Che’s Afterlife

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Henri Cartier-Bresson said of Che Guevara’s eyes that they “glow; they coax, entice and mesmerize.” (WaPo), and (in a special feature ‘This Is Castro’s Cuba Seen Face To Face‘ that he shot for Life magazine) described Che as “an impetuous man with burning eyes and profound intelligence who seems born to make revolution”. The descriptions seem to fit the iconic “Guerrillero Heroico” photo by Alberto Korda, which Jim Fitzpatrick took as the basis for his two-tone poster version, but raised the eyes even more (WP).

This small Che board is in the alley between Ross Road and the Falls Road, near You’re Never Alone, over the back door to someone’s yard. It dates back to at least 2016.

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You’re Never Alone

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“Be smart, don’t start” – taking drugs, that is. This is a recent mural on the Falls Road, Belfast, with nine panels that discourage youth from taking drugs, alternately by reminding them of their dangers (including death – “Drugs can thrill but they also kill.” “I’m dying to meet you.” “If you dance with the devil you remain in hell.” “Don’t let drugs ruin something beautiful.” “Don’t get trapped by drugs.”) and providing support in persevering through dark times (“There is always light beyond the darkness.”
“We all have a choice in life.” “Hugs not drugs.” “Always remember you’re never alone.” “Try to be leader not a follower.”)

With support from Belfast City Council, Divis Youth Project, Greater Falls Neighbourhood Partnership, Falls Partnership Initiative (Falls Residents).

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All Children Have Rights

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The Bogside Inn and bogside shops have been razed and “exciting plans” made for a new development (Derry Journal). All that remains at present is the electrical station near Durrow Park, and all that remains of the murals along Meenan Square is the final panel shown above: “All children have rights and these rights must be protected.”

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Monarch Of The Glen

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London street artist Irony (ig) drew on Edwin Landseer’s 1851 painting The Monarch Of The Glen (WP) for this piece of street art – fitting with its location as both near the Glen area of London-/Derry and formerly the old Scotch quarter (Derry Journal) – but updating it for contemporary audiences with an environmental message and the source of its less formal name: Stag With A Bag.

With support from London Calling (web).

Glenview Avenue, London-/Derry. Another large piece by Irony (in Belfast): Pearl.

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Coming Back To Drumahoe

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Jim Donaghy was born in the Bonds area of the Waterside but when he joined the 10th (Derry) Battalion his family was living in Drumahoe. It was to there that he returned after seeing action at The Battle Of Albert in 1916, as well as the Battle of Messines, the Battle of Langemarck, the Cambrai Operations, and the Capture Of Bourlon Wood (Reserves & Cadets | Three Cheers For The Derrys). 

“”I arrived in Larne on the ferry from Scotland and before I caught the train to Londonderry, I sent a telegram to my mother telling her I was on my way. When I arrived in Waterside Station, there was no one there to meet me so I started my long walk to Drumahoe. As I walked down Daly’s Brae in my uniform, someone must have spotted me in the distance. The bell of Clarke’s Mill at Drumahoe started to ring frantically to my mother that I was home. When I got home the house was filled with my friends, relations and neighbours. They were overjoyed.” – Jim was home – it was over at least. Cpl Jim Donaghy returning home from the First World War.”

“Cpl Jim Donaghy MBE, 10th Royal Inniskilling Fusiliers and his former family home 2 Fincairn Road, Drumahoe.” The mural is on the yard wall of the house, which still stands.

“In remembrance of all those who served at home and abroad.”

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Spirit Of ’93

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The house in Bond’s Place that had been home to an Eddie mural for many years was torn down last summer (see final image for the hoarding around the site of the absent gable); it had been used since at least 1982 for images of the Commonwealth, King Billy, and, since 1996, Eddie The Trooper. The final Eddie board that was on the wall has been moved one neighbourhood over, into Lincoln Court. It was the first to include the words “Spirit Of ’93” – presumably a reference to the Greysteel Massacre in which eight people in the Rising Sun bar were killed in reprisal for the Shankill Bombing (BelTel). The “raid” was planned in – and both gunmen rented rooms at – the UDP office on Bond’s Place, just across Bonds Street (NI Judiciary).

Eddie has his own Visual History page.

“SLMFB” is the Sergeant Lindsay Mooney flute band.

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After We Are Gone

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Patsy O’Hara was born in 1957 Bishop Street, Derry, and joined Na Fıanna in 1970 and the local Sınn Féın cumann in 1971 and, in August was shot in the leg by British soldiers. In 1972 he joined the Republican Clubs and in 1975 the IRSP. He was imprisoned multiple times, the final time being in January 1979 for possession of a hand grenade (Bobby Sands Trust). He went on hunger strike 41 years ago tomorrow (March 22nd) and was the first of the three INLA hunger strikers to die in 1981. The long-standing mural in Bishop Street was repainted for the 40th anniversary of his death. (For the previous version, see Let The Fight Go On.)

“Óglach Patsy O’Hara, INLA Derry Brigade, Irish hunger striker, who died after 61 days on 21st May 1981, age 23. Last words ‘Let the fight go on’.”

“After we are gone, what will you say you were doing? Will you say you were with us in our struggle or where you conforming to very system that drove us to our deaths?” – these words also appeared in the 2013 mural to O’Hara on Shaws Road, west Belfast.

Bishop Street, Derry

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No Island Is An Island

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Two criticism of neoliberal globalism in Frederick Street, Derry: above, a rationale for the Russian invasion of Ukraine: “Fuck NATO – warmongers”; below, “Sinn Féin globalists” – criticism of Sinn Féin’s support of Ireland’s membership in the European community (which is possibly a critique from the far-right National Party (web), according to the Guardian).

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Dee St 2nd Batt

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Perhaps because of the Covid pandemic, this mural of UDA volunteers on parade reflected in the sunglasses of one of their comrades took months to complete (it was started in late 2020 and was still unfinished last summer). It replaces the previous “UFF Formed 1973” mural – see Northern Island.

The photograph reproduced is from the 1974 Ulster Workers’ Strike; it appeared on the cover of Don Anderson’s Fourteen May Days (CAIN).

Avoniel Road, east Belfast

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