The Evolution Of Our Revolution

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A history of nationalism/republicanism from left to right: a pair of Easter lilies, four generations of rifles, and then a switch to a ballot paper with a check in favour of “unity” and a road named “Unity Way”: “From bullet to ballot: the evolution of our revolution. 1916 – 2016”

This mural is on the north side of Hugo Street – the south side remains exclusively éırígí.

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Copyright © 2020 Seosamh Mac Coılle
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Going Aloft

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Artist emic (Eoin McGinn) left this parting piece on the shutters of LOFT (Belfast Art Studio & Collective web | Fb) which had to leave its 99 North St address in January due to the impending development of the area. Below is the Sonic The Hedgehog piece it replaces (which itself is on top of the re:Store couch.

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Home Of Champions

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Immaculata amateur boxing club (Fb) (or simply “The Mac”) in the Lower Falls will celebrate its 70th birthday in May this year. This long mural, painted in 2015 and featuring boxing past and present, is in Servia Street, near the club’s Albert Street home.

Previously: Come On The Mac

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We Bleed That The Nation May Live

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Arrayed against the forces of the British Army (which are shown laying siege to the Dublin GPO during the Easter Rising in armoured cars and in sniping positions in the foreground of the mural, along the whole length of the wall) are various symbols of Irish nationalism: 

Oliver Sheppard‘s 1911 statue of Cú Chulaınn dying (see the Visual History page);
the pikemen of the 1798 Rebellion (featured in Éırí Amach 1798);
the four provinces of Ireland;
Érıu the mythological queen of Ireland/Éıre as designed by Richard J King/Rísteard Ó Cíonga; Easter lilies;
the emblems of Na Fıanna Éıreann and Cumann Na mBan on either side of a quote from (The Mainspring) Sean MacDiarmada, “We bleed that the nation may live; I die that the nation may live. Damn your concessions, England: we want our country”; 
a phoenix rising from the flames of the burning Dublin GPO (inspired by Norman Teeling’s 1998 painting The GPO Burns In Dublin);
the GPO flying an ‘Irish Republic’ flag and a Tricolour;
portraits of signatories and other rebels — (left) Padraig H. Pearse, Thomas J Clarke, Eamonn Ceannt, Thomas MacDonagh, (right) Countess Markievicz, James Connolly, Sean MacDiarmada, Thomas Plunkett; 
the declaration of independence, placed over the advertising box of AA Accountants – see the in-progress shot below.

For more work-in-progess images, see Éırí Amach 1798. At the very bottom is a quote from the mother of Gerard ‘Mo Chara’ Kelly, Harriet Kelly: “We want the freedom of our country and your soldiers out.”

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In The Community

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A socially-themed mural in east Belfast: On the dark, down, side: (peer-)pressure, crime, consequence, death, illness, breakdown, suicide. On the up, bright, side; education, work, successful, “enable, empower, equip” (the motto of CharterNI)

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The Back Of The Net

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The Irish News last week reported the concerns of west Belfast parents whose children sometimes play under-10 football at Inverary Community Centre, in front of the UVF mural shown above, with the flags of Scotland and the United Kingdom in the background. East Belfast FC, which is based at Inverary, responded that the complaints are “contrived” and that all children are welcome at the ground.

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Jason Williams

Graffiti artist Jason Williams (REVOK) is paid homage by Psychonautes in Corporation Street. In 2018, H&M would sue Williams for use of a Brooklyn, NY piece by him (WaPo) before capitulating to a public outcry on-line.

Below is a wide shot of the street art in Corporation Street prior to being covered by Glenn Molloy’s gallery of famous faces. From left to right:

Bacchus by JMK
[writing]
[skull]
Crow by Faigy
[pig]
Jason Williams by Psychonautes [and before that, a floating head]
Three Missed Calls by DMC
[writing, three panels, one by Filth?]
[waitress]
[bowling ball face]
Amanda Jayne

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