images, which is at the corner of Northumberland Street and Shankill Road, replacing the UVF/Shankill Protestant Boys (see M02457). The info board (shown below) describes his methods in capturing the Belfast street scenes for which he is most famous: “Conor was developing a spontaneous drawing technique by recording quick impressions, and it soon became a habit for him to go out into the streets with a newspaper, which contained loose leaves from his sketchbook. When he saw anything of interest he leant against a lap post or wall, took out his newspaper as though he were simply reading the sports results and sketched away.”

For more info, see the project’s web site. For images of many of Conor’s paintings, see ArtNet. For images of the sculpture in progress, see Lönze’s site and the project’s Facebook page.

Officially launched 2015-09-26

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2015-09-03 William Conor figure+

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2015-09-03 William Conor info+

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Copyright © 2015 Seosamh Mac Coılle
X03026 X02954 X02955 X02956 X02957 X02958 Painter William Conor PRUA RHA ROI OBE (1881-1968) was born in Fortingale Street and developed many of his renowned paintings in this area known as Conor’s Corner. J. Wilson Conor’s work on display: Going to the Mills (1914, Crumlin Road, Belfast), Riveting, Lamp-post Swinging (1957, Belfast), The Twelfth (1918, Wellington Place, Belfast), Two Men Watching Lambeg Drummers, Digging. Sculpture & Concept: Holger C. Lönze, Cork. Architectural Design: Robert Morrow, Belfast. All images by William Conor collection ulster folk and transport museum

Cross & Crane

02989 2015-09-05 Flora St 36th Ulster main+

Samson and Goliath, the cranes of the Harland & Wolff shipyard in east Belfast, stand alongside crosses on the burial grounds of the 36th (Ulster) Division in Flanders (though Cave Hill might be in the background) in this Flora Street mural in east Belfast. UVF flags fly overhead. One of the cranes can be seen in the background of the wide shot, below.

On the headstone in the front-middle is written “Francis Lemon 1916”, perhaps this Francis Lemon, from Ballymacarrett, who died on July 2nd: FindAGrave | IWM.

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Copyright © 2015 Extramural Activity
X02989 X02990 francis lemon 1916 remembrance day armistice day veterans

How Nobly They Fight And Die

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Soldiers from the 36th (Ulster) division in the trenches of WWI prepare to go ‘over the top’. One waits for the precise moment according to his watch, ready to fire a shot, while the other prepares to blow a whistle and launch a flare. “‘Throughout the long years of struggle, the men of Ulster have proved how nobly they fight and die.’ King George V”. The quote also appears on the Ulster Tower in Thiepval (Ulster Tower) and on the Cenotaph in Belfast (WP).

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X03023 X03022 flanders somme uvf ycv

Stewart’s Yard

02988 2015-09-03 Stewarts Yard+

As the sign says, the area of what is now an Iceland supermarket on the Shankill Road was, at the time of World War I, a training ground for the Ulster Volunteers. The sign was erected to commemorate the 100th anniversary of the force, which then became the Ulster Volunteer Force which served in the war. “On the first day of enlistment for the West Belfast UVF, volunteers assembled at Stewart’s Yard in the Shankill Road. They were addressed by Colonel T. E. Hickman, the Conservative MP for Wolverhampton and a senior UVF figure who had become the Recruiting Officer for the whole of Ulster. Joining Hickman were James Craig MP, plus Stewart Blacker Quin, who was the Unionist candidate for West Belfast and the commander of the 1st Battalion West Belfast UVF.” (Richard S. Grayson, Belfast Boys: How Unionists and Nationalists Fought and Died Together in First World War, p. 12) “The day following the opening of enlistment for the Division, 360 men assembled at the same yard, where after being presented with a box of cigarettes, they marched to the railway station to board trains for Donard Camp near Newcastle. These men became the corps of the 9th Battalion Royal Irish Rifles.” (Bygone Days)

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