The slot machine last year came up with a 55 Scottish league title for Rangers and Rangers fans across Belfast celebrated with stickers and flags (Let Us Shout Joyfully | Order Restored | 55 | F*ck Your Ten In A Row | Blues Brothers | We’re Back | Legends Never Die) and also the stencilled electricity box from Berlin Street, west Belfast (above) and the furniture and barrel (below) from Sandy Row, south Belfast. This year is not looking so good, as they are six points down with three games to go (SkySports).
An Orange parade to celebrate the centennial of Northern Ireland – postponed last year on account of the pandemic – will take place today, with roughly 130 bands marching from Stormont to Belfast city centre (Belfast Live). There is not much indication of the parade in posters or murals, perhaps because the anniversary itself has passed. If we read the community’s concerns from the displays in the window of this Shankill Road shop (just above the old Beresford St and the Mussen Cortège mural), they include the NI centenary and the murder of Lee Rigby (WP) (image above), PTSD (second image), the upcoming platinum jubilee of Queen Elizabeth (third) – we will have more jubilee photos over the coming week, and the centenary of the Ulster Tower WWI memorial (see e.g. Our Heritage In Your Hands).
The SNP [Scottish National Party] became the largest party in the Scottish parliament in 2007 and went from 6 Westminster seats in 2010 to a completely dominant 56 (of 59) in 2015. It spearheaded a referendum in 2014, which was defeated 55% to 47% (WP). Scottish independence is again included in the manifesto of the SNP – though it has not committed to a specific date on account of the Covid pandemic – and as such the SNP remains a threat to the integrity of the UK that Northern Ireland unionists espouse. Hence this sticker on the Shankill Road, even though the SNP does not stand any candidates in NI elections.
Registration for voting in the May 5th Assembly election is coming to a close. You can register on-line at gov.uk. Currently, 1.4 million people are registered in Northern Ireland (BBC). As today’s images make clear, the poles of Belfast are already cluttered with placards for the various candidates, as well as the salient issues, such as the “sea border” and the death of Noah Donohoe.
The ‘Peace Wall Stories’ installation along the Cupar Street “peace” line, was launched last Saturday (April 2nd). Photographer Stephen Wilson (web) has produced half-tone portraits in newspaper style, each 2.5 metres tall, of a dozen people from both communities who live near barriers in Belfast.
There is an iPhone/iPad app that goes along with the project, which allows you to point your mobile at a portrait and have the person pictured come alive and speak to you about their experiences; for those without iPhones or the app, the recordings can be heard at the project’s web site.
It’s been a long time since workers walked en masse from east Belfast to the shipyard, but fish and chips remain popular, though the number of chippies has fallen from about 35,000 in 1920 to 10,500 today (BBC | Dockside). This mural is on the side of the ‘Chipyard’ in Strandtown.
This is a mural of a painting of a mural of a mural. The original is the piece by Terry Bradley (web) and Friz (web) at the Titanic museum’s pub (see Dockers’ Rest), which was then reproduced in a different colour for the opening montage of the Kenneth Branagh film Belfast. The success of the film prompted the Department Of Justice to commission Bradley for a painting that could be turned into a mural and he reproduced the film version (BelTel). The mural that enlarges that painting was painted by DMC on Lanark Way, just above the security gates (Belfast Live).
“The dockers who feature in the painting are inspired by real characters and men Terry remembers walking home from the shipyard when he was a child. These hardworking men from Sailortown, Belfast, show a glimpse into the past of the shipyard pubs, where the men congregated after a hard day’s work.”
Jim Donaghy was born in the Bonds area of the Waterside but when he joined the 10th (Derry) Battalion his family was living in Drumahoe. It was to there that he returned after seeing action at The Battle Of Albert in 1916, as well as the Battle of Messines, the Battle of Langemarck, the Cambrai Operations, and the Capture Of Bourlon Wood (Reserves & Cadets | Three Cheers For The Derrys).
“”I arrived in Larne on the ferry from Scotland and before I caught the train to Londonderry, I sent a telegram to my mother telling her I was on my way. When I arrived in Waterside Station, there was no one there to meet me so I started my long walk to Drumahoe. As I walked down Daly’s Brae in my uniform, someone must have spotted me in the distance. The bell of Clarke’s Mill at Drumahoe started to ring frantically to my mother that I was home. When I got home the house was filled with my friends, relations and neighbours. They were overjoyed.” – Jim was home – it was over at least. Cpl Jim Donaghy returning home from the First World War.”
“Cpl Jim Donaghy MBE, 10th Royal Inniskilling Fusiliers and his former family home 2 Fincairn Road, Drumahoe.” The mural is on the yard wall of the house, which still stands.
“In remembrance of all those who served at home and abroad.”
The house in Bond’s Place that had been home to an Eddie mural for many years was torn down last summer (see final image for the hoarding around the site of the absent gable); it had been used since at least 1982 for images of the Commonwealth, King Billy, and, since 1996, Eddie The Trooper. The final Eddie board that was on the wall has been moved one neighbourhood over, into Lincoln Court. It was the first to include the words “Spirit Of ’93” – presumably a reference to the Greysteel Massacre in which eight people in the Rising Sun bar were killed in reprisal for the Shankill Bombing (BelTel). The “raid” was planned in – and both gunmen rented rooms at – the UDP office on Bond’s Place, just across Bonds Street (NI Judiciary).
Perhaps because of the Covid pandemic, this mural of UDA volunteers on parade reflected in the sunglasses of one of their comrades took months to complete (it was started in late 2020 and was still unfinished last summer). It replaces the previous “UFF Formed 1973” mural – see Northern Island.
The photograph reproduced is from the 1974 Ulster Workers’ Strike; it appeared on the cover of Don Anderson’s Fourteen May Days (CAIN).
Seosamh Mac Coille Collection 