In early August the RNU blacked out an Ard Eoın Kickhams GAA mural in Ardoyne (featured previously) and replaced it with a tarp calling for the RUC/PSNI to be disbanded (see this Belfast Live article for an image). After complaint from the local community, the tarp was removed and the central part of the mural was repainted, showing the celtic cross of Cumann Lúthcleas Gael, a football, sliotars, and hurleys. Members of the RUC were forbidden from GAA membership until “Rule 21” (WP) until 2001; they are now permitted to join and play Gaelic games, even if they not welcome in the area – see the image below.
Incidents involving ships of African emigrants seeking refuge in Europe are so many that there is a separate Wikipedia page for them. In response to the crisis, an old mural in Crocus Street (see M01486) remembering the emigration of Irish to North America during the Great Hunger was repainted and the lower part (which had images of the Great Hunger) replaced by stencilling which makes reference to the 2015 situation: “Ireland/Éıre 1845 – Europe/An Eoraıp 2015”, “Refugees welcome – Fáılte roımh theıfıgh”, and “No human is illegal – Níl aon dunıe [duıne] mídhleathach”. It was immediately vandalized with a “not” (see the final image, below; Fb) but has now been repaired, along with the mis-spelling.
Update 2015-10-19: the mural has been graffitied with “SF hate blacks” – see the fourth image, below.
Actor Leonard Nimoy died on February 27th, 2015. He is best known for the role of Star Trek‘s Spock, a part he played for 49 years. The mural above brings the character from space to the streets, with gold chain and skull hat. “Trek yourself before ya wreck yourself.”
The wave of people seeking asylum from political strife in Europe continues.”Fáılte romhaıbh a chaırde” is Irish for “Welcome, friends” while “Qaxootiga soo Dhaweyn” is Somali for “Refugees welcome”. Somalis make up about 9% of the current wave of migrants from Africa and Syrians 33%. (Irish Times) 2,000 refugees are to be settled in Northern Ireland. (belfastlive) The yellow-on-black outline of parents and daughter running originates in the United States, used on ‘caution’ signs along highways near the US-Mexico border. For images of the mural’s launch on September 12th, see the WARN twitter feed.
The masthead of the 1916 proclamation declaring a “Provisional Government of the Irish Republic” to the “People of Ireland” is faithfully reproduced in this éırígí stencil, along with busts of Padraıg Pearse and Tom Clarke. Pearse, Clarke, and the other signatories will likely be familiar faces in the months leading up to Easter 2016, which is at the end of March, and the anniversary of the date itself, April 24th, 1916.
See also this entry featuring a fly-paper reproduction of the 1916 Proclamation: Brotherhoods.
Gerard ‘Mo Chara’ Kelly painted these three images of Patsy Cline in the back garden of a Springhill neighbour. Cline died in 1963 at age 30; the three panels show different stages of her short career: the first shows her in cowboy gear, before turning to pop music, the second is based on a 1957 publicity shot for her new label, Decca, and the third shows her in 1961. Her cover of Don Gibson’s Sweet Dreams was released as a single in the wake of her death.
Here is video of Patsy singing Willie Nelson’s Crazy and, below that, Marsha Thornton doing the song from which today’s title comes:
Black taxis were first brought from England to Belfast in 1970 by locals who wanted to provide an alternative, and locally-based, transport system to augment the Citybuses which were sometimes cancelled and sometimes burned out. “West Belfast Taxi Association. Providing Belfast with a public transport system for over 40 years/ A Dhıa deán trocaıre ar a nanamacha.”
The board above commemorates eight drivers who were killed during the troubles: “Dedicated to the memory of Michael Duggan 12/11/75, Jim Green 5/5/77, Harry Muldoon 31/10/84, Paddy McAllister 26/8/86, Caoımhín Mac Brádaıgh 16/3/88, Thomas Hughes 19/7/91, Hugh Magee 10/10/91, Paddy Clarke 2/2/92. Murdered in the service of their community.”
Calls for “truth” and “justice” concerning the killing in August, 1971, of 11 people from Ballymurphy, by the 1st Parachute Regiment during Operation Demetrius, the beginning of internment.
The final three panels (panels 16-18) of the ‘murdered’ follows to the right of the Ballymurphy board. (These are new additions, as compared with 2011.) They are then followed by the final board, to the WBTA.
“11 people in west Belfast from the Greater Ballymurphy neighbourhood were murdered by the British Army as internment without trial was violently carried out on August 9th, 1971. Proper police investigations were never undertaken and one has served a day in prison for causing these deaths. The familys of those murdered deserve and demand the truth be told by the state about its policies and actions of those who carried them out.”
Two boards about collusion in Beechmount Avenue. The first chronicles (both in words and images) alleged instances of collusion between the RUC and loyalist paramilitaries, citing John Stevens, Peter Cory, and Nuala O’Loan – pages from the 2007 O’Loan report are shown in the second, below.
The McGurk’s Bar bombing of December, 1971 killed fifteen people – the most in a single incident during the troubles – capping what had already been a bloody year, including the “Ballymurphy Massacre” of July, in which 11 died, and starting another round of killings that would spread into the new year. Campaigners for an inquiry were busy this week in both Dublin and Belfast (Irish News).
The first nine panels of the ‘murdered’ follow to the right of the McGurk’s Bar board, presented here three-at-a-time. Note that the ninth panel (with Terry Enright in the top left) was previously the 11th panel; it is not clear why it has been moved left.
Seosamh Mac Coille Collection 