Perhaps because of the Covid pandemic, this mural of UDA volunteers on parade reflected in the sunglasses of one of their comrades took months to complete (it was started in late 2020 and was still unfinished last summer). It replaces the previous “UFF Formed 1973” mural – see Northern Island.
The photograph reproduced is from the 1974 Ulster Workers’ Strike; it appeared on the cover of Don Anderson’s Fourteen May Days (CAIN).
Chaplin’s first “talkie” was The Great Dictator in 1940, a satirical condemnation of Hitler (Adenoid Hynkel) and Mussolini (Benzino Napaloni). Towards the end, the Jewish barber impersonates Hynkel and gives a speech (youtube) in favour of liberty and democracy:
“To those who can hear me, I say, do not despair. The misery that is now upon us is but the passing of greed. The bitterness of men who fear the way of human progress. The hate of men will pass, and dictators die, and the power they took from the people will return to the people and so long as men die, liberty will never perish. [Soldiers, don’t give yourselves to brutes, men who despise you, enslave you, who regiment your lives, tell you what to do, what to think and what to feel! Who drill you, diet you, treat you like cattle, use you as cannon fodder.] Don’t give yourselves to these unnatural men, machine men with with machine minds and machine hearts! You are not machines! You are not cattle! You are men! [You have the love of humanity in your hearts. You don’t hate. Only the unloved hate, the unloved and the unnatural. Soldiers, don’t fight for slavery! Fight for liberty! In the 17th Chapter of St Luke it is written: “the Kingdom of God is within man” – not one man nor a group of men, but in all men! In you! You, the people have the power – the power to create machines, the power to create happiness!] You, the people, have the power to make this life free and beautiful, to make this life a wonderful adventure. [Then, in the name of democracy,] let us use that power. Let us all unite!”
“Women are a whole community – within her is the ability to create and strengthen and transform”. The mural is part of the ‘Communities in transition’ programme from Factory Women’s Group/Factory Community Forum (web | Fb), along with the ‘Be Aware’ mephedone campaign.
Lower Waterloo Street, Larne, formerly Factory Row, site of Brown’s weaving mill.
Two final pieces from Lower Waterloo Road, Larne: above, Winston Churchill, and below, Rangers. The Churchill quote comes from a letter to NI Prime Minister John Andrews when he stepped down in 1943. In full it reads “But for the loyalty of Northern Ireland [and its devotion to what has now become the cause of thirty Governments or nations,] we should have been confronted with slavery and death, and the light which now shines so strongly throughout the world would have been quenched.” Had the board been been erected more recently, it might have quoted another line from the letter: “During your Premiership the bonds of affection between Great Britain and the people of Northern Ireland have been tempered by fire, and are now, I firmly believe, unbreakable.”
Below is Walter Smith, two-time manager of Rangers, who died in 2021. See The Gaffer.
This post completes the set from Lower Waterloo Road in Larne – the wide shot shows Mephedrone to the far left; then Rangers, Duke Of Edinburgh, NI Centenary, and Churchill; Women Are A Whole Community is out of shot to the right.
“Larne – the original tourist resort” going back to Larnians, Romans, Christians, vikings, the Scots (Edward The Bruce), the English (Sir Moyses Hill) but most particularly after 1842, when the Coast Road was finished, making Larne the “gateway to the Glens” and inspiring Henry McNeill to create the package holiday (see previously Those Magnificent Men In Their Flying Machines). Ships carrying tourists from America would ferry emigrants on the way back – Boyd’s souvenir shop (shown in the first panel, above) sold Irish linen to tourists and one-way tickets to New York. After a double whammy in the 1960s of the Troubles and easier access to Spain, “tourism is flourishing again” thanks to the Gobbins and Game Of Thrones.
