“God save the King.” When Charles acceded to the monarchy last September upon the death of Elizabeth II, he also became head of the Church Of England. Among the first oaths he took as king was one to preserve the Church Of Scotland, which is Presbyerian rather than Anglican. There does not appear to be any oath relating specifically to any denomination in Ireland, and so the Shankill mural above borrows from the Church Of Scotland oath. It stops short of the references to Scotland:
“I, Charles the Third, by the Grace of God of the United Kingdom of Great Britain and Northern Ireland and of my other Realms and Territories, King, Defender of the Faith, do faithfully promise and swear that I should inviolably maintain and preserve the Settlement of the true Protestant religion …” [… as established by the Laws made in Scotland in prosecution of the Claim of Right and particularly by an Act intituled “An Act for securing the Protestant Religion and Presbyterian Church Government” and by the Acts passed in the Parliament of both Kingdoms for Union of the two Kingdoms, together with the Government, Worship, Discipline, Rights and Privileges of the Church of Scotland.] (Royal UK)
At the coronation, Charles swore an oath similar to the above, but referring to the Church Of England, and swore that he was a faithful Protestant (Country Life).
Art by Danny Rumbl (ig), HMConstance (ig), KMG (ig), Zippy (ig), Codo (ig), and various writers on the Cupar Way “peace” line, on top of pieces from last year by Bust, Lobster, and others – New Levels, Same Devils.
This is a gallery of the new Hit The North pieces on Union Street south of Kent Street. There is a separate post for the new pieces on Union Street north of Kent Street.
From north to south (top to bottom in this post) the works are by: Conor McClure (ig) All The Doodz (ig) Wee Nuls (ig) Glen Molloy x2 (ig) Hixxy (ig) Ed Hicks (ig) – on the Sunflower side of the street Danny Rumbl (ig) NOL (ig) Andrey Palval (ig)
From left to right (top to bottom in this post), the artists are:
Zippy (ig) Alana McDowell (ig) Asbestos (ig) Angry Dan (ig) ?TMN krew? Sufek West Hallion – “Цe нaшe поле до біса” [this is our hell on earth] – a common description of the battle for Bakhmut by Ukranian soldiers (AP | France24 | CNN); this was the last of several slogans painted by Hallion throughout the festival (tw) RASK (ig) + STER (ig) + SUMS (ig)
Davd J McMillan (ig) returned to Belfast from Bristol for HTN2023, which this year used the interior walls of the wasteground opposite the Sunflower. The writing appears to read “Ce nas pas une pint” but based on the pipe in the other hand, presumably should be “Ceci n’est pas une pint” in homage to Magritte’s famous non-pipe “Treachery Of Images” (or perhaps, based on the sketch, “Je n’ai pas une pint”).
Also included are various pieces of graffiti art, including a tiger-cat by PENS (ig) and a red-nosed boy by KVLR (ig).
Enniskillen singer John Garrity (ig | Fb) is a familiar face in Belfast city centre, often seen busking in Castle Place and Cornmarket. He drew criticism in September 2021 for singing the ballad ‘Grace’ – about the hours-long bride of James Plunkett, executed after the 1916 Rising – while an Orange Order parade passed by. Garrity claims he was already singing the song when the parade happened to come by (Belfast Live). (Here is a rendition from another occasion – youtube.) He then gained a persistent heckler (Irish News). Now he is the subject of a mural by Glen Molloy (ig) in Donegall Street, Belfast, on the wall of the long-ago burned-out North Street Arcade, where Matt Sewell’s Carnival Of The Animals was.
Here are three new pieces above the security gates on Northumberland Street, covering over the “Deserted! Well, We Can Stand Alone” graffiti in the last remaining spot on the wall without a mural. From left to right:
Arthur Guinness: “Black Protestant Porter” as a description of Guinness stems from Arthur Guinness’s opposition to the 1798 rebellion (Indo). The Union Star (newspaper in Belfast – A Planet Of Light And Heat) called Guinness a spy and advised that “United Irishmen will be cautious of dealing with any publican who sells his drink.” (An Phoblacht).
Gusty Spence, a former commander of the UVF, read out the ceasefire statement of the “Combined Loyalist Military Command” (UVF, RHC, and UDA): “Let us firmly resolve to respect our different views of freedom, culture and aspiration and never again permit our political circumstances to degenerate into bloody warfare – Gusty Spence, loyalist ceasefire [statement in full], 13 October, 1994.”
“Welcome To The Shankill Road – we are proud, resilient, welcoming”: The original ‘three hands’ was on Northumberland Street, just above this spot – see Proud, Defiant, Welcoming – which was then reproduced in reduced form in Gardiner Street – see Welcome To The Shankill Road.
This is the most conciliatory statement ever made by loyalism and the decision to put it on Northumberland Street, especially in the context of the internationally famous and associated-with-Ireland Guinness and the “welcome” mural, suggests that the trio is directed at tourists rather than locals.