Belfast west

Come In Your Working Clothes

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“Come one, come all, to the Welcome Hall, and come in your working clothes.” Amy Carmichael was born in Millisle, Co. Down, in 1867. In 1884 the family moved to Belfast, where Amy started Sunday classes in Rosemary Street Presbyterian for “shawlies” who worked in the mills. These were successful enough that a larger venue was required, and so, in 1887, the Welcome Hall, with seating for 500, opened in Cambrai Street (this subsequently became the Welcome Evangelical Church, where the blue plaque shown below is mounted). Carmichael then went to England (Manchester), Japan, Sri Lanka, and India (Bangalore). (Welcome Church | WP)

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Billy Was Wright

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“Billy was Wright – no Irish Sea border.” Billy Wright broke with the UVF in 1996 over loyalist concessions made during the peace-process that ultimately led to the Agreement in 1998. He soon formed the LVF but was killed in prison in 1997 by members of the INLA, which, like the LVF, had not joined the ceasefire.

These posters are in Cambrai Street and Conway Street; attempts to remove them have proven unsuccessful. The Sunday World reports that a similar banner has appeared in Ballymena (Sunday World) and that the same poster was also spotted in the lower Shankill (Sunday World).

Wright is shown standing in front of a small mural in Old Rectory Park, Portadown – see D01068.

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Living In Poverty

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“Population of the Six Counties: 1,800,000. Living in poverty: 313,000. Children in poverty: 100,000.”

The source for the statistics presented might be the Department Of Communites, which gives statistics for 2021-2022; the Rowntree foundation has a report on 2022 poverty levels. No source is given here or on the campaign’s web page at Lasaır Dhearg (web | tw).

Glenveagh Drive; with a bonus image of on old Marian Price stencil in nearby Carrigart Avenue.

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Tríocha Blıaın Ag Fás

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What is now Coláıste Feırste began life as Meánscoıl Feırste in 1991, teaching a group of nine students a curriculum inspired by Patrick Pearse (discussed previously in An Tusa An Chéad Laoch Eıle?) and based in Cultúrlann MacAdam-Ó Fıaıch (Cultúrlann). It moved to Beechmount in 1998 and in 2018 expanded into new buildings that were meant to accommodate 600 pupils (Doherty Architects), which it has now exceeded (BBC) as it enters its thirty-third year in existence.

The theme of preserving and promoting the Irish language occurs in several places in the mural: next to Pearse we see his saying, “Máırtín Ó Chadháın ” [a land without a language [is] a land without a soul], in the classroom scene we have “Labhaır í agus maırfıdh sí” [speak it and it will endure], and finally we see the Dream Dearg protesting for an Irish-Language Act (see previously #AchtAnoıs).

The in-progress images included below among completed detailed shots date from May 6th and 20th.

Giant’s Foot/Beechview Park. Replaces the short-lived mural of Olympians, seen in Sporting Giants.

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This Country Is Worth Fighting For

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“In commemoration of King William III and his victory at the Battle Of The Boyne, 1st July 1690.” King William and images of Carrickfergus and the Boyne are included on the left of the board: in Ireland, William in person travelled from Carrickfergus to Drogheda and – after the victory at the Boyne – to Dublin, from which he left to pursue the war in Europe; his troops, on the other hand, after landing in Groomsport (1689) and Carrickfergus (1690) and fighting at the Boyne, continued on southward, to Cork and then to Limerick, and westward, to Athlone, Aughrim, and (again) Limerick. The campaign ended in October, 1691, with the signing of the Treaty Of Limerick. The information is available in pdf format from the Schomberg House Museum.

King William’s Corner joins Queen’s Corner and King’s Corner (and first of them all, Conor’s Corner –Conor’s ‘The Twelfth In Wellington Place, Belfast 1918’ is included to the left of the map, under a few lines from The Sash – “It is old but it is beautiful, and its colours they are fine/It was worn at Derry, Aughrim, Enniskillen and the Boyne” – and “The Boyne Standard [a.k.a. the flag of the Orange Order] with the heraldic crest of King William”).

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X12764 [X12763] X12762 [X12761] X12765 “This artwork was commissioned by ACT Initiative [web] – Protecting Our Community.”

You’ll Know Us By Our Noise

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The “Lambeg drum” is named for the village near Lisburn, perhaps invented there to celebrate a visit by King Billy (LAD), or perhaps because it was there that the (already existing) drum was played with canes (WP).

As can be seen from these images, the drums are extemely large – three feet in diameter – which makes them difficult to use in parades, as does their immense noise (up to 120 dB); they are more frequently seen on their own at drumming displays such as this one on the Shankill yesterday (July 11th).

See also: Lambeg drums in Glynn last year (2022) in While I Live I’ll Crow.

For the King William railings, see Let Ambition Fire Thy Mind.

For the Clyde Valley, see An Astounding Achievement.
For Robert Quigg, see Victoria Crosses Of The 36th (Ulster) Division.

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Belfast Beacons

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11 “beacons” are being lit across Belfast this evening, an increase over the eight from last year (Belfast Live). They are re-usable metal frames filled with willow wood (above a base of pallets) and sit on a bed of sand in order to avoid scarring the ground (BBC). The name evokes the beacons lit in the hills of Antrim and Down that allowed King William’s forces to land at Carrickfergus in 1690; the practice of lighting bonfires for festivals goes back to pagan times (Gailey).

Rather than being collected by the local commuinity, the materials are provided by a City Council programme now in its fifteen year of operation; the cost of the beacons this year is 81,000 pounds (BelTel). For discussion of the beacons (and the wider bonfire programme), see this Slugger article.

The two beacons shown here are in Woodvale (above) and Brown’s Square (below). For the Herbie McCallum memorial, see Some Day Soon We’ll Proudly March On Parade.

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Jim McCabe

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A new mural was unveiled yesterday in memory of Jim McCabe, the husband of Norah McCabe who was hit by a plastic bullet in 1981 and died a day later. Jim went on to become a “lifetime campaigner for truth + justice” and a “founder member of Relatives For Justice [web] and United Campaign Against Plastic Bullets [web]” – the sketch shown in the third image suggests this line was part of the plan for the mural. (For a profile of Jim’s campaigning work, see Belfast Media.) Jim died in January of this (2023) year.

The image above shows one of the children of Norah and Jim – James – standing in front of the new mural wearing a ‘Ban plastic bullets’ t-shirt and carrying an image of his mother.

Replaces #RememberMyNoah between La Solidaridad Invariable and BTCIC.

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Solidarity With The French Riots

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“Solidarity with the French riots against racism & police – justice for Nahel!” 17 year-old Nahel Merzouk was shot and killed on June 27th by a motor-cycle policeman in Nanterre, France. The scope of use of firearms by police was expanded in 2017 to include dangerous drivers who refused to stop; Merzouk was at the wheel of a Mercedes that had twice failed to stop and (according to police) was putting others in danger. Police specifically alleged that the car, after the second stop, was driving towards the officer; video evidence later disproved this. This cover-up, combined with long-running discontent over the use of deadly force by police, led to six nights of rioting in which two people were killed, more than 3,000 people arrested, and 800 police injured. (BBC includes video | Independent | WP)

Divis Street, west Belfast

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