The Salmon Of Knowledge

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A woman standing in the sea befriends a giant salmon in this mural by Lesley Cherry (webFb) behind the Windsor Women’s Centre (Fb) on Broadway in south Belfast. “Trust – Knowledge – Grow – Teach – Play – Love”. Close-up of the left-hand side below.

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Copyright © 2016 Seosamh Mac Coılle
X03335 X03334 ebor st previously located on Donegall Rd

Village Life

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Here are all five panels from Lesley Cherry’s Village Life piece at the rear of the Windsor Women’s Centre in south Belfast (along with the Salmon Of Knowledge piece featured previously). In the first two, wrapped up in the ribbons streaming from a horse in the central panel (shown above) are a drum (against a backdrop of Belfast city, including a Harland & Wolff crane), a bathtub, teapot and teacup, and pot and pan. The fourth shows the spire of a church and the fifth the smokestack from a factory.

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Copyright © 2016 Seosamh Mac Coılle
X03328 X03331 X03332 X03333 X03330 ebor st play laugh cleanse bathe wash talk together nurture feed home community future inspire teach learn work develop celebrate strength home house live love family me you build

The Flag Of Three Saints

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Here is the final board in the new “St Patrick” set on Tates Avenue (and a wide shot of them all, below). This one explains the composition of the Union flag as a combination of the saltire of Saint Andrew of Scotland, the cross of Saint George of England, and the saltire of Saint Patrick of Ireland. As the text notes, the saltire is much later than the saint: “The association with Saint Patrick dates from the 1780s, when the Order of Saint Patrick adopted it as an emblem. This was a chivalric order established in 1783 by George III. It is often suggested that it derives from the arms of the powerful FitzGerald dynasty [which dates to the 12th century].”

The text ends oddly: “The saltire has occasionally served unofficially to represent Northern Ireland and [has] been considered less contentious than other flags flown there.” Similar language is used on the symbols.com page for the Saltire.

See previously: St Patricks | An Ancient And Powerful Symbol

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Copyright © 2016 Seosamh Mac Coılle
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An Ancient And Powerful Symbol

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Here is one of the new boards on Tates Avenue (the others will be featured over the next two days). It shows a ship racing towards shore, superimposed over a 1659 map of Ulster by Blaeu.

“The Red Hand Of Ulster: According to legend Ulster had at one time no rightful heir. It was agree that a boat race should take place and that whoever’s hand first touched the shore would become king. One contended, upon seeing that he was losing the race, cut off his hand and threw it ashore to win. O’Neill is said to have been the chieftain who cut his hand off to become the King of Ulster. The Red Hand is a key emblem of Ulster’s identity, an ancient and powerful symbol that is traditionally shown as a blood red hand.”

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Copyright © 2016 Seosamh Mac Coılle
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St Patricks

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Featured today are two (more) of the boards in a set on Tates Avenue. The central board, shown above, shows a young Patrick (without the clerical garb in which he is often portrayed) against the backdrop of Slemish mountain, where Patrick is thought to have tended sheep as a young slave to a local chieftain, c. 401 AD and developed his Christian faith.

The second image is of colourings of the Saint Patrick profile by children from the nearby Donegall Road Primary School.

The boards were unveiled on March 10th, 2016 by first minister Arlene Foster who remarked that the saint had become “very Gaelicised” and this — and the presence of Irish tricolours at parades — deterred unionists from celebrating “the patron saint of everybody in Northern Ireland” (Belfast Telegraph; also contains video of the launch). Anglicanism venerates saints but Presbyterianism does not, generally taking the “communion of saints” to refer to all members of the church.

