Here are in-progress shots of “Freedom Corner” from mid June (images 1, 2), early July (images 4, 5) and early August (image 6), plus the info board that was posted to give people an idea of how the gables would look when complete (using the Tommy Herron mural in Bangor).
The Lasaır Dhearg board takes the “poster officer” from the 2021 recruitment campaign and puts them against a backdrop of riot officers firing plastic bullets. “17 people have been killed by plastic bullets, including 8 children.” “It is believed that the PSNI retain a stockpile of over 50,000 deadly plastic bullets.” The British state does not use plastic bullets anywhere but occupied Ireland.” “The PSNI is not a normal police force.” Here is the 2021 Amnesty report on the use of water cannon and “Attenuating Energy Projectiles” in the north. In November, relatives of Carol Ann Kelly went to Stormont to call for an end to the use of plastic bullets (BelTel).
The Sınn Féın board appears to involve stock photography, as we have noted before in Will This Work For You?
The Vault Artists’ car boot sale is this Sunday, from noon until five, in the car-park of their premises on Tower Street. The old Met building has served as a home for about 120 artists of all kinds since 2018 but they are now looking for new digs (Belfast Live) as early as March, 2023 – the site will be razed and turned into social and affordable housing. Here’s a 14-tweet thread on the impending move. Suggestions for new places are welcome, to future at vaultartiststudios.com.
The sale this weekend serves as a fund-raiser. The car-park is ringed by murals, including those included today, from FGB (ig) (the welder, mushroom, Oui Poutine, and Joy – with Rob Hilken), unknown (Show Some Love lettering, with “Love” having been painted over), NEUF and KVLR (ig) who painted the Lucha Libre wrestlers), and Leo Boyd (web) (L’Absurde and Belfast Kitty Hall).
? , ? , Ruth Cruthers, Kerrie Hanna, Hannah Smith, ?Ruth Cruthers?, Leo Boyd, Leo Boyd, Jonathan Brennan
(r) FGB, Rob Hilken, Sally O’Dowd
FGB, Dragoș Mușat, Conor McClure, ?Margaret Woods Moore? replacing an earlier Leo Boyd piece, FGB, Sally O’Dowd, Kerrie Hannah
Soccer player James McClean grew up in Creggan and – while playing for a succession of English clubs – has been criticised for refusing to wear a poppy (while at Sunderland) and turning his back on the St George’s Cross as ‘God Save The Queen’ played (while at West Bromwich Albion). He also has a tattoo of Free Derry Corner flying a Tricolour on his thigh (Irish Times).
In the mural (by Dublin artist Aches (ig)) McClean is pictured here in an Ireland strip – McClean has 7 caps for the Northern Ireland under-21 squad but plays senior soccer for Ireland (WP).
The phrase “your silence will not protect you” comes from the essay “The Transformation Of Silence Into Language And Action” (pdf), in which US feminist and civil rights activist Audrey Lorde describes the damage to the self wrought by silence in response to fear and encourages us to find a perspective on fear that gives us strength: “I am not only a casualty, I am also a warrior.”
A week of speaking out from the Museum Of Free Derry/bloodysunday50.com and ArtsEverywhere begins today (June 13th) at 6 p.m. with the launch of an art exhibition entitled ‘From Bloody Sunday To Brexit’.
A graffitist at Amelia’s on Foyle Road has also found their voice: “50 years, no justice”, as the wrangling over the prosecution of Soldier F (and others) continues (Guardian).
Castle Arcade is so-called because it is the site of the original castle of Belfast, built by the Normans in the late 12th century and then rebuilt by Arthur Chichester in 1611. Chichester’s castle had “spacious gardens which extended from the river along to Cromac Woods and near Stranmillis” with “orchards, bowling greens and cherry gardens … fish ponds,” for “hunting, hawking, and other sports”. It was destroyed by fire in 1708 after which the area became commercialised as a market (ArchiSeek | Mary Lowry | BBC | Belfast Entries).
Two from Swiss artist Bust (ig | web) for HTN22, who describes his current work as “neo-pop”, combining pop art, cartoon characters, and traditional graffiti writing. The smaller piece is in Donegall Street, the multi-storey one can be seen from Kent St. A third, more casual, piece can be seen in Love, Loss, And Beyond .
Ballykinlar barracks in County Down was originally Abercorn barracks, used by the British to intern IRA prisoners during the War Of Independence, and the use continued under the new Northern Irish government (WP); the camp held about 2,000 prisoners (McGuffin, ch. 5). The prisoners attempted to maintain their military structure and perform drills; they created a currency using cardboard discs (images can be seen at Old Currency Exchange) – and, as a way to keep up morale, worked on “autograph books” in which prisoners would write dedications and verses for one another and occasionally draw pictures. The pages shown here are from books currently exhibited in Monaghan County Museum; Offaly Archives has digitised an autograph book; a few more images from a book in the Kilmainham collection can be seen at the BBC.
Here are four pieces of political commentary from Deptford and Rochester in London. “BoJo must go” – hounded by the Metropolitan Police over violating Covid lockdown, “Fuck Boris”, “We are all Daniel Blake – Conservatives kill disabled people” (by jellyjartist), and “Brexit is childish” graffiti on top of a portrait of artist Billy Childish.
Sons Of Kai flute band (ig) re-formed in 2006 (youtube | Coin Talk) but here claims as its origin date “1972”. IWM gives the founding year as 1970, and quotes one of the founders, Bo Kerr, saying that the band was named after Danish soccer player Kai Johansen (WP), who played for Rangers from 1965-1970, and that the “tartan” gang (History Ireland) ‘Rathcoole KAI’ subsequently took its named from the band. Then (BelTel) and now (Irish News | Slugger) “KAI” is understood to stand for “Kill All Irish”. A 1982 image of the Rathcoole KAI “red devils” mural can be seen in the Ciaran McGowan collection at IWM.
[2024 update: the band’s foundation story is told in more detail in Kai Johansen’s Bar.]