RUC Constable Norman Anderson was set upon and executed in 1961 by the IRA on the Fermanagh border as he returned from visiting his Co Monaghan girlfriend (SEFF) but he and his family hailed from Larne and he is remembered by the Constable Anderson Memorial flute band (emblem below), which was formed in the same year (Fb), and the Auld Boys (emblem above). These are two of three flute bands in the Factory area of Larne, along with the Clyde Valley flute band – see The Gunrunners.
The orange lily and the (pale blue) flax flower take their place around the Ulster Banner alongside the English rose and Scottish thistle, and the Irish shamrock is retained even in the presence of the lily. The flax is perhaps included because we are in the Factory area of Larne, near the site of a (former) linen mill. The Welsh daffodil is excluded. The detail above is part of a wider board “Boyne Square celebrates 100 years of Northern Ireland”; the flanking emblems of the Boyne Defenders (LOL 1297), Rangers Supporters club (Larne Branch) – which also uses the shamrock – Boyne Square Bonfire Forum, and Larne & District Great War Society and included below; the emblems of three flute bands can be seen in Norman Anderson and The Gunrunners.
Japan attacked the US naval base at Pearl Harbor (near Honolulu, Hawaii) on December 7th, 1941. In the movie adaptations of the events, Tora! Tora! Tora! (1970) and Pearl Harbour (2001), the Japanese Admiral Isoruku Yamamoto wondered if the effect of the attack would be “to awaken the sleeping giant and to fill him with terrible resolve” (WP). In the case of today’s images, the sleeping giant is a lion, and the lion is the UVF 1st East Antrim, with units not just in Larne, Ballyduff, Ballyclare, Greenisland, Glengormley, Monkstown, Rathcoole, Carrickfergus, and Whitehead, but in Drumchapel (Glasgow, Scotland), Springburn (Glasgow, Scotland), Possilpark (Glasgow, Scotland), Paisley (Scotland), Falkirk (Scotland), Liverpool (England), Blackpool (England), Corby (England), and Blairgowrie (Scotland). Balaclava’d men with ArmaLites stand ready: “Our forefathers fought for our freedom & rights/No border in the sea or we continue the fight.”
The combination of a free-floating Northern Ireland with Britain (in the first image, above) is rare in muraling, but necessitated by Brexit and the Protocol.
Walker Clubs – one of the associated clubs of the Apprentice Boys – are named for George Walker, joint Governor of Derry (with Lundy) during the siege, who died at the Boyne, on July 1st/12th, 1690 while going to the aid of the Duke Of Schomberg. In the centre is the crest of Londonderry: “Vita, veritas, victoria“.
This board in Larne’s ‘Factory’ districts shows, (clockwise from bottom left): the apprentice boysshutting the gates, the breaking of the boom to relieve the siege, Walker (who was also an Anglican priest) inciting the apprentice boys to shut the gates with a cry of “No surrender”, and, clasped hands signifying the connection between Larne Walker Club (Fb) and Maybole Walker Club in South Ayrshire, Scotland. A list of all the Walker Clubs can be found at ABOD.
Two Larne trees: above, the tree mosaic at the Town Hall steps created by artist Janet Crymble (see previously Sports We Love), with support from Larne Renovation Regeneration, Larne Trader’s Forum, and Mid & East Antrim Borough Council (NIWorld); below, the “Armada Tree” that is purported to have sprung from a chestnut or chestnut seeds in the pocket of a dead sailor in the Spanish Armada – the tree fell over after 432 years in 2020, a victim of root disease (anglican.org), but is remembered by the board depicting it in Upper Main Street, Larne.
“Local legend has it that when the Spanish Armada was passing these shores in 1588, a sailor was washed up at Ballygally village, no doubt from one of the ships blown off course by gales. Locals were said to have taken the body and buried it in the graveyard of the picturesque St Patrick’s Church at Cairncastle. The ancient tree beside the chuch grew from one of the chestnut seeds that the sailor had in his pocket when he was buried. The tree has been analysed and found to date back to the sixteenth century, adding credence to the story.”
Seosamh Mac Coille Collection 