“Labhaır an teanga Ghaeılge lıom.” Catholic (and Presbyterian) education was prohibited by the penal laws (WP) and particularly the Education Act of 1695 (WP) – this is probably what’s on the notice on the left-hand tree. Schooling by Catholics (in Irish) nonetheless took place, in covert houses and outhouses, as well as in fields and hedge-rows. The Act was repealed in 1782, provided the teacher took an oath of allegiance to the Crown.
The mural is in Ardoyne Avenue, alongside the Mass Rock mural. See also the Cromwell mural in the lower Shankill estate.
This mural commemorates the repression of Catholicism and use of mass rocks as secret locations in the days of Cromwellian conquest and the penal laws, c. 1650-1800. The 1652 Act Of Settlement banished Catholic priests from the island and services had to be held at short notice in remote locations, with sentries posted to keep watch against soldiers from the New Model Army. Laws against the practice of Catholicism in Ireland were not lifted until the 1782 Roman Catholic Relief Act (PCUG).
“Is í an charraıg seo ıonad adhartha ar náıthreacha, áıt ar cothaıodh an creıdeamh do na glúnta a bhí le teacht.” [“This rock is our ancestors’ place of worship, where religion was preserved for the generations that were to come.”]
Easter lilies, starry plough (WP), Irish tricolour, black beret and gloves, commemorating dead IRA volunteers from the third battalion of the Belfast brigade.
The plaque on the stone in the corner thanks local residents for their contribution to the struggle. There’s a close-up of the stone in Peter Moloney’s collection (M02420).
“This mural is dedicated to the memory of those local republican activists [34 portraits of volunteers from “A, D, F foıreannacha, cathlann 3rú, Brıogáıd mBéal Feırste”] who devoted their lives to the cause of Irish freedom. Ar son na c[ú]ıse. Óglaıgh na hÉıreann. Unveiled by Sınn Féın councillors Martin Meehan and Margaret McClenaghan.”
“Many suffer so that some day future generations may live in justice and peace – Bobby Sands MP.”
“Dedicated to those friends and neighbours from Ardoyne, the Bone and Ligoniel whose contribution and support to our struggle was and remains invaluable. Aıthníonn muıd a gcrógacht. Óglaıgh na hÉıreann. Meán Fómhaır 2003.”
“Is beo ár cheoıl fós” [our music still lives] The Blind Piper is a painting (original) by Joseph Haverty (WP), here placed in the context of North Belfast’s Cave Hill.
Sponsored by North Belfast Cultural Society (“NBCS” in the apex).
A twofer here, as we get graffiti next to the mural decrying Sinn Féin on Shankill Parade. “J[ohnny] Adair, T[homas] Beresford – the real pimps.” For UDA C Coy pimping, see Free Library, but why Adair and Beresford are the real pimps is unknown. See the Visual History page on the Adair-Era Murals for background on Adair; see this BelTel article for information about the feud.)
Here’s a shot of the wider scene, from the Boundary Street side, with more graffiti about Johnny Adair: “Pimp Adair, bring it on. Jan 05.” “Jan 05” is a reference to Adair’s forthcoming release from prison.
“In proud and loving memory of Stevie ‘Top Gun’ McKeag, born 1970, died 2000, military commander, C coy, 2nd Batt, UFF. Sleeping where no shadows fall.” “Ulster Freedom Fighters – This mural is dedicated to memory of Stevie ‘Top Gun’ McKeag (WP).”
Hopewell Crescent, lower Shankill estate, west Belfast
“We demand the right to march.” This mural in the lower Shankill is about the disputed Orange Order parade (WP entry, including a map of the route) to Drumcree Church in Portadown, part of which goes along the CNR Garvaghy Road.
“Here we stand, we can do no other” is a variation on Martin Luther’s pronouncement at Worms, the subject of this mural.
North Boundary Street, lower Shankill estate, west Belfast
This lower Shankill UDA/UFF C company mural is a survivor from the days of Johnny Adair. There is a separate Visual History page on the Adair-Era Murals.
Shankill Parade, lower Shankill estate, west Belfast