At Van’s Feet

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In these details from one of the murals at the Duke Of York, books by Wilde, Beckett, and Joyce lie at the feet of Van Morrison, along with two of Van’s albums, a saxophone, a pack of cigarettes, a pail of water and two cone-shaped objects. Sınéad O’Connor and Barry McGuigan, among others look on. In the second image, there are two Them posters on the back wall and Van’s Magic Time album is on stage.

Inside: David McWilliams, James Galway, Alex Higgins, Rab McCullough, Gary Lightbody, Barso, Joey Dunlop, Terri Hooley, Feargal Sharkey, John O’Neill, Big Jim McDowell, Mark O’Shea, The Edge, Sam Neill, Jimmy Reilly, James Young, Liam Neeson, Jimmy Nesbitt, Rory Gallagher, Seamus Heaney, Clodagh Rodgers, Ruby Murray, Tony McCoy, Katie Melua, Ann Marie, Geraldine Hughes, Cormac Neeson, Jackie Wright, Johnny Hero, Brian Kennedy, Darren, Juliet Turner, Dan Gordon, Gerry Anderson, Gloria Hunniford, Barry McGuigan, Sınéad O’Connor, Rinty Monaghan, Gary Moore, Dana, Phil Coulter, Phil Lynott, George Best, Pat Jennings, Derek Bell, Jimmy Ellis, Bob Dylan, John Lennon, Neil Young, Willie Jack

Outside: Mark, Una Healey, Michael, Enya, Nick, Angela Feeney, CS Lewis, Dennis Taylor, May McFettridge, Paul Brady, Winston, Patrick Kielty, Brian Moore, Willie John McBride, Pearce Elliot, John Lynch, George Hamilton, Pierce Brosnan, Ciaran McMenamin, Maggie Cronin, Hammy, Lisa, Big William, Chris, Paddy, Eddie Irvine, Christine Bleakley, Brendan Behan, Derek Dougan, Patrick Kavanagh, Sir John Lavery, John McCormack, Danny Blanchflower, Mary Peters, Harry Gregg, Frank Carson, Martin O’Neill OBE, Dervla Kirwin, Stephen Rea, Hugh Russell, Wee John Caldwell, Nadine Coyle, Julie, Martin Lynch, Nee, Ronnie Drew, Dolores O’Riordan, Ciaran Hinds, Caron Keating, Kenneth Branagh, Alice, Liam Clancy, Duke Special, Bono

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No Beef

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The can be no beef with this beef. The horse-meat scandal (WP) is now a month old and has “Gone Interrailing” (Spiegel Online) to Britain and the Continent, but the reverberations can still be felt in Ireland and Northern Ireland. This butchers in Inıs Ceıthleann/Enniskillen attempts to reassure its customers by providing the provenance of this week’s beef.

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Euro-pa

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Local readers will hopefully be able to help identify the people (and the horse, and the crab on a fishing line) staying in the Europa Hotel, as depicted in a new (late 2012) board/construction at the Dark Horse/Duke Of York. Artist Ciaran Gallagher has a collection of pictures of the piece being constructed and installed.

According to WP, the Europa was bombed 28 times during the Troubles (which would explain the damage and the abseiling paramilitary on the left?), and Bill and Hillary Clinton’s entourage took up 110 of the 240 rooms when they stayed at the Europa hotel in 1995. In the foreground, George Best balances a ball bearing the words, “I spent a lot of money on booze, birds and fast cars. The rest I just squandered.” Is there some particular reason why the “E” is the euro sign?

Previously from the Dark Horse/Duke Of York: Big Brother Is Watching. Below is a wide shot of the whole.

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John Peel

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Two images of BBC Radio 1 DJ John Peel, young and old, on the wall of the passageway to the Duke Of York pub in the city centre.

Peel is famous in Northern Ireland for his love of the song “Teenage Kicks” by Derry group The Undertones (WP). A line from the song – Teenage dreams so hard to beat” – was used in this mural/street art tribute to Peel, who died in 2004 (WP).

Update 2013-06-21: the ‘teenage dreams’ artwork on Bridge End has been painted over (Tele | BBC | Irish Times; video from U.tv).