Previously from this set of boards: An Ancient And Powerful Symbol

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Copyright © 2016 Seosamh Mac Coılle
X03324 X03325 Ross Wilson bell latin text staff red hand of ulster cross saltire My name is Patrick. I am a sinner, a simple country person, and the least of all believers. Patrick was born in Roman Britain in 385 AD. When he was sixteen he was captured by Irish raiders and taken to Ulster where he was sold as a slave to Milchu exiled abused exploited turned to Christ little did he know that this would not only transform his life but the lives of the Irish people he escaped captivity after size years and returned to his home. Later in a dream-vision Patrick was called back to Ireland by an Angel who brought the voice of the Irish … “We beg you, holy boy to come and walk among us again”. returned as an evangelist and pastor playing a major role in converting the celts to Christianity known through his personal writings a record of his time and ministry in ireland which lasted for 45 years persuasive powers were astounding within 200 years spiritual change ended slavery and human sacrifice setting in place one of the most profound social and cultural revolutions transcended division and became a living letter written on irish hearts “not with ink but by the spirit of the living god i am a servant of christ to a foreign nation for the unspeakable glory of life everlasting which is in christ our lord” simply went and told others died in 460 aged 75 years This artwork celebrates the life and legacy of Saint Patrick. It also features an inspiring series of local school children’s portraits exploring the identity of their Patron Saint. The project was supported by the Housing Executive and delivered in partnership through the ACT INITIATIVE and Greater Village Regeneration Trust. The artwork was unveiled by The First Minister Arlene Foster on the 10th March 2016.

We Must Share The Responsibility

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UDA commander John McMichael was also secretary of the New Ulster Political Research Group (NUPRG), a think tank of the UDA/UFF. The group argued for an independent Northern Ireland (based in part on beliefs about a separate Ulster ethnic identity – see the Visual History page on Cú Chulaınn) in two documents, 1979’s Beyond the Religious Divide and 1987’s Common Sense (available at CAIN), promoting the philosophy of ‘Ulster nationalism’, depicted here by the free-floating Northern Ireland. McMichael ran unsuccessfully for the Belfast South seat after the murder of Robert Bradford (see To Bathe The Sharp Sword Of My Word In Heaven).

“As John McMichael stated before his untimely death, we must share the responsibility for finding a settlement and share the responsibility of maintaining good government. He left us hope.”

Here’s a link to an image (from @conflictNI on Xitter) of McMichael at the launch of Common Sense in 1987.

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Copyright © 2013 Seosamh Mac Coılle
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Cairns & Co.

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Cairns & Co. Ltd were not only “Manufacturing and export chemists” but (according to the 1908 street directory) “Aerated and mineral water manufacturers” with works at “Balmoral Springs, Lisburn Road”.

This post is the fifth and final board on Donegall Road. In order of the wide shot, below, the five are: RIC At Celtic Park | Ruby Murray | Ronnie Adams | Broadway United FC | Cairns & Co. Ltd

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Copyright © 2015 Seosamh Mac Coılle
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Broadway United FC

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Information on-line is scarce concerning Broadway United FC. They might have been an intermediate team but are said to have won the junior Irish Cup in 1912 — the date of the image above in which the team poses with its trophies — beating Black Watch FC 1–0.

Liverpool’s longest serving player, goalkeeper Elisha Scott (WP), began his career at Broadway United, playing there for two years before making 402 appearances at Anfield and then going to Belfast Celtic as player and manager. The Irish Times has a profile of Elisha and his brother Billy, goalkeeper at Everton. (Thanks to John Duffin for these links.)

Donegall Road, Village, south Belfast

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Copyright © 2015 Seosamh Mac Coılle
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Ronnie Adams

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Ronnie Adams was born in Belfast in 1916. He began driving at age 11 and rallying at age 18. He is shown above in a Jaguar Mk. VII, en route to winning the Monte Carlo Rally in 1956, which was also around the time that he took over the family textile business from his deceased father — Adams remained an amateur driver his whole life.

For more on Adams, see Adams’s Telegraph obituary and this article by Steve McKelvie. For information on the Jaguars of the 1950s (and an image of Adams with the five trophies he received for winning the Monte Carlo), see the Irish Jaguar & Daimler club.

Donegall Road, Village, south Belfast

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Copyright © 2015 Seosamh Mac Coılle
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