Fiddling in the north of Ireland is common to both Nationalist and Unionist communities and the “old Antrim” style is influenced by Scottish playing (USFO).
Mural by Liquid Colour Design on the wall of Millar’s pub in Ballycarry, County Antrim.
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Ballycarry village sits in County Antrim countryside surrounded by the townlands of Ballyhill, Redhall, Forthill, Blackhill, Aldfreck, Lochstown, Beltoy, Bentra. The large pale oval to the right of the picnickers is one of many “seeds” falling from the sky and settling into the earth, which by growing make Ballycarry a pleasant place: “I can see Scotland on a clear day”. The Mutton Burn Stream (lyrics | music from the Ulster-Scots agency) is a song written by Ballycarry resident William Hume (QUB) about the river to the north-west of the village (WP). More about Ballycarry from the BBC’s Ulster-Scots page.
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X02596 X02595 X02594 firm friendship time cannot kill flower of remembrance togetherness fields cows butterfly pheasant horse cart milk sheep snail worm haystacks stream
“Heroin dealers will be shot dead – ONH”. Graffiti on the Falls Road (at the old Linden Street).
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X02597 oglaıgh na héıreann specsavers get two free pairs of kids’ glasses
Jef Aérosol (Jean-François Perroy) is a French stencil-artist who did (at least) three pieces in Belfast. Below is a crossed-legged boy that was in Islandbawn Street and above is an accordion-player in Sevastopol Street; for a third piece, on Northumberland Street, see C02031. When the nearby Bobby Sands mural was extended this past year (2015), the stencil was retained. (See also the Visual History page of the Bobby Sands wall.)
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The Bobby Sands mural in Sevastopol Street has been given a facelift, including the blocking-up of a vent on Sands’s left cheek. Kieran Doherty and Joe McDonnell have been added in place of the 1798 medallions on each side. On the side-wall are Sean McCaughey, ten doves representing the 1981 hunger-strikers, and Long Kesh. Aerosol‘s accordion-player stencil has been also been retained.
For a full history of the wall, see the Bobby Sands (Sevastopol Street) Visual History page.
Ag sráıd Sevastopol cuımhnıtear ar Bobby Sands ı múrmhaısıú a aithnıtear ar fud an domhaın. Ba scrıbhneoır, file, réabhlóıdí agus díograıseoır Gaeılge é Sands. Fuaır sé bas 5 Bealtaıne 1981 tar éıs 66 lá ar stailc ocraıs. As ucht na dıograıse a thaıspeáın Sands agus a chomhchımí ı leıth fhoglaım na teanga faoı choınníollacha uafásacha Bhlocanna H na Ceıse Fada, spreagadh glúın úr chun dul ı mbun athghabháıl na Gaeılge.
Here at Sevastopol Street Bobby Sands is remembered in a mural which has become world-renowned. Sands, a writer, poet, revolutionary and Gaelic enthusiast, died on May 5th 1981 after 66 days on hunger strike. Sands and his fellow prisoners inspired a new generation to reclaim the Irish language enthusing them by the huge efforts they put into learning Irish in the horrendous conditions on the H Blocks of Long Kesh.
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X02586 X02587 everyone Republican or otherwise has their own particular role to play our revenge will be the laughter of our children joe mcdonnell i’ll wear no convicts uniform nor meakly meekly serve my time that Britain might make Irelands fight 800 years of crime ira volunteer
This vintage piece of graffiti, “Provisionals”, is on the side of a house in Twinbrook’s Gardenmore Road.
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This is a new (2015-04-04) tarp on Ardoyne Avenue showing a scene from Grafton Street in the Battle Of Dublin in the civil war (1922) (irishhistory.blogspot.com), with in-sets featuring PIRA volunteers on patrol in 1987 (BelTel), and a home-made rocket-launcher used in a 2014 attack on police (see, e.g. irishmirror.ie).
“There can never be peace in Ireland until the foreign, oppressive British presence is removed leaving all of the Irish people as a unit to control their own affairs and determine their destinies as a sovereign people, free in mind and body, separate and distinct physically, culturally and economically.” Bobby Sands (Prison Diary May 1st)
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X02585 provisional ira
“Were you at the rock?” A red-headed lass (from an illustration in the Weekly Freeman of December 19th, 1891, commemorating 1798) with a horn stands watch for others at a mass rock – a stone in a remote location for Catholic worship, made necessary by a Penal law of 1695 which forbade the religious practice of Catholicism and “dissenter” forms of Protestantism (that is, anything other than Anglicism) (source). The harp, with a “cap of liberty” rather than a crown (WP), together the slogan “Equality – It is new strung and it shall be heard” is the emblem of the Society of United Irishmen (WP). On the other side of the mural (seen below) linen lies in the fields bleaching and a farmer and wife plough the land with a team of horses and distribute seed.
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X02583 X02582 irish harp priest buckle shows welcome to glenbawn fáılte go gleann bán painted by Eithne Kane
James Connolly was concerned not just with the political independence of Ireland but its economic independence: both political and economic liberty were required in order for the human being to live freely. The quote in the image above comes from Connolly’s 1897 essay “Socialism & Nationalism”. The economic context is clear when we read a little more broadly:
“To the tenant farmer, ground between landlordism on the one hand and American competition on the other, as between the upper and the nether millstone; to the wage-workers in the towns, suffering from the exactions of the slave-driving capitalist to the agricultural labourer, toiling away his life for a wage barely sufficient to keep body and soul together; in fact to every one of the toiling millions upon whose misery the outwardly-splendid fabric of our modern civilisation is reared, the Irish Republic might be made a word to conjure with – a rallying point for the disaffected, a haven for the oppressed, a point of departure for the Socialist, enthusiastic in the cause of human freedom.” (marxists.org)
Takes the place of Padraig Pearse’s “The fools, the fools …“
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X02581 5th june 1868 – 12th may 1916
“Ar aghaıdh linn [Onward]” Silhouetted figures, one carrying a hurley, take inspiration from a dying Cú Chulaınn and gaze across a body of water, perhaps Carlingford Lough towards the mountains of Mourne – Cú Chulaınn’s traditional place of death is in County Louth, outside Dundalk. Tuan the hawk historian, who has seen all of the conquests of Ireland, flies overhead.
Cú Chulaınn has his own Visual History page.
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X02580 mo chara gerard kelly
Seosamh Mac Coille Collection 