On the Ballysillan Road at the bottom of Kilcoole Park.
The stencils of King Billy have appeared all over Tyndale and down onto the Ballysillan Road outside the Boys’ Model.
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The kerb-stones along the Edlingham Street (Duncairn Avenue) entrance into Tiger’s Bay have been repainted in preparation for this year’s Twelfth and the two pillars given bands of red, white, and blue.
The bonfire is on the waste-ground at Adam Street. The fact that the land is owned by the Department Of Infrastructure made the bonfire controversial in 2021 (see Move At Your Own Risk).
For the mural in the community garden, which now appears defunct, see Seek And You Shall Find.
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Here is a gallery of images from the new, multi-panel, floral mural in the middle of the New Lodge.
The mural was painted by emic (ig) with young people from the New Lodge Youth Centre, sponsored by Communities In Transition (a programme of the Executive Office) and organised by Community Restorative Justice Ireland (web).
For the POW mural, see Unbowed, Unbroken; for the JFTC2 mural, see JFTC2; for the Noah Donohoe mural, see 14 4 Ever.
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“Justice delayed is justice denied by the Office of the Chief Constable, Attorney General and The Police Ombudsman.” McGurk’s bar was bombed in December, 1971, causing the death of 15 people. At the time, the security forces maintained that the bomb was left by someone from the IRA for later collection and that the pub was affiliated with the IRA, despite the fact that a loyalist group claimed responsibility and a witness saw the bomb being planted a few moments before it went off. Among those repeating the “own goal” story was Brigadier Frank Kitson (McGurk’s Bar twitter | BelTel), who was recently named in a Derry mural in connection with Bloody Sunday – see From The Top Down.
For the bar-front (visible in the wide shot) and the plaques at the spot, see McGurk’s Bar Bombing | McGurk’s Bar | McGurk’s Bar.
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Here are two more responses to the coronation of King Charles last weekend: (above and last) a Lasaır Dhearg (web) tarp in north Belfast reading “Fuck King Charles”; immediately below, an Éıstıgí (web) sheet/flag reading “Ní Mo Rí [Ní hé mo rí é/[he is] not my king]. Not our king.” in Strand Road, Derry.
Compare previously: England’s Bloody Empire and Not Our King with The Settlement Of The True Protestant Religion.
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“Rotten And Corrupt: Christopher Little (39) entered guilty pleas to nine charges at Belfast Crown Court last month – including attempting to have sex with a child. [Irish Times] 20 officers shared racist, sexist and misogynistic messages including texts and images which mocked Arabic and Islamic people. [Spotlight programme] Six PSNI officers all had hearings for an array of alleged offences. PSNI revealed they themselves had dismissed 11 police officers amid claims of over 130 misconduct cases throughout the force. [Belfast Live]”
It’s not clear who is behind these flyers in north Belfast; the harpist on the electical box is by Kerrie Hanna (ig).
New Lodge Road, Belfast.
Update: the posters have been removed (by the end of July, 2023).
See also the Visual History page for electrical boxes.
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There are dozens of Easter Rising commemorations happening this weekend – see Belfast Media for a full calendar. Above is a board for Saoradh’s (web) Easter parade on Saturday 8th. Below is the Falls/D Company gathering.
“National Republican Commemoration Committee Easter commemoration. Unfinished revolution. 2.30 pm Saturday 8th April. International wall, Divis Street, Belfast. Bands in attendance. Honour Ireland’s patriot dead, wear your Easter lily with pride.”
Havana Way, north Belfast.
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“Joseph Plunkett & Grace Gifford – their final embrace & farewell.” May 4th is the anniversary of the execution of Joseph Plunkett, one of the planners of the Easter Rising in 1916. Seven hours before he faced the firing squad, he married Grace Gifford. The photograph is from a re-enactment for a 1966 RTÉ programme Insurrection (RTÉ). The ballad Grace, written by Seán and Frank O’Meara in 1985, is now internationally known (here is Jim McCann’s 1985 performance).
This is one of various recent additions to the many memorials in Ard An Lao, Béal Feırste/Ardilea, Belfast. This replaces the board seen in Continuing Their Legacy.
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“Just before Joseph’s execution by British forces in Kilmainham gaol on Thursday May 4th, 1916”
It is a year since the new policy on bilingual street signs was made public; by September there had been 500 applications (Belfast Media) but by January of this year no new signs had been erected and 600 applications were awaiting decision (Belfast Live | Irish News from Feb). One new sign – shown here – was erected in February on Clifton Street (Belfast Media).
From 2016: Céıde Bhaıle Uí Mhurchú
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As the Visual History page on the role of Cú Chulaınn makes clear, in PUL muraling and iconography, Cú Chulainn serves as the “ancient defender of Ulster”, and the B Specials, UDR, and loyalist paramilitaries – primarily the UDA but also the UVF – then fit into that tradition. Using Cú Chulaınn as a precursor for service in the Ulster Division of WWI is unique to the panels on Highfield green, five of which are devoted to the hero Cú Chulaınn and four – two on each end – refer to the Great War.
The five Cú Chulaınn panels are (from left to right) Boy Warrior, Hound Of Ulster, Sheppard’s statue, Hero Warrior, and Defender Of Ulster – all shown individually in this post.
On the far left, there are two panels showing Messines tower and a few lines from a Ronald Lewis Carton poem Réveillé (though given a more ‘victorious’ ending) and on the far right, a few lines from Duncan Campbell Scott’s To A Canadian Lad Killed In The War and Thiepval tower. The words to I Vow To Thee My Country (lyrics) are along the bottom (see the wide shot, final image below).
The biographical panels focus on Cú Chulaınn’s age – the sixth panel emphasises that Cú Chulaınn was only 17 when he held off Maeve’s forces – which is perhaps a similarity with those who joined the 36th Division, but how the “defender of Ulster” is connected to the defense of Europe is obscure.
In the background of the wide shot the Cú Chulaınn mural can be glimpsed.
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Seosamh Mac Coille Collection 