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Nixon Resigns, Best Quits

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Another George Best reference in another mural at the Dark Horse/Duke of York. George Best quit Manchester United (temporarily) for Spain towards the end of the 1972 season (and quit United for good in 1974). The precise phrase — “Sod this, I’m off to Marbella” — and picture of Best playing keepsy-upsies in the sun come from a John Roberts book about Best. Nixon resigned on August 9, 1974 (WP). The Klondyke Bar was in (PUL) Sandy Row and bombed by the IRA in January, 1976.

This is just the left-most part of a large mural in the Dark Horse courtyard. (For the whole thing, see The Bar Is Called Heaven.) It is almost entirely black-and-white – the Guinness labels and betting slip from Eastwoods are exceptions. If you recognize any of the figures, please leave a comment. The photographer in the top right is Bill Kirk | some pictures at the RBG.

There is a signature of sorts in the top left: “Two cold, hungry muralists for hire. Phone Danny D[evenny] and Marty L[yons].”

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Fermanagh Crannóg

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This might not look like much, but these crannóg remains in Drumclay outside Enniskillen/Inıs Ceıthleann (according to the BBC) “may be the largest house structure of the period ever to be discovered” and archaeologists have said that “their discoveries will re-write the history books of ancient Irish life.” The crannog (a compound – in this case of 30+ houses – on stilts, forming an artificial island) was brought to the public eye last (2012) summer and archaeologists have until the end of this month (March, 2013) to complete their investigations – the find is holding up construction of a road needed for the G8 summit in June. (Previously on Extramural Activity: Putting On The Ritz.)

For more details of the find and efforts to gain more time for excavation, see Robert Chapple’s blog.

Below are images of (first) what is believed to be a game piece and (second) an archaeologist (Cathy Moore) holding up part of a vat/barrel, with an incised rim, and a disc. U.tv has a gallery of some of the more than 4,000 finds from the crannog, including combs, a shoe and shears.

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Detail of the top picture, blown up in size … in the centre, the red circle of tape indicates the location of a house, the square lighter area is a hearth.

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Past The Gaol

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This is the board in The Fountain, Londonderry visible in the distance in True Blue. The panels feature local spots from days-gone-by.

A piece of the old Gaol still stands, between Bishop Street and The Fountain.

Wapping Lane still exists. One can view census records for Clarence Place and Wapping Lane from 1901 at the National Archives.

It would seem that the mural being painted in the top panel was in Clarence Place? (Inferred from this first-person account of life in The Fountain from the Londonderry Sentinel. (Add a comment if you can confirm/refute this.)

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Thousands Are Sailing

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The Irish went to America, the pigs went to England. “Beware! Pigs Crossing. Bacon curing was one of the city’s oldest industries. People fattened pigs in their back yard. The women delivered them to the factories close to the quays in case their men spent the pig money on drink on the way home.”

Straight-on shot below …

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The Trooper

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One of loyalism’s most famous muraling icons – paradoxically of the peace-time era – is Eddie The Trooper. This one is in the Waterside’s Ebrington Terrace, Londonderry. For others in other locations, see Eddie’s Visual History page.

The first part of the words above the board come from the last paragraph of this WWI order: “There must be no retirement. With our backs to the wall and believing in the justice of our cause each one of us must fight on to the end”.

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Source: http://www.firstworldwar.com/source/backstothewall.htm

The last sentence of Haig’s order is not included; instead we here have “We determine the guilty. We decide the punishment.” which appears to be the motto of a “fantasy tabletop war game” Warhammer 40,000.

The image is a 1997 (according to Peter Moloney) replica, with additions, of a 1983 Iron Maiden cover (WP). This character, “Eddie”, was featured in much of Iron Maiden’s artwork. The two images below show a close-up of Eddie, now sporting a UFF badge on his shoulder, and of the victim on the left, now wearing a distinctively gold coloured epaulette to go with his green uniform and white sash.

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The board was painted by a group called ‘Attitude Artwork’, made up of Dee Logan, Mark Logan, and Marty Edwards (CAIN). In an interview with the BBC, Marty Edwards said, “I work for Attitude Mural Artists. We’re based in the Waterside, Londonderry and we paint predominantly Protestant paintings. We would usually paint paramilitary paintings for UDA people, UVF people in their own estates. You know, sort of to mark their territory bounds like, you know, stuff like that. Usually we’re left to our own devices, to come up with something that’s really intimidating, will antagonise Catholics. But this project I’ve been involved with two groups from both sides of the community, four schools. … ” (BBC)